DOMINION

1. The Unknown Door (22:33) (25/25)

The opening is soft, reminiscent of the Fanfare for the Common Man cover by ELP. The WWII radio in the back, the war-like horn section. This will take fans back to Harvest of Souls and The Seventh House, War Tale vibes like on a few other IQ epics. The opening section ends with a bit of a world music vibe too. Really cool!

The following section takes normal IQ songwriting while adding something totally different for them. Still the same soaring hammonds and mellotrons, guitar riffing, tambourine. This section tied together by an industrial sequencer led chorus. Weird part, a bit of a mess but doesn't hinder the listening excerience.

The next part is a bit heavier, what some call 'The Battle' section. Even compared to recent IQ works like 'The Road of Bones' and 'Resistance'... this is heavy. It has a really nice chorus-esque piece that really ties this heavy section together. Good hammonds, great mellotrons, chunky guitars sound really good too.

A little instrumental section, has some really silky basslines, really feels like 80s Neo-Prog. Has some Pendragon elements, but I feel like this section can be summed up into ... an 80s Neo-Prog bit with 2000's IQ flare.

The acoustic section next up reminds me HEAVILY of 'Dogs' acoustic sections by Pink Floyd, even 'Meddle'-esque. The Prog Folk elements are strong here. Plus these chords are very Floydian as well. Strong section, love the vocals, chords, instruments used... chef's kiss.

Now onto a slightly more typical IQ part, nice keyboard solo, well structured, proggy, but nothing new really. Just fits well in an IQ epic. Gives the average fan something to remind of the band they've always known.

The ending section is typical, a reprisal of the opening in a slower, more emotional, all instrumentalists involved. Is it unwelcome because of how predictable it is? Absolutely not. It's what you expect of a strong IQ epic.

Overall, this epic is a great alternative to Harvest of Souls. You want something just as well structured, has moments that are just as strong, and something a bit different? This is it. Each section feels like it's own song (which is the hallmark of a strong epic). Wonderful. The best epic since "Without Walls" and "Harvest of Souls" for sure (and it's not particularly close to me).

2. One of Us (3:10) (5/5)

Gorgeous acoustic track, beautiful. The vocals are soft, pleasant, and well mixed. The keys add a nice amount of atmosphere to this soft track. It's a song like Wintertell (off of 'The Lost Attic' by IQ). The song can even be compared musically to "I Believe in Father Christmas" by ELP (Greg Lake). Such a beautiful song, glad a song like that made it onto the final cut of an IQ album. Could make a grown man cry with how beautiful this is.

3. No Dominion (6:25) (9/10)

The single from the album. Of all the tracks, this is the one that retreads the most old IQ ground. Is that a bad thing? Absolutely not! This song, unlike the other singles, is a keyboard dominant track. I love how ominous and thick the keys are. The musical box like keyboard melody and sound is noted here, seems to be a theme. It's a typical IQ song structurally speaking, it shows the band's Genesis influence, while keeping it's darker side. Weird telephone like sound effect, followed by a wound-up musical box sound effect. Cool way to transition to the next song, sad there was a fade out. Good, strong, not groundbreaking, just good IQ.

4. Far From Here (12:44) (14/15)

The opening is very dark, atmospheric, love the opening a ton. Typical of a 2000's IQ mini-epic. A haunting musical box opening, very cool. Creepy, love it.

The next section shows off a bit more of Paul Cook's drumming skill. A bit heavier and more chaotic. Keyboard dense section with nice vocals from Peter Nicholls.

Definitely picks up a bit in the heaviness department, more straightforward, definitely just a bit more of a heavy chugging section. Probably the heaviest section of any IQ track ever released.

Sequencer to transition into the next bit, a bit like Nine Inch Nails or even Rammstein. Kinda returns back to the second sections theme. Nice reprise, ties the mini-epic together in a circular-esque structure. Beautiful chorus-like piece here too, love the mellotrons, sticks around in your head.

Soft, gentle end to this more chaotic mini-epic. Keyboard and guitar with a bit of vocals. Pleasant, it really fits on this album. Plus the end itself is just... so pretty.

This Mini-Epic overall does everything a solid IQ mini-epic ought to do. It's got good dynamics, heavy moments work well, gentler moments shine nicely, it's a more chaotic one than normal... but I think it works really well! It's a grower!

5. Never Land (8:16) (10/10)

The opening of this track is so beautiful. The lyrics are emotional, the mood is angelic, the production, silky basslines, piano in the back. This song is like a reworked, expanded, and restyled 'Oceans'. Amazing. One of the best album closers in their entire discography.

______________________________

Overall Rating: (63/65) Rating Percentage: 97% Favourite Track: The Unknown Door Final Grade: A+ ______________________________

I couldn't be more impressed with how the big boy's in Prog have released some of the best albums they've released in 2025. Steven Wilson's "The Overview" and IQ's "Dominion" have been borderline 'ten-out-of-ten' rcords!

This album takes tropes that this band is known for and adds completely new moods and sounds, effectively refreshing IQ's sound. It's impressive that over 40 years after their debut, they can still deliver high quality records. They haven't lost their identity, they only expanded on it. Incredibly confident album from IQ. It's concise, structured, well produced, and contains some of their best songwriting of the 21st Century. The second album this year to come close to my 10/10 score. 2025 truly has been one of the best years for Prog Rock in a while.

PA Rating: 5 stars - Essential: a masterpiece of progressive rock music.

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