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L'ASCENSIONE

Roz Vitalis

RIO/Avant-Prog


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Roz Vitalis L'Ascensione album cover
3.29 | 18 ratings | 5 reviews | 22% 5 stars

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Studio Album, released in 2002

Songs / Tracks Listing

1. The Risk-Burden-Taker (L'Ascensione 1) (7:02)
2. From Heaven to Earth (St Mark 9: 5 - 18) (11:41)
3. The Unpurified Substance Of A Soul (7:31)
4. Through A Spiral Of Vanity To The Reflections About A Decline Of Extinct Superstar (4:09)
5. Dreamy Memories (1:50)
6. Ascension Dream (12:46)
7. Before The Outset Of The Way (1:29)
8. Repentance (L'Ascensione 2) (14:08)

Total Time 60:36

Line-up / Musicians

- Ivan Rozmainsky / keyboards, programming, soprano recorder (4)
- Nadezhda Regentova / keyboards (2,8), vocals (3,4,6,8)
- Vladimir Polyakov / keyboards (4,5)
- Vassily Raskov / programming (7), vocals (1)

With:
- Ekaterina Sophronova / vocals (5)

Releases information

CD self-released (2002, Russia)

FLAC download - bandcamp.com

Thanks to felonafan for the addition
and to Quinino for the last updates
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ROZ VITALIS L'Ascensione ratings distribution


3.29
(18 ratings)
Essential: a masterpiece of progressive rock music(22%)
22%
Excellent addition to any prog rock music collection(22%)
22%
Good, but non-essential (44%)
44%
Collectors/fans only (6%)
6%
Poor. Only for completionists (6%)
6%

ROZ VITALIS L'Ascensione reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by apps79
SPECIAL COLLABORATOR Honorary Collaborator
2 stars Roz Vitalis is the creative vehicle of Russian composer Ivan Rozmainsky, hailing from Saint Petersburg.He named his project after the latin express Ros Vitalis (''Living dew''), intentionally remaking it to Roz Vitalis after his surname.The project started in 2001 with the first few demos being one-man attempts, before a first CDR appears under the title ''L'ascensione'' in 2002.Here Rozmainsky collaborates with female keyboardist Nadezhda Regentova, male keyboardist Vladimir Polyakov with Vassily Raskov and Ekaterina Sophronova helping with vocal parts in a couple of tracks.

While compositionally the album shows a potential and a mood for creating innovative and challenging music, the recording process and quality prevent the listener from actually enjoying it.''L'ascensione'' is entirely built on keyboards, pianos and synthesizers, having evident Classical Music, Avant-Garde and Soundtrack influences, that produce a cinematic, haunting and impressive atmosphere, filled with dissonance and grandieur.However the drum programming and sound effects really sound childish and annoying, like created by a computer of the lowest technology.The abscence of any kind of melody does not help either, but on the other hand the music remains constantly atmospheric all the way with marching symphonic moments followed by minimalistic soundscapes.The vocals fit well with the album's atmosphere, delivered in a very dark way, either in wordless or simply singing parts.Still the length of the album combined with the lack of musical diversity make the listening one-dimensional and, as a result, quite monotonous.

''L'ascensione'' shouldn't be regarded as a great first step into the music bussiness for Roz Vitalis due to the low quality of the recording and the less than flexible style.Consider it as a work by an artist with potential and maybe you have a shot to enjoy it, especially if you are really into dark, Horror-like music.

Review by siLLy puPPy
COLLABORATOR PSIKE, JR/F/Canterbury & Eclectic Teams
3 stars Ah, the beginning. A place where artists are naked and idealistic. They are willing to go anywhere they want and do exactly what they want. Well, independent artists, of course. Exactly is the case of ROZ VITALIS on the debut L'ASCENSIONE (Italian for 'The Ascension'). This is a concept album about spiritual ascension and an early glimpse of a love of Italian album titles! There are many Biblical themes such as track 2, "From Heaven And Earth from St Mark 9: 5-18 that tells the story of Jesus and his disciples after transfiguration and wends and winds its way to complete "Repetence" at the end. Personally i find this interesting music but lose the concept as it is almost entirely instrumental and has a clearly all-over-the-friggin-map type of approach of symphonic leaning prog that is simultaneously brilliant and a little lackluster. The band has come a long way since then but it began as the whim of main musical man Ivan Rozmainsky. He's even got 'main' in his name!!! Well, maybe not in the native Cyrillic alphabet.

If you like keyboards then this is keyboard heaven. This is a nascent album bringing ideas to fruition through the technology and means of the time and place. I would place this release more into a progressive electronic category than anything else. It sounds like it was totally recorded on synthesizers and according to the info about it, it was, so just don't expect a slick mature product resembling albums like "Lavoro D'Amore" on board. This is the primeval ooze of an artist's beginnings where things are messy, passionate and uncompromising. L'ASCENSIONE is just that. It may be very amateur in many ways but it definitely displays an artist and his passion to bring his musical ideas into the world.

