FLOW MOTION

True - this album is a far cry from CAN's trademark experimental albums, but in a twisted way it is very attractive listen. Only "...And More" and "Babylonian Pearl" are clear throwaways - the rest is still interesting music, which although a bit closer to "conventional" rock (or even pop) songs still retains quality. If nothing, this album features a genuine multi-instrumental talent of Michael Karoli who shines brightly, be it with electric guitar solos and processed effects or with violin and Turkish baglama strings. He also shares lead vocals with Schmidt. Disco-like beat of CAN's ever only hit single "I Want More" is a catchy pop tune a la NEW ORDER of the 1980s (another reviewer cleverly pointed out at the opening guitar riff as a precursor to THE SMITHS' "How Soon Is Now" of 1984!), while strong reggae influences hold up to "Cascade Waltz", "Laugh Till You Cry" and the hypnotic title track (with some unearthly Karoli's guitar playing). This album is very interesting to explore, although it is far from being essential or important in the band's catalogue. 3,5 stars actually!