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OVAL DREAMS

Twenty Four Hours

Crossover Prog


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Twenty Four Hours Oval Dreams album cover
3.17 | 10 ratings | 1 reviews | 10% 5 stars

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Studio Album, released in 1999

Songs / Tracks Listing

1. Songs from the Northern Wind (4:05)
2. Oval Dreams (5:44)
3. The Road of Madness (6:32)
4. The Poor (4:20)
5. Son of War (dedicated to the victims of this last bloody war) (4:30)
6. When Your Next of Kin Is Fun (3:50)
7. Mother Nature's Son (2:19)
8. Darkness (11/11) (7:06)
9. Twenty-Four-Pink-Hot-Tentacles (6:07)
10. The Bastards (composed on July 1987) (19:23)

Total Time 63:56

Line-up / Musicians

- Paolo Lippe / lead vocals, piano, synthesizers
- Antonio Paparelli / electric & acoustic guitars, piano
- Nico Colucci / bass
- Marco Lippe / drums, backing vocals

Releases information

CD Musea ‎- FGBG 4297.AR (1999, France)

LP Velut Luna ‎- VLLP05 (2012, Italy) With 4 tracks missing from CD edition

Thanks to windhawk for the addition
and to projeKct for the last updates
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TWENTY FOUR HOURS Oval Dreams ratings distribution


3.17
(10 ratings)
Essential: a masterpiece of progressive rock music(10%)
10%
Excellent addition to any prog rock music collection(40%)
40%
Good, but non-essential (40%)
40%
Collectors/fans only (10%)
10%
Poor. Only for completionists (0%)
0%

TWENTY FOUR HOURS Oval Dreams reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by Evolver
SPECIAL COLLABORATOR Crossover & JR/F/Canterbury Teams
3 stars This album took a while to grow on me. At first listen, while I understood it's prog credentials, it just didn't make any lasting impression. On further spins, it began to creep up on me.

Most of the album, the first six songs actually, are something of a throwback to late sixties, early seventies psychedelic prog. The songs are adequately played, and the basslines stand out to me as particularly good. The Road of Madness sounded a bit familiar to me. Listening closer, I found that the main verse chord progression is strikingly similar to I Talk To The Wind.

The album really picks up steam for the final two tracks. Twenty Four Pink Hot Tentacles is an almost fusiony instrumental jam, with some hot guitar playing. And The Bastards is the most progressive track, with an aggressive verse, and some forays into amorphous tone poems.

This is a nice album, and certainly has some value to the prog enthusiast.

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