LARKS' TONGUES IN ASPIC

One of the most influential albums of all time. King Crimson yet again proves how very far ahead of the times they are with this astounding album of experimental bliss. Book ended by two epic's of the same name - "Lark's Tongue In Aspic" the first being an absolutely stunning composition, one of KC's finest. One of the highlights is the sublime percussion by Jamie Muir - it adds a ton of depth to this already deep track. Opening with a beautiful percussion intro, and soon exploding with one of the heaviest riffs anyone had heard at this time in 1973. David Cross contributes nicely to the overall sound, bringing his classical influence to the overall piece- listen for the very emotive solo after the first climax. Of course, we cannot ignore the amazing drumming skill of Bill Bruford, who really opens up and explores new territory on this album - along with John Wetton, they come together to form one of the heaviest rhythm sections in rock.

The album now takes a turn into (somewhat) more traditional rock territories. "Book of Saturdays" is a beautiful little track, including what sounds like some backwards guitar playing by Fripp. "Exiles" is probably the most easily accessible song on the album- reminiscent of their debut. This is quite a beautiful and atmospheric track, Wetton impresses with a superb vocal performance. The next song is a rather gritty, heavy track with extremely unique and imaginative percussion through out. The improvisation style that KC would soon embrace to it's fullest is apparent in this song, and another fantastic guitar solo by Fripp. The song crescendos around Fripp's guitar - and returns to the main theme. Great stuff. "The Talking Drum" is a very improvisational song in nature- an intense crescendo of pure musical splendor. I still have trouble believing this was recorded in 1973, it's absolutely mind-blowing! The album concludes with the second half of "Lark's Tongue In Aspic"- and return to the extremely experimental nature of the first half. Dark atmosphere and heavy riff's make this song sound like nothing else recorded.

More than an album, an experience. A true testament to Fripp's vision, aided by the incredible composers and musicians he surrounded himself with. A Timeless recording. 5/5