THE IMPERIAL HOTEL

Based in Finland, the multinational project THE SAMURAI OF PROG is a band that was started by Marco Bernard and Kimmo Parsti back in 2009, and from 2010 and onwards also featuring the talents of Steve Unruh. Following two initial productions that mainly consisted of cover material they have now focused on exploring original material. "The Imperial Hotel" is their third studio recording, released by the Finnish label Seacrest Oy in 2014.

Those fond of vintage era progressive rock in general and the symphonic varieties of it in particular should find "The Imperial Hotel" to be a real treat. There are a few select pointers towards many of the bands from the classic era that give the material a sense of familiarity, enough going on at all times to keep matters interesting, and the different instrumentalists involved all add elements and details to the proceedings that give the individual songs a distinct presence and individual character. Highly recommended to fans of progressive rock, and to those with an affection for vintage era symphonic progressive rock in particular.

107 ratings but only four reviews for this excellent third album of this Finland-based, multi-national band! The preceding works included covers of classic prog, and they truly are good in that field, but this five-track album consists of new material. Like before, the core trio of Marco Bernard (b), Kimmo Pörsti (dr) and Steve Unruh (voc, v, fl, ac-g) are accompanied by a wide cast of guest appearances. The music is written by the four different keyboardists who naturally also play on the album.

'After the Echoes' is a complex song composed by Octavio Stampalia (JINETES NEGROS). Each musician gives his best in this highly progressive tune. The vocal harmonies of Unruh and Stampalia add to the YES-like atmosphere. 'Limoncello', a song originally from a Various Artists 4-CD project Decameron Part II (2014), catches Robert Webb (ENGLAND) singing in a slightly humorous semi-falsetto about a chance meeting of Giovanni Boccaccio. Very interesting 8-minute prog tune spinning around a violin-centred melodic pattern.

David Myers, who offered beautiful piano introductions for 'The Lamia' and 'Dancing With the Moonlit Knight' on TSOP's earlier albums, is soloing on his romantic, three-minute 'Victoria's Summer Home', bridged by Unruh's natural effects into the majestic title track (28:09). 'The Imperial Hotel', with its Victorian-ish ghost story contents, was brought to the band from the ENGLAND archives by Robert Webb who again is the lead vocalist too. What a gorgeous prog epic bowing deep for the classic side-long prog epics of bands such as Genesis, Yes and Jethro Tull -- nearly rivalling them, without stealing direct ideas from any of them. The final track 'into the Lake' is by the Swedish keyboardist-vocalist Linus Kåse (BRIGHTEYE BRISON). Not quite as impressive to my ears as the rest of the album, it nevertheless operates very skillfully in the GENTLE GIANT -like rhythmic complexity.

My hesitation between 4 and 5 stars is solved by the superb visual design of the fold-out covers and the 40-page booklet. The term "masterpiece" suits at least to the title track, but as a whole this is a (surprisingly, considering the varied composers) coherent and extremely ambitious piece of progressive rock that hits the goal perfectly.