The music at this stage is quite experimental. Although this is primarily an instrumental album, there are strange vocal accompaniments, weird synthetic sound parades and lots of outbursts of progressive elements such as time sigs gone wild and a dark ambient type of atmosphere that persist throughout the entire album. If you think it sounds homemade that is because it is. This St. Petersburg musical entity has managed to put its ideas into musical form and created an interesting collage of ideas and find themselves venturing all over the place. The one constant is that it has a classically induced melodic influence and lots of synthesized timbres and tones to interrupt any pre-conceived expectations.

Although this may only appeal to fans of the band (of which i am one) there are many cool things going on even on this debut that will hook and reel the listener into the ROZ VITALIS fan club. Despite the instrumentation on board being on a limited budget, the production is excellent. The main downfall is simply the lack of timbres and sounds on board as well as album flow of ideas and how to manage them. As a disparate flow of nascent origins, however, this is rather interesting for progressive listeners. It has a crapload of classical meanderings with electronic experimental procedures. Unfortunately there is really no rock here at all. This is simply ideas executed on synthesizers but those ideas are quite interesting if you have the ability to discern the offerings. Not as brilliant as later releases but a wonderful debut and output of idiosyncrasies.

Review by octopus-4
SPECIAL COLLABORATOR RIO/Avant/Zeuhl,Neo & Post/Math Teams
4 stars I don't know where the passion for Italian titles is from. "L'Ascensione" (the Ascension) is the debut album of Ivan Rozmainsky's creature "Roz VITALIS". Listening to the band's more recent output many wonder about why they are placed into the RIO/Avant subgenre. I wasn't around when the band was debated and added, but this album is very experimental even if not too far from the soundscapes of King Crimson and Gentle Giant. The first track changes mood several times and the russian sung final reminding of a horthodox mass with a Vangelis like background belongs to the genre.

Many people thinks that Avant rock is made of free jazzy improvisations, noise and unpredictable sequences of notes and chords. Well, it's also this, but this is not the case of Roz Vitalis, whose tracks have a well defined structure and don't leave much room to improvisations. "From Heaven Th Earth" is an organ base with a classical mood counterbalanced by a drone percussion riff. Very unusual. Later the organ fades out leaving it to electronics and percussion. more or less in the half of the 11 minutes of this track, there are some passages when the percussion stop for a while leaving harpsichord and xylophone the duty of the base. Signature changes, dissonances, electronic noises don't destroy the various melodies in the background. I think it can be called a Crimsonian track with the structure of a nightmare: starting from a quite regular piece of music and ending into a very dark ambience.

"The Unpurified Substance Of A Soul" starts not too differently. It's a good follower of the previous one, but turns immediately into a Gentle Giant like track. The style of percusssion programming is similar to that often done by Senmuth. Also this track has very dark moments. It closes with a short part of organ and Nadezhda Regentova's vocals.

"Through a spiral...." is again a dark mixture of drone percussion and keyboards, but I hear a classical music influence. Debussy comes to mind.

The mood doesn't change much with "Dreamy Memories" A strange section of vocals and "doohs" can be called contemprary classical in the vein of Giorgy Ligeti. I think it's similar to the instrumental things of Nichelodeon.

The longest track "Ascension Dream" is more melodic. It's a hint of the future tendencies of the band which will later abandon the experimental side and will concentrate more on the melodies. With the many changes and the strange "mass like" vocals it's like watching a movie or reading a book. You don't know what will follow but it's everything very consistent. The melodic piano base comes and go throughout the whole track. Desscribing it further is useless, also because it changes a lot of times. It has to be listened to, and it's a good listen.

A short interlude of one minute and half full of bells leads to the last track: "L'Ascensione 2". As often in the prog world, the last track closes the circle with the first, so it's church organ again, but it's more dreamy and a bit psychedelic, too. This is an album that requires headphones and the right environment and mood. An excellent debut by a band which has released and still releases a huge quantity of material, and honestly I haven't listened to their whole output, but up to now I haven't found anything bad.

Mainly (this album) for who likes Gentle Giant and King Crimson.

Latest members reviews

3 stars I've been visiting their concerts for two years already and finally I'm able to listen to their early albums. I prepared for something awful since I knew the drums were programmed here. Well, they do sound programmed, less lively, but they are complex enough and provide enough drive when neede ... (read more)

Report this review (#1030817) | Posted by XPEHOPE3KA | Sunday, September 8, 2013 | Review Permanlink

5 stars Did you ever happen to listen disc, which makes to remember King Crimson, Univers Zero, Art Zoyd, Gentle Giant, Rush, Russian folklore and Russian sacred music, contemporary avantgarde (from Olivier Messiaen to Sofiya Gubaydulina), something from Soviet "prog" soundtracks for films (including ... (read more)

Report this review (#84908) | Posted by The Snow Dog | Thursday, July 27, 2006 | Review Permanlink

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