Progarchives, the progressive rock ultimate discography


After Crying

Symphonic Prog

From, the ultimate progressive rock music website

After Crying Creatura album cover
3.68 | 74 ratings | 3 reviews | 23% 5 stars

Excellent addition to any
prog rock music collection

Write a review

from partners
Studio Album, released in 2011

Songs / Tracks Listing

- I - Nyugat / West:
1. Preludio Furioso (1:01)
2. Játékos / Gambler (6:31)
3. Vagyok / I Am (2:41)
- II - Észak / North:
4. Preludio Percussivo (1:01)
5. Air Trumpet (1:12)
6. Kevésbé fontos dolgok - Klasszikus miniatűr / Less Important Things - Classic Miniature (0:47)
7. Goromba / Rude (4:31)
8. Szemfényvesztő / Illusionist (3:49)
9. U-Shaped (1:54)
10. Akkor majd a kövek énekelnek / Then the Stones Will Sing (5:33)
11. Kettétört / Torn Apart (3:44)
12. Creatura (2:02)
- III - Kelet / East:
13. Preludio Metropolitano (1:01)
14. Ne sírj! / Do Not Cry! (1:53)
15. Esőisten / Rain God (4:14)
16. iLove Story (2:01)
17. Vagy-e még? / Do You Still Exist? (3:45)
18. Tárogató (1:32)
- IV - Dél / South:
19. Preludio Furioso (0:52)
20. Szabadesés / Free Fall (3:17)
21. Hajsza / Chase Music (4:16)
22. Three Desires (4:00)
23. Ne félj, nem lesz baj / No Worries, No Cry (1:51)

Total Time 63:28

Line-up / Musicians

- Zoltán Bátky / lead & backing vocals
- Gábor Egervári / lyrics, narration, backing vocals, claps
- Ferenc Torma / guitars, keyboards, bass, backing vocals, claps, programming
- Péter Pejtsik / cello, violin, bass, backing vocals, programming
- Balázs Winkler / trumpet, cornet, keyboards, backing vocals, programming
- Zsolt Madai / drums & percussion, backing vocals, claps

- György Várallyay Jr. / keyboards
- Csaba Erös / piano
- Evelin Balog / flute
- Bernát Tószegi / clarinet
- Márton Belej / oboe
- Attila Jankó / bassoon
- Nándor Kasza / trombone
- Endre Polyák / horn
- Júlia Kórodi / violin, viola
- Orsolya Winkler / violin
- Zsófia Winkler / viola
- Kinga Katinka Szilágyi / harp
- Zoltán Latinovits / voice from archive recordings
- "The PejChix" (Cicó, Panna, Dina, Bogi) / vocals
- The Szeged Symphony Orchestra / strings

Releases information

Artwork: Kornél Beleznai

CD Periferic Records ‎BG CD 201 (2011, Hungary)

Thanks to fluiddruid for the addition
and to NotAProghead for the last updates
Edit this entry

Buy AFTER CRYING Creatura Music

AFTER CRYING Creatura ratings distribution

(74 ratings)
Essential: a masterpiece of progressive rock music(23%)
Excellent addition to any prog rock music collection(33%)
Good, but non-essential (30%)
Collectors/fans only (11%)
Poor. Only for completionists (3%)

AFTER CRYING Creatura reviews

Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by octopus-4
SPECIAL COLLABORATOR RIO/Avant/Zeuhl,Neo & Post/Math Teams
4 stars I'm surprised to see that I'm the first PA collaborator writing a review of the last studio album of the Hungarian After Crying.

If anybody asks you what you mean for "Symphonic Prog", I think this band can be used as example. This album is not an exception: 4 suites (West, North, East and South), with lyrics in Hungarian with an alternance of orchestral and rock moments in the best tradition of the genre.

"Creatura" is an Italian word already present in the late Latin and means "Being" or of course "Creature". Unfortunately I don't understand Hungarian and I haven't found a translaton of he lyrics so even though I'm sure that it's based on a concept, I can't tell what it's about.

"West" has a symphonic intro, followed by a rock part with some passages reminding of King Crimson. The third part of this mini-suite is interesting. It features a narrator, bass, drums and mainly a background trumpet.

"North" is made of nine movements. It starts as all the four suites with a symphonic "Preludio" which is the reprise of the same intro of "West". It's followed by a jazz trumpet which reminds to the atmospheres of Blade Runner: dark and rainy, suddenly replaced by a piano minuet. After the piano it's hard rock with a strong Crimsonian flavor and an excellent guitar solo. The following movement is a song entitled "The Illusionist" with a French Chansonnier flavor. It's followed by a dark song made of keyboard and bass pitched vocals which makes me think to Rick Wright's Broken China. The strings quartet which follows is quite a natural follow-up. Everytime this band goes into classical music the result is excellent. The piano based instrumental which follows is another great piece. Then it comes the hypnotic "title track". Choir and percussive sounds for a very dark and grotesque song.

It's time for the third Prelude which starts "East" which is the shortest of the 4 suites. The first movement after the prelude is a dreamy peaceful instrumental. The transitions are less sudden than on the previous two suites. The passage between the peaceful mood to this dark section is smooth. For a while, it has reminded me to Marillion's "Passing Strangers". It's incredible how starting from the violin we can fall into a drum solo leading to a keyborad solo and then to one of the darkest and very Crimsonian moments of the whole album. Darkness enhanced by the following movement which has English lyrics. A dark rock song started by tape sounds typical of house music. Dark ambient now. A narrator speaks over a keyboard layer. Again Blade Runner comes to mind (the atmosphere). The question repeated by the speaker means "Are You Still Alive?". A wonderful minute and half of classical inspired music closes this third suite.

The prelude is 8 seconds shorter this time. The fourth suite, "South" has an electronic start which grows into a very good song, in Hungarian this time. A melodic song. Totally progressive followed by an uptime orchestral movement in Emerson Lake and Palmer style (the kind of orchestral things typical of Works vol. 1) with a lot of jazz inside. Effectively Gershwin and Copland come to my mind. One of the best things of the album. There's room for bass in the movement which follows. A rhythmic bass is the layer on which this instrumental developes on. Another moment of darkness reminding to Fripp & co. The closer is a choir accompanied by drums only. Excellent also this.

The only reason why I don't rate this album as a masterpiece is the fact that the various movements are too disconnected. Some transitions don't work very well and this sometimes breaks the listening pleasure. However each single track or movement taken alone is excellent. For fans of King Crimson, Emerson Lake and Palmer and the dark side of Symphonic prog in general.

Latest members reviews

3 stars Correcting what someone wrote in another review: this is not the first album since 2003 but the first STUDIO album, as there was the remarkable Live inbetween. Anyway, people having followed this band as long as I did may have felt the chill on their back when they heard a new studio album was ... (read more)

Report this review (#571292) | Posted by Music By Mail | Saturday, November 19, 2011 | Review Permanlink

4 stars This is the first album by the After Crying, since 2003. The Creatura consists four suites. All song cycles begins with overture of grandiose full orchestra. The music is on this album enough eclectic, it contains hints of jazz with some classical and folk twists. We can discover some crimsoni ... (read more)

Report this review (#566741) | Posted by fluiddruid | Saturday, November 12, 2011 | Review Permanlink

Post a review of AFTER CRYING "Creatura"

You must be a forum member to post a review, please register here if you are not.


As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

Copyright Prog Archives, All rights reserved. | Legal Notice | Privacy Policy | Advertise | RSS + syndications

Other sites in the MAC network: — jazz music reviews and archives | — metal music reviews and archives

Donate monthly and keep PA fast-loading and ad-free forever.