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NEAR LIFE EXPERIENCE

Kevin Bartlett

Neo-Prog


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Kevin Bartlett Near Life Experience album cover
3.13 | 5 ratings | 1 reviews | 20% 5 stars

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Studio Album, released in 2003

Songs / Tracks Listing

1. Gayatri (10:33)
2. Tripping Over Torn (7:26)
3. Miserere Mei (8:33)
4. Sockdolager (8:12)
5. Across My Heart (8:07)
6. The Best Laid Mice... (7:21)
7. Outer Marker (7:26)
8. Lighting Is Everything (5:09)
9. Standards and Practices (7:56)
10.I Miss You So Much (I can hardly stand) (2:20)

Line-up / Musicians

Kevin Bartlett/keyboards, guitars, drums, bass, vocals
Sophia Ashton/additional vocals
Kerry Arden Noel/additional vocals

Releases information

Aural Gratification (AGCD0047)

Buy KEVIN BARTLETT Near Life Experience Music



KEVIN BARTLETT Near Life Experience ratings distribution


3.13
(5 ratings)
Essential: a masterpiece of progressive rock music(20%)
20%
Excellent addition to any prog rock music collection(20%)
20%
Good, but non-essential (60%)
60%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

KEVIN BARTLETT Near Life Experience reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by Windhawk
SPECIAL COLLABORATOR Honorary Collaborator
3 stars Although he has made more than 20 albums, this creation is actually the first solo album by US musician and composer Kevin Bartlett.

And the music explored on this album is of a style and manner that most people will categorize as new age. Synthesizers and keyboards dominate, the compositions are slow moving and atmospheric, guitars are used mainly as an effect, the same can be said with most rhythms in the form of drums and various forms of percussion, and even the slight input of human voices now and again is one of effect rather than vocal performance as such.

Bartlett makes more complex creations than most though. Multiple melody lines, several additional layers of sounds and effects, numerous breaks and changes in mood and intensity; and exploring spacey as well as ethnic-tinged landscapes. Careful use of dissonances and contrasting melody lines adds textures and nuances to this production rarely seen elsewhere in albums like this one - and although there's nothing here that is truly stunning you won't find anything uninteresting either; as long as you find the general style interesting.

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