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A TIME FOR RUST

Baliset

Heavy Prog


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Baliset A TIme For Rust album cover
3.73 | 7 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 2009

Songs / Tracks Listing


1. These Moments Are... 03:36
2. A Time for Rust 05:12
3. Machinery Listens to Love 01:19
4. Black Light Moon 06:29
5. The Art of Contrition 02:32
6. Dreamflesh 06:56
7. Winterlude 01:49
8. The Echo Box 15:21
Total playing time 43:11

Line-up / Musicians


Greg Massi - guitars
Adam Letourneau - drums
Dana Chisholm - bass

Other contributors to the recording of "A Time For Rust"

Lauren Flaherty - vocals
T.L. Conrad - bass
John Battema - keys
Forbes Graham - trumpet
Jim Fogarty - piano

Releases information

Full-length, Self-distributed
March 17th, 2009

Thanks to debrewguy for the addition
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BALISET A TIme For Rust ratings distribution


3.73
(7 ratings)
Essential: a masterpiece of progressive rock music(0%)
0%
Excellent addition to any prog rock music collection(43%)
43%
Good, but non-essential (14%)
14%
Collectors/fans only (43%)
43%
Poor. Only for completionists (0%)
0%

BALISET A TIme For Rust reviews


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Collaborators/Experts Reviews

Review by Windhawk
SPECIAL COLLABORATOR Honorary Collaborator
4 stars US outfit Baliset is the most recent venture of former Kayo Dot and Maudling of the Well member Greg Massi. It's been in development since 2003, and it's easily apparent that this is a very well thought out effort.

First and foremost this is an eclectic venture. Residing somewhere in between rock and metal in style, the music goes from mellow, atmospheric mood sequences to singer/songwriter like acoustic ventures; often adding a subtle symphonic backdrop to the latter. But slow to midpaced metal based passages is a part of this package as well, as well as a few sequences with a passing nod to folk rock.

The compositions are mostly twisting and turning in several stylistic directions, but always with a high level of sophistication to the, Warm, rich harmonies with faint traces of dissonance beneath is found just as often as the opposite - but mostly the harmonic as well as the disharmonic effects utilized are done so in an almost hidden manner; with a subtle approach and a great deal of finesse.

Vocals a bit too far back in the mix for my personal taste is my only gripe on this one really. This is a sophisticated, eclectic effort with a good deal of commercial appeal, and deserves to be checked out by those who finds any part of this description intriguing.

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