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1000 HANDS - CHAPTER ONE

Jon Anderson

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Jon Anderson 1000 Hands - Chapter One album cover
3.56 | 32 ratings | 2 reviews | 25% 5 stars

Excellent addition to any
rock music collection


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Studio Album, released in 2019

Songs / Tracks Listing

1. Now (1:13)
2. Ramalama (3:49)
3. First Born Leaders (5:22)
4. Activate (8:51)
5. Make Me Happy (3:50)
6. Now Variations (1:02)
7. I Found Myself (5:05)
8. Twice In A Lifetime (5:06)
9. WDMCF (4:11)
10. 1,000 Hands (Come Up) (8:24)
11. Now And Again (3:39)

Total time 50:32

Line-up / Musicians

- Jon Anderson / vocals, composer & co-arranger

With:
- Steve Howe / guitar
- Larry Coryell / guitar
- Tommy Calton / guitar
- Steve Morse / guitar
- Rick Derringer / guitar
- Pat Travers / guitar
- Bobby Koelble / guitar
- Christie Lenee / guitar
- Trevor Rabin / guitar
- Russel Chalk / ukulele
- Don Oriolo / ukulele
- Mitch Corbin / banjo
- Chick Corea / keyboards
- Jonathan Cain / keyboards
- Keith Heffner / keyboards
- Rick Wakeman / keyboards
- Michael Franklin / keyboards, ukulele, co-arranger, producer
- Jeff Abbott / keyboards
- Brian Chatton / keyboards
- Antonio Esposito / keyboards
