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LIES AND BUTTERFLIES

Mystery

Neo-Prog


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Mystery Lies And Butterflies album cover
3.96 | 241 ratings | 7 reviews | 30% 5 stars

Excellent addition to any
prog rock music collection


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Studio Album, released in 2018

Songs / Tracks Listing

1. Looking For Something Else (16:54)
2. Come To Me (5:17)
3. How Do You Feel? (4:53)
4. Something To Believe In (7:34)
5. Dare To Dream (6:54)
6. Where Dreams Come Alive (7:26)
7. Chrysalis (15:08)

Total time 64:06

Line-up / Musicians

- Jean Pageau / vocals, keyboards, flute
- Michel St-Père / electric & acoustic guitars, keyboards, producer
- Sylvain Moineau / guitar, keyboards
- Antoine Michaud / keyboards
- François Fournier / bass, Taurus pedals, keyboards
- Jean-Sébastien Goyette / drums

Releases information

CD Unicorn Digital ‎- UNRC-5120 (2018, Canada)

Thanks to mbzr48 for the addition
and to Quinino for the last updates
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MYSTERY Lies And Butterflies ratings distribution


3.96
(241 ratings)
Essential: a masterpiece of progressive rock music(30%)
30%
Excellent addition to any prog rock music collection(39%)
39%
Good, but non-essential (23%)
23%
Collectors/fans only (3%)
3%
Poor. Only for completionists (4%)
4%

MYSTERY Lies And Butterflies reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by rdtprog
SPECIAL COLLABORATOR Heavy / RPI / Symphonic Prog Team
5 stars "Lies and Butterflies" is the logical suite to "Delusion Rain" with seven tracks from 6 to 15 minutes. The line-up today is the most stable since the beginning. The band has never been so in control live, and this could have influenced their studio performance. The sound has never been so polished, the playing better and after listening to the cd many times, the songwriting of this one could be the best the band has released. The airy guitar of Michel St-P're is gorgeous as the magnificent flute and vocals of Jean Pageau. The music is going from the emotional ballad atmosphere to the heavy guitar riffs sometimes in the classic rock style. The Neo-Prog of Mystery delivers some long instrumental symphonic parts with orchestral arrangements, strong choirs, and beautiful piano lines. The album is not very different in terms of songwriting style from previous albums, but there's at times a strong melancholic mood and at other times a dark feel that grabs me a little more in this album. First, how enjoyable is the piano-acoustic guitar/flute break in "Something to Believe In". And what about the dreamy keyboards lines with a crescendo building up with the drums and the guitar in the song "Dare to Dream". In the suite "Where Dreams Comes Alive", it's time for the bass to steal the spot before the flute break where the music goes into a pure IQ style. The album ends up with a song of epic proportion starting with acoustic atmosphere first part and a heavy second part in an intense final section. Only the 5 minutes song "Come to Me" did nothing for me with is straightforward style. Solid 4.5 stars!
Review by kev rowland
SPECIAL COLLABORATOR Crossover Team
5 stars 2018 sees the band back with their latest album, and for once there has been only a slight amendment in the line-up, with keyboard player Dupuis replaced by Antoine Michaud (who wasn't even a twinkling in his parents eye when the band started out!). Michaud first joined the band as replacement guitarist for Moineau in 2014 when the latter was unable to undertake a European tour, before then being contacted in 2016 and asked to join the band in a different role. With the band being the most stable in many years, it probably is little surprising that this feels very much like a sequel to 'Delusion Rain', but with the band understanding each other even better than before, and allowing themselves to relax into their roles.

Pageau is a wonderful singer, and with the confidence that only comes from successfully touring overseas, he really shines on this album. During 'Looking For Something Else' he produces an incredible performance, backed with only an acoustic guitar, while he then provides flute himself as the piano comes into play. Mature and simply beautiful, this is an accomplished performance, and as he cranks it up and the band kicks in, the following guitar solo is perfectly paced with huge drive, taking the song to a totally different level. That is one of the two long songs on the album, which bookend five somewhat shorter ones, all seven showing just how much Mystery have changed and grown since I first came across 'Theatre Of The Mind', released some 22 years previously. Of course, only Michel St-P're has been at the helm of the good ship Mystery throughout, and he has chartered a course through to a glorious album that I have enjoyed immensely.

Review by BrufordFreak
COLLABORATOR Honorary Collaborator
4 stars I enter the first listen of any new MYSTERY album with no expectations. I am always surprised by the rich and consistent sound the band has used over the course of its career. This is the first time that that sound may be feeling a little old, a little tapped out.

1. "Looking For Something Else" (16:54) opens with crowd cheering and clapping before a "door-shutting" noise and acoustic guitar harmonics section and acoustic piano section ensue. It sounds like diddling around on stage while the concert fans empty from the stadium. After about 90 seconds the little impromptu rift is taken over by the full electronic band. Impressive cohesion, however, after another two minutes of this single arpeggio riff being repeated and bashed about, I find myself looking (hoping) for something new, a shift or variation. The music does empty down but flute and piano and acoustic guitar perpetuate the riff while Jean Pageau enters to sing. Piano and acoustic guitar continue to carry "the riff" while the instrumental lineup and dynamics go through some shifts. Chorus. Electric guitar solo. Return to full band and vocal push of "the riff." In the seventh minute things lay back again, though the bass remains thick and there is still an occasional power chord, so that Michel can really sink his teeth into a long guitar solo. It's okay; nothing very new or super-exciting. And yet it continues. For four minutes. Synths take a laid back turn in the lead. When things finally settle down in the eleventh minute, church organ leads us in, but then piano and acoustic guitars take back the lead in a soft, delicate "Confusion Will Be My Epitaph" section over which Jean sings. The King Crimson inspiration continues with flute and Mellotron (making it even more blatant) until things explode into full "orchestral" mode at 13:25. Nice vocal, nice lead guitar solo follow (still following the "Epitaph" melody lines). It's different enough that I can let go of the blatant "lift" of the music. Plus, the players feel so emotionally connected to this section. It's pretty damned good even if it is borrowed. Great drum and bass play throughout. (9/10)

