BIOGENESIS PROJECT

Future Oriented Scientific Space Progressive Rock

What a confusing sub-genre!! --- I have known this band quite sometime ago (mid nineties, I think) and just recently (couple months ago already) got the CD. My first impression is still they're gonna play ELP like music as I knew the band since the first time. It's not the case with this album, actually. ELP music has never got any "spacey" element but this album of three gals from Japan has a lot of space rock elements: Klaus Schulze, Jean Michelle Jare, Larry Fast, etc blend with symphonic rock style. If you have listened to Ayreon "Human Equation", you got it right! It's in a way similar to that kind of music. I would say it's a future oriented scientific-based space progressive rock (my term). If you correspond the music with the movie it's the kind of "Matrix" or "Resident Evil". Well, it's probably not the exact analogy, but it's under that kind of category, I would say. So, the band has pushed forward their musical strengths and reinvent themselves into new progressive style, leaving out the ELP like music. So, for you ELP fans, you may enjoy this album as well and you may probably think that "this is what ELP would have done if they still create new album in 2004".

Why is it future oriented? It centers around the story in 2301 A.D. when human civilization is approaching saturation point. The Sahara Desert has been urbanized. No nature is left. The ozone layer has been completely destroyed by air pollution. An artificial sun called Golath is shinning in the dome which covers the earth. All life, except human, is living in the Center of Nature Monument and we can see it on the web. Pipe roads in the deep sea connect each ocean city and countless high-speed elevators go down to the underground city of Metropolis. [source: the band's website]. Of course, it's all imaginary based. But, let's not dwell into the story in detail as we can visit the band's website - get straight to our business : the music.

Introduction - Biogenesis Melt Down

It's an introduction of the whole story with relatively long narration with spacey nuances depicting the scientific laboratory. The symphonic orchestration follows accompanied with lead guitar work by Arjen Lucassen. The keyboard at background provides the symphonic texture of this track. The rather complex keyboard sounds and female chanting have accentuated the imaginary situation the band tries to present. Musically, this track contains complex yet beautiful keyboard sounds that able to create appropriate atmosphere for its futuristic journey.

Escape

It's a less complex song with a medium tempo rhythm section augmented nicely with electric guitar. The vocal line is sung in operatic style combined with wonderful orchestration and complex keyboard / organ sounds in the vein of Keith Emerson (partially). For me personally, the multi keyboard / synthesizer harmony sounds is fantastic. This track has shifting time signatures with complex transitions. The ending part is dominated by keyboard in original rhythm followed by voice line.

Mother Earth

This track has a very nice (and melodic) passage with female takes the lead singer role. The melody that goes with the singing of female singer is wonderful as it has a nuance of traditional homeland cultures. It is sung in English but maintaining the Japanese dialects. For me, it's a kind of "break" before the band brings me to another complex music. Even though it has different structure and nuance, this song reminds me (in such a way) to Steve Hackett's "The Red Flower of Tachai Blooms ." of "Spectral Morning" album in the seventies.

Metamorphosis

As the name implies, this instrumental track has various time signatures exploring the use of keyboard / synthesizer in metamorphosis (of probably the next generation of human beings). The song contains a wild exploration of keyboard / synthesizer works punctuated by some percussion sounds; continued by a full drumming as the full music flows. It satisfies my listening pleasure as it has shifting time signatures. When the music turns to a faster tempo with solo keyboard takes the melody, it reminds me to the work of Rick Wakeman, performed in spacey style. There a re some transition pieces with quieter musical passage. At the end of the track the band puts symphonic flavor to conclude the story this song carries.

Humanoid's Breakfast

It's another break as this track offers a short of situations with a future generation babies. It has a passage of lyrics "Hey mommy, I'm ready" talked in a digitized voice of children. Like previous track, this one explores the keyboard / synthesizer sounds accentuated by human dialogues and screams ..

Against The Meteors

The title itself leads to an imagination of star wars or the kind like that. The organ rhythm at background reminisces Keith Emerson work but accentuated with a keyboard style (at the surface) that Emerson has never played before. It's a stunning exploration of keyboard and synthesizers with drumming sound mixed thinly throughout the track. I can sense a sort of mellotron-like sound at the end of the track. It's a symphonic / spacey style of music.

Trust To the Future

Guitar is brought back here in this track. On intro, the guitar accompanies keyboard sound. The music flows to a very nice passage with English-Japanese singing style by female (it must be the voice of Mika Nakajima). The music turns into a faster tempo with operatic male voice and keyboard played in orchestra style. The music then returns to a slower tempo with male voice; accentuated (and followed by) electric guitar work. This is an excellent composition. The intertwined guitar and synthesizer solos combined with the work of violin has made this track wonderful. Piano sometimes contribute its sound during short transition piece. I think, this is the track where all instruments used in this album demonstrate their obvious solo / sound (including bass guitar). For those of you who like rock opera music, I'm sure you would enjoy this track. And this track is really well positioned at the end of the album. Despite music, the title itself projects a positive image of trusting our future (regardless whatever is happening through a life passage of human beings).

