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BROTHER AH AND THE SOUNDS OF AWARENESS: KEY TO NOWHERE

Brother Ah

Indo-Prog/Raga Rock


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Brother Ah Brother Ah and The Sounds Of Awareness: Key To Nowhere album cover
3.00 | 2 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 1983

Songs / Tracks Listing

1. Motherless Child (8:34)
2. Sekou (5:25)
3. Hanifah (5:49)
4. Key To Nowhere (4:19)
5. The Void (8:20)
6. Nature's Blues (3:39)
7. Celebration (3:44)

Total Time 39:50


Line-up / Musicians

Brother Ah / flute, French horn, harmonica, nayamka, shell horn
Nataska Hasan Yousef / vocals, gong, finger cymbals
Nasar Abadey / berimbau, drums, percussion
Jeff majors /harp, mbiri
Marvin Tuten / guitar
Mike Bowie / acoustic & electric basses
Barbara Burton-Tuten, Valerie Yarborough / percussion



Releases information

Label : Divine Records (4) ‎? DVN 52134B, Ikef ‎? Ikef08

Vinyl, LP
CD

Thanks to Philippe Blache for the addition
and to sheavy for the last updates
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BROTHER AH Brother Ah and The Sounds Of Awareness: Key To Nowhere ratings distribution


3.00
(2 ratings)
Essential: a masterpiece of progressive rock music (0%)
0%
Excellent addition to any prog rock music collection (0%)
0%
Good, but non-essential (100%)
100%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

BROTHER AH Brother Ah and The Sounds Of Awareness: Key To Nowhere reviews


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Collaborators/Experts Reviews

Review by philippe
SPECIAL COLLABORATOR Honorary Collaborator
3 stars Ex Sun Ra band member Brother Ah back with an early 80's sensual, beautiful melodic and groovy album combining the best of buesy / jazz standards to classical "eastern" music, "exotic" acoustic instrumentations. "Motherless Child" is soul music, including a plaintive bluesy flavour sung by a powerful, melodic and tragic woman voice. The song is accompanied by an harp / flute duet. In "Sekou" , the traditional afro tendance of the band is more evident, featuring ethno percussions, funky bass lines. The title track expresses a the mellow fusion jazz side of the band, writting as a ballad with ravishing female vocals, afro grooves. Among their most accessible effort and not their best despite that is perfectly performed, with lot of passion and a good technical background. It's an important "world jazz" essay for collectors and could be a nice musical exploration for progressive fans. I'm almost sure that classic jazz fans would give 4 or 5 stars. According to me their best remain the freaked out "Sound Awareness" and the adventurous "Move ever Onward".

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