2. "Come To Me" (5:17) sounds too much like a WHITESNAKE song. Too filled with sonic and structural clichés; one or two catchy riffs or chord progressions do not make for a great song. (7/10)

3. "How Do You Feel?" (4:53) pretty chords gently played by multiple guitars and keys set up Jean Pageau for an emotional vocal--which he delivers in spades. Perfect power, perfect melodies, perfect lyrics. Great guitar work in the rhythm and solo departments throughout. A MYSTERY masterpiece. (9.5/10)

4. "Something To Believe In" (7:34) Oh, oh! A Colin Tench song! At least, that's what the opening suggested. The stripped down, country-rock verses bely something a little different but not far off my original impression. Man! Michel St-Pere can play guitar! Maybe even better than Colin could! Drums are a little too busy for my tastes, don't really work in this mix. Electric piano arpeggi segue into a new section with a bit of a classical feel--even guitars and flute maintain that feel. But then a power chord from the electric guitar serves notice of a return to rock 'n' roll. Joe Walsh-era EAGLES come to mind here. (7.5/10)

5. "Dare To Dream" (6:54) Synth-strings note and dated electric piano chords open this slow song before cymbol play and guitars join in to support the vocal. Again, the song stays in such conservative, formulaic territory that I find myself disappointed, even turned off. Great little guitar solo at the very end of the second minute. Both the verses and choruses are failing to bring me in. I'm so sad! Nice instrumental section in the fourth minute and usual great lead guitar solo in the fifth. Sensitive scaled back section in the sixth minute over which haunting synth solos. Vocals return in harmonized multiplicity but they aren't grabbing me! Such ambivalencies! (8.5/10)

6. "Where Dreams Come Alive" (7:26) electric guitar and electric piano arpeggi provide an opening background over which Michel's lead soars for a few seconds before we switch into second gear with chunky plucked bass line and syncopated drumming. The vocals enter over this. It's not working. Guitars and keys join in and still it's not quite clicking on all cylinders. Michel's occasional flourishes on lead guitar are magical but once again they cannot float or fly a poorly constructed ship. I would like to see more future compositions using more of Jean Pageau's flute. (8.5/10)

7. "Chrysalis" (15:08) opens softly before bursting into a long introduction of a theme that feels familiar from one of the previous songs. Things then quiet down in the second minute for some nice acoustic guitar work. A minute of this with support of synth washes and we're finally introduced to the vocal. There's a BLUE ÖYSTER CULT Spectres feel to this one (more specifically, "I Love the Night"). Song builds in the fifth minute and then breaks down for the delicate, heart-felt "Butterfly, spread your wings and fly" section. Then a sudden shift takes us into a heavier, metallic section of power chords, searing guitar, and almost growling vocal narration before Jean's more-projected vocal soars in the foreground. At 8:35 the dominant riff shifts to bridge us to another delicate, dreamy section (though a chunky bass continues at the bottom--as if to remind us that this is a scary story) with nice melodies from guitar and vocal. This is intermixed with alternating returns to the "Godzilla"-like guitar power chords. Even Michel's guitar solo over this heaviness has a Buck Dharma sound and feel to it! The twelfth and thirteen minutes maintain a nice albeit still heavy chord progression beneath which the drummer has some show-off time. Then we shift into a heavy yet full-orchestra feeling final section over which powerful Jean's vocal carries us to the delicate end. (8.5/10)

Four stars; a nice addition to any prog lover's collection (though not as good as some of Mystery's previous releases).

Latest members reviews

4 stars Review # 89. Almost a month ago, the Quebec-based Neo-Prog band Mystery, released its 7th studio album, which is the 2nd with Jean Pageau on vocals. Since I enjoyed all of their latest albums, (starting with Beneath the Veil of Winter's Face), I added this new album of theirs almost immediate ... (read more)

Report this review (#1977683) | Posted by The Jester | Monday, August 13, 2018 | Review Permanlink

1 stars Mystery is a typical example of a band that leans back in satisfaction. The sales will be high, fans are adoring the band. It's understandable the band wants to retain this success. But to record an album with really 0.0 progression? Lies and Butterflies is no more or less than a long stretched v ... (read more)

Report this review (#1977524) | Posted by gertjanvm | Monday, August 13, 2018 | Review Permanlink

4 stars This is the Canadian proggers' seventh studio album and second with vocalist Jean Pageau fronting the band. I thought their last album Delusion Rain was very good and Lies and Butterflies is a progression from that. It has seven tracks and total playing time of just over 64 minutes. The first an ... (read more)

Report this review (#1949441) | Posted by Davidf60 | Wednesday, July 18, 2018 | Review Permanlink

5 stars What an excellent album - MYSTERY appear to have encapsulated all that has gone before and upped their game with this release, with a superb production that enhances the overall effect. Having read some of the reviews elsewhere I was really looking forward to this release, and it has not let me dow ... (read more)

Report this review (#1948886) | Posted by huge | Tuesday, July 17, 2018 | Review Permanlink

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