Overall, even though this album is different with any album of ELP, but there are still influence of Keith Emerson here and there. This album is successful to deliver a powerful message on the concept , "thoughts" and "fantasy" the band intends to communicate - through sound exploration and musical nuances. If you like Ayreon "Human Equation" , you may enjoy this album.

On rating, I would tend to give five stars especially if I base my decision on typical rating for Radiohead albums given by colleague reviewers in this page. In my opinion, this album is much better, and much prog, than Radiohead "OK Computer" where many have given five stars. Actually, it's not fair to compare these two bands as they have different kind of music. But when it comes to rating, it's not fair either to give Biogenesis less star than OK Computer. But I think, based on my all listening of prog music, this album deserves four stars. Final judge is yours. Keep on Progging .!!!

Progressively Yours,

GW - Indonesia

On this CD the Japanese progrock trio Ars Nova delivers a SF concept: it's 2301 and the earth is overcrowded, without nature, the ozone-layer has disappeared and an artificial sun is shining, a kind of Greenpeace doom-scenario! The story is written by Numero Ueno, the #1 Japanese proghead and deals about a fanatical nature organisation, space ships, robots, several ideologies and the deep-rooted evil in mankind. On this CD Ars Nova is supported by an impressive range of progrock artists: members from PFM, Goblin and Il Balletto Di Bronzo, the rhytm-section from Gerard and, I proudly presents, the Dutch genius Arjen Lucassen (the brainchild behind Ayreon). The music is in the tradition of the Japanese bombastic keyboard approach: dazzling synthesizer flights, virtuosic keyboard (inter)play and heavy floods of Mellotron and Hammond organ. In between there's frequently Arjen's fiery, very distinctive guitarsound. A strong contribution is from violin player Lucio Fabbri (PFM), he sounds like Jean-Luc Ponty at his best but the vocals are also OK featuring female singer Mika and ex-Leviathan vocalist Alex Brunori. At some moments the vocals sound a bit too theatrical and the compositions a bit fragmentic, in my opinion this CD would have gained at least one more star if Arjen Lucassen would have lived in Japan because of his compositional and producing skills. BUT IN GENERAL THIS IS A GOOD AND ENTERTAINING PROGROCK CD!

We'll even have some narrative vocals during this sci-fi concept album about the creation of a super creature being able to survive in any natural environment.If all these creatures would look like the one featured on the front cover, I would immediately demand that I be brought into this time period. OK, OK, I'm dreaming.

This album sounds rather different than all their previous efforts. It is a lot harder, almost prog metal at times ("Melt Down"). But in the case of "Ars Nova", the symphonic element is fortunately always present. Of course, remember that Arjen Lucassen plays the guitar on this album as a guest. A song as "Escape" is closely related to Arjen's work, that's for sure. Almost wild my prog friends.

These guests (about half a dozen) add a great value to this work, they bring another dimension and great additional sounds (guitar, violin, keyboards-which are three now).

The addition of some vocals are a plus as well IMO. It is pleasant to listen how this all-instrumental band has turned into a more traditional form. Gianni Leone (lead vocalist from the dinosaur band "Il Balleto Di Bronzo") is rather convincing during his parts. But don't worry if you are an old "Ars Nova "fan : the ELP-ish orientation is still there. The bombastic keyboards will link you with the masters very often.

Some tracks are of no interest like "Mother Earth" and the screaming "Humanoid's Breakfast" but they aren't plenty of that kind and these two together clock at less than six minutes.

This album is strong from start to finish. The delicious "Metamorphosis" is the most "ELP" oriented song. Fully instrumental, it features brilliant musicianship, it is finely symphonic but with such a great beat! The best track out of this offering IMHHO. Fully bombastic. Staggering.

Difficult for "Against the Meteors" to reach that level, but the heavy keyboards are all mighty and make of this one a really powerful track.

But what should be the big one here is the epic and closing number : "Trust to the Future". Over fifteen minutes of a great symphonic journey (during ten minutes). Maybe too pompous at times, but it is mixed with some childish vocals (à la "Teru's Symphonia") typical for Asian female vocals.

This song is of course complex. An hymn to synthesizers, but not only since the excellent violinist from P.F.M. (Lucio Fabbri) plays some very good parts and the theatrical vocal style of Gianni Leone fits perfectly well this melodic piece of music. But the last third of this song is somewhat chaotic. Too bad.

This album is on the edge between three and four stars. Seven out of ten.

Three stars.