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THE SAGAIceNeo-Prog |
From Progarchives.com, the ultimate progressive rock music website


So here we have some experienced prog musicians, this is obvious on The Saga because the 10 compositions sound very professional and pleasant (melodic, harmonic, tasteful and varied): from dreamy to bombastic up-tempo (with echoes from Pendragon) in the opener Starlight, a lush symphonic rock sound delivering howling electric guitar in The Trail, dreamy and compelling featuring a fiery saxophone solo in Not Only Love, from slow to up-tempo with pleasant keyboard work (including a sitar sound) and a wonderful guitar solo in The River and bombastic with Floydian guitar and flashy synthesizer runs in Setback. The final long track This Battle delivers a splendid final part: first acoustic rhythm guitar and vocals with strong hints from early Uriah Heep, then exciting symphonic rock with great soli on guitar, saxophone and keyboards. The vocals on this CD are excellent: Hein v/d Broek delivers emotion and variety and succeeds to give the songs an extra dimension with his singing.
Dutch band Ice has made a strong debut-CD, at some moments a bit polished but in general very tasteful and entertaining with the strong guitar play and tasteful colouring by the keyboards as the main assets.


Ice plays a kind of melodic prog metal with strong AOR tendencies (more prog than metal, though), and some symphonic bits here and there. It takes some time to digest this massive epic and the singer may not be evryone´s cup of tea. Of course all the musicians are very good and the production is excellent (a bit too polished maybe). There are some great instrumental passages, with very well placed guitars and keyboards lines. I can´t point out no highlights nor real lows. I think Ice is very promising and I hope they develop their sound even more.
Quite strong debut. If you´re into melodic prog then The Saga is a good pick.
Rating: something between 3 and 3,5 stars.


This list of Dutch Neo Prog band seems neverending and Ice is yet another group to labeled as such, they have a clean and often grandiose sound, filled with keyboards and melodic guitars and, like many other Dutch acts of the style, they even throw in some organ lines to offer a kind of old-styled flavor.A bit similar to TIMELOCK, CLIFFHANGER and EGDON HEATH, the long experience of the members in the scene is reflected on a set of well-crafted compositions, based on atmospheric parts, crystalline vocals and odd synth flashing.At moments they even appear to explore a more AOR-spiced sound with striking rhythms and choruses, but for the most of its part ''The saga'' has this bombastic and epic style of modern Symphonic/Neo Prog with the dramatic turns, lyrical demonstration and emphatic musicianship.Speaking of lyrics, these were all written by a sixth hidden member, Rene Sterk.Ice prooved to be masters on creating strong emotional contents with this work, there are lots of changing moods throughout, ranging from melodramatic textures to more optimistic tunes, apparently the music goes the same way, passing from full-blown Neo Prog with symphonic keyboards and blistering guitars to more accesible and easily digested performances.Echoes of MARILLION and PENDRAGON dominate the album, which comes as another fine addition in the catalogue of Dutch Neo Prog.
The band kept it going with live performances over the years and in 2013 Sterk took over the bass duties for good, replacing the departing Henny van Mourik.
Solid Neo Prog with rockin' edges, epic deliveries and dramatic atmospheres.Did not expect anything else by a bunch of Dutch Prog veterans, an easy recommendation to all fans of the style.

Maryson was musically compared to e.g. Strangers On The Train (one of British keyboardist Clive Nolan's projects) and to their countryman Arjen Lucassen's megalomanic project Ayreon. Unsurprisingly also the hour-long The Saga is melodic and synth oriented Neo Prog with a symphonic tendency. I hear some Pendragon in the opening track 'Strangelight', and influences from Marillion's original vocalist Fish in Hein van den Broek's vocals. 'Farewell' is an emotional, somewhat Phil Collins reminding, piano & synth centred ballad just under three minutes long, while several of the ten tracks are around 6-7 minutes. The third track ('The Trail') is an enjoyably soaring instrumental where the guitarist Chris van Hoogdalem has plenty of space to shine.
The song-writing is pretty good all the way and the production is very clear. What irritates me a bit is the dominant presence of synth carpets in the background, and perhaps the capable rhythm section would have deserved more attention in the mix. The nearly 9-minute final track 'This Battle' has exactly the kind of wide canvas bombastic pathos and emotion that an epic natured album like this deserves. The sax part gets rather cheesy though. Nevertheless, this album is strongly recommendable to synth-friendly Neo Prog listeners who enjoy melodic bands such as Pendragon, Marillion, Like Wendy, etc.
It's worth mentioning that the lyrics were written by Rene Sterk upon his own short story called 'Ice'. The Ice project even continued with a musical production. The band performed for several years but never made another album.
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