ART ZOYD / J. A. DEANE / J. GREINKE

Art Zoyd

•

RIO/Avant-Prog

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Art Zoyd Art Zoyd / J. A. Deane / J. Greinke album cover

2.71 | 16 ratings | 1 reviews | 12% 5 stars

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Studio Album, released in 1990

Songs / Tracks Listing

1. Art Zoyd - Mari�e � La Nuit (14:58)
2. Art Zoyd - Caryocin�se (4:51)
3. J.A. Deane - Inheritors (18:37)
4. J.A. Deane - Lizard (4:04)
5. J. Greinke - An Opening (3:43)
6. J. Greinke - Somewhere Calling (6:11)
7. J. Greinke - In Another Room (4:49)
8. J. Greinke - Travelling Secrets (5:13)
9. J. Greinke - The Well (8:05)

Total Time: 70:31

Line-up / Musicians

* Art Zoyd (Tracks 1 & 2)
- Thierry Zaboitzeff / bass, cello, sampler, tapes, keyboards, percussion
- Patricia Dallio / keyboards
- G�rard Hourbette / viola, violin, keyboards, percussion
- Andr� Mergenthaler / cello, alto sax, keyboards

With:
- Tumomi Takegi / vocals (1)

* J. A. Deane (tracks 3 & 4) / synth, sampler, electric trombone, producer

With:
- Bruce Ackley / alto clarinet (3)
- Richard Horowitz / ney (3)
- Olan Jones / vocals (3)

* Jeff Greinke (Tracks 5-9) / guitar, piano, synth, sampler, percussion, vocals

Releases information

Artwork: Jeff Greinke (photo)

CD Ear-Rational Records ‎- ECD 1021 (1990, Germany)

Thanks to Joren for the addition
and to Quinino for the last updates
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ART ZOYD Art Zoyd / J. A. Deane / J. Greinke ratings distribution

2.71
(16 ratings)

Essential: a masterpiece of progressive rock music(12%)
Excellent addition to any prog rock music collection(50%)
Good, but non-essential (25%)
Collectors/fans only (6%)
Poor. Only for completionists (6%)

ART ZOYD Art Zoyd / J. A. Deane / J. Greinke reviews

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Collaborators/Experts Reviews

Review by philippe
SPECIAL COLLABORATOR Honorary Collaborator

An other confused album from Art Zoyd. "Art Zoyd / J.A. Deane / J. Greinke" constitutes bizarre symphonic "electronic" orchestration, delivering pompous, grandiose and creepy industrial sounds. This music sometimes looks like a soundtrack for a bad "horror" movie. This large collective of musicians clearly try to translate atonal orchestrations to electronic noise compositions. The result is stranger than beautiful. Art Zoyd's approach has remained within the territories of chamber rock with abundant semi-indus textures and pseudo-classical arrangements. Their sound turns to something heavy, massive, supporting rather mysterious dialogues between the instruments. Slightly intriguing but no surprise.

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