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The Moody Blues

Crossover Prog

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The Moody Blues Voices in the Sky album cover
3.18 | 9 ratings | 1 reviews | 0% 5 stars

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Singles/EPs/Fan Club/Promo, released in 1968

Songs / Tracks Listing

1. Voices in the Sky
2. Dr. Livingstone, I Presume

Line-up / Musicians

- Graeme Edge / drums
- Justin Hayward / guitars, vocals
- John Lodge / bass, acoustic guitar, vocals
- Michael Pinder / keyboards, vocals, mellotron
- Ray Thomas / flute, vocals

Releases information

Deram DM 196, UK

Thanks to mogorva for the addition
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THE MOODY BLUES Voices in the Sky ratings distribution

(9 ratings)
Essential: a masterpiece of progressive rock music(0%)
Excellent addition to any prog rock music collection(67%)
Good, but non-essential (22%)
Collectors/fans only (11%)
Poor. Only for completionists (0%)

THE MOODY BLUES Voices in the Sky reviews

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Collaborators/Experts Reviews

Review by Matti
3 stars After the seminal Days of Future Passed (released in November 1967) that combined the Moodies' songwriting with Peter Knight's orchestral passages, The Moody Blues and their invaluable producer Tony Clarke carried on on their own devices, bursting with creativity, it seems. The next album In Search of the Lost Chord was released in July 1968. It is one of their classic-7 albums I consider worth full rating for its innovative, psychedelic and eclectic proto-prog nature, despite some unevenness. A couple of singles were also released from its material. This one comes with no non-album material unlike 'Ride My See-Saw'.

'Voices in the Sky' is easy to recognize as a Justin Hayward composition. The gorgeous melodies full of both dreaminess and emotional power, and the very nuanced arrangement (with a lot of Ray Thomas's flute) serving both of those things, to an almost symphonic effect. The use of vocal harmonies is superb.

And the B side track 'Dr. Livingstone, I Presume' is just as unmistakably a Ray Thomas song. The joyful and mildly naiive approach approach was very typical for Thomas. This is a nice simple song and it makes you feel happy, but I don't count it among his finest compositions, and the repetition of the chorus line "We're all looking for someone" gets a bit too dominant.

This single is very good when judged by the music only, but first and foremost it's just a sampler of a complete album that shows how much the Moodies were an album band, and a pioneering one at that.

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