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MECTPYO BAKTERIUM

Maurizio Bianchi

Progressive Electronic


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Maurizio Bianchi Mectpyo Bakterium album cover
5.00 | 3 ratings | 1 reviews | 100% 5 stars

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Studio Album, released in 1982

Songs / Tracks Listing

1. Fetish Pinksha (24:56)
2. Sterile Regles (24:24)

CD bonus tracks:
3. Placenta (4:50)
4. Untitled (3:37)

Total Time 57:07

Line-up / Musicians

- Maurizio Bianchi / instruments, electronics

Releases information

LP Dys DYS 08 (1982)

CD EEs'T Records 6MB006 (1998, with 2 bonus tracks)

Thanks to PROGMAN for the addition
and to NotAProghead for the last updates
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Mectpyo BakteriumMectpyo Bakterium
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MAURIZIO BIANCHI Mectpyo Bakterium ratings distribution


5.00
(3 ratings)
Essential: a masterpiece of progressive rock music(100%)
100%
Excellent addition to any prog rock music collection(0%)
0%
Good, but non-essential (0%)
0%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

MAURIZIO BIANCHI Mectpyo Bakterium reviews


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Collaborators/Experts Reviews

Review by philippe
SPECIAL COLLABORATOR Honorary Collaborator
5 stars An other awesome, bizarre, ultra-oppressive, "traumatic" electronic work from MB's first era. As in his first experimental electronic tempests "Mectpyo Bakterium" features a large variety of collages & noises (from concrete sounds, artificial, chirurgical effects) but much more organised and punctuated by lugubrious droney sequences. In a sense this album is closed to the glacial, haunting and chaotic & fascinating electronic atrocities of "Neuro Habitat". The demonic ambiences are maybe more easy to listen but still beautifully intense and visceral. "Fetish Pinksha" is remarkable sinister, threatening electronic voyage, exploring the secret sides of our poor soul. "Stériles règles" contains bloody gorgeous sounds that infiltrate the brain for cathartic moments in real "isolation". It starts with a discreet, repetitive hypno pulse, industrial noises to progressively open the path to a powerfully tortured organic melody. "Placenta""alternates strange noisy, cerebral sounds, cycles and motifs with serene, monotonous, cloudy synth notes. The ambience is minimal, absolutely sonic, it progressively grows in you. As usual, MB's work is totally unique in the world of micro-tonal, Indus and experimental electronic music. I've never heard something more stimulating for my brain than MB's elevating & fantastical "chaosmic" hymns!

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