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GALACTICA

Lebowski

Crossover Prog


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Lebowski Galactica album cover
3.73 | 75 ratings | 1 reviews | 18% 5 stars

Excellent addition to any
prog rock music collection


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Studio Album, released in 2019

Songs / Tracks Listing

1. Solitude of Savant (8:22)
2. Midnight Syndrome (8:21)
3. Goodbye My Joy (5:44)
4. White Elephant (7:14)
5. The Doosan Way (10:49)
6. Galactica (6:39)
7. Slightly Inhuman (6:32)
8. Mirage Avenue (6:37)
9. The Last King (7:58)

Total Time 68:16

Line-up / Musicians

- Marcin Grzegorczyk / guitars
- Marcin Łuczaj / synths
- Marek Żak / bass
- Krzysztof Pakuła / drums

Releases information

Label: Cinematic Media
Format: CD, Digital
January 31, 2019

Thanks to mbzr48 for the addition
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LEBOWSKI Galactica ratings distribution


3.73
(75 ratings)
Essential: a masterpiece of progressive rock music(18%)
18%
Excellent addition to any prog rock music collection(43%)
43%
Good, but non-essential (26%)
26%
Collectors/fans only (7%)
7%
Poor. Only for completionists (6%)
6%

LEBOWSKI Galactica reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by TCat
COLLABORATOR Eclectic Team
4 stars Lebowski is a 4 person Crossover Prog from Poland. In 2010, they released their frist album which was considered a soundtrack for a non-existent movie. The music was inspired by actual movies, mostly Polish films, and was well received by critics. Now, almost 10 years later, the band has finally released a 2nd album "Galactica". The group's line up remains the same, with a guitarist, keyboardist, bassist, and drummer. The album was released at the end of January 2019.

"Solitude of Savant" starts out with an orchestral beginning, and the cinematic feel of the track feels like it comes right at the heels of their first album. After a bit of contemporary orchestra, the band takes over in an impressive way with guitars and piano sharing the spotlight. The guitars are somewhat heavy while the piano keeps things down to earth. The melody is very lovely, even when the bass takes it over later in the track, while a string effect plays pizzicato. I say effect, but it sounds quite realistic, but there are no credits for an orchestra or string section. After this section, the guitar takes on a melodic solo.

"Midnight Syndrome" begins with a cool, keyboard solo with drums providing a nice straightforward rhythm. The guitar then copies the melody and improvises off of it. Keys and guitar join together after this. There are female wordless vocals that come in later and then a jazz tinged guitar solo. "Goodbye My Joy" is a soft-jazz track that is led with a flugelhorn, a mandolin and soft guitar. Later there is an electric guitar solo, but the overall sound of the track is still quite mellow and accessible.

"White Elephant" is an almost complete opposite of the previous track, starting with a churning hard rock riff, but this is replaced by a spacey synth playing the melody. Later, the bass takes charge as things intensify a bit, but the synth is still allowed to come in and take over again. The track continues as a straightforward rock instrumental. "The Doosan Way" is a re-imagining of a track released on an earlier single from 2013. It is a more mellow track with a jazz flair led by piano. This section is sandwiched between a guitar playing the main melody with string effects. There are sections that have a mid- Eastern feel and another with spacey synths. The overall foundation is based on a jazz sense of play, however, as the track continues for 10 minutes and features a lot of different lead sounds through its run-time.

The title track "Galactica" follows. It begins with a mellow sound led by electric piano. It builds in intensity as guitars take over the melody later with synths underlying everything creating a symphonic feel. "Slightly Inhuman" starts off with melodic piano and guitars creating a nice fusion sound. Everything builds creating a more rhapsodic sound. The pattern repeats. I really like this track for its emotional builds.

"Mirage Avenue" utilizes a clarinet and an acoustic guitar with the piano. Later, wordless vocals come in. This is a soft and lovely track with a pastoral sense that has a gypsy flair to it. "The Last King" starts off with a heavy riff and drums to match, again contrasting with the previous track. Synths carry the melody and add some great effects. This is a great closer that will keep you coming back to the album and finishing off the album on a high-note.

The album is mostly just straightforward rhythms with little progressive-ness to it, but the music is so well done, professional in both musicianship and production. The music is accessible, but because it is done so well, it gets high marks for that. There is a good amount of variety here with heavy rock and impressive jazz sections. If you are looking for a good mostly instrumental album that fuses rock and jazz, this is your album. If it were more progressive, it definitely could have got 5 stars, but it is mostly straightforward, but it is still interesting and enjoyable, and the production is stellar, so it gets 4 stars.

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