CATS DRUNK ON COPPER

Current 93

•

Prog Folk

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Current 93 Cats Drunk on Copper album cover

4.96 | 4 ratings | 1 reviews | 75% 5 stars

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Live, released in 2001

Songs / Tracks Listing

1. Intro/Twilight Twilight Nihil Nihil (5:03) [c93-live-03-MAY-1997]
2. Calling For Vanished Faces I (1:33) [c93-live-03-MAY-1997]
3. The Death Of The Corn (5:47) [c93-live-03-MAY-1997]
4. Horsey (8:47) [c93-live-03-MAY-1997]
5. The Descent Of Long Satan And Babylon (3:15)
6. In The Heart Of The Wood And What I Found There (2:45)
7. Be (0:48)
8. Black Flowers Please (4:19)
9. Mary Waits In Silence (3:03)
10. Calling For Vanished Faces II (4:13)
11. Since Yesterday (3:19)
12. The Blue Gates Of Death (4:15)
13. The Bloodbells Chime (3:45)
14. All The World Makes Great Blood (3:40)
15. The Great, Bloody And Bruised Veil Of This World (4:49)
16. Dormition And Dominion / So: This Empire is Nothing / This Shining Shining World (9:22)
17. A Sadness Song (4:30)
18. Happy Birthday (4:23)

Total time: 56:26

Line-up / Musicians

- David Tibet / vocals
- Rose McDowell / guitar
- Michael Cashmore / guitar
- Karl Blake / bass
- Joolie Wood / violin
- James Mannox / drum

Releases information

CD Durtro DURTRO056CD (2001) UK
Recorded live at the Union Chapel, London 1997

Thanks to clemofnazareth for the addition
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CURRENT 93 Cats Drunk on Copper ratings distribution

4.96
(4 ratings)

Essential: a masterpiece of progressive rock music(75%)
Excellent addition to any prog rock music collection(25%)
Good, but non-essential (0%)
Collectors/fans only (0%)
Poor. Only for completionists (0%)

CURRENT 93 Cats Drunk on Copper reviews

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Collaborators/Experts Reviews

Review by Warthur
PROG REVIEWER

This is a live release of Current 93's live set from the Union Chapel in London in May 1997. If you already have the brilliant All Dolled Up Like Christ set, this may seem slightly redundant, since this has a very similar set list and was recorded just over 6 months later. However, the performance this time around seems a bit more psychedelically- inclined than the delicate precision of that album; in particular, Rose McDowall takes on a lot of the lead guitar work and applies a certain acid rock buzz to proceedings which casts a peculiar haze. Familiar but different, this is another live classic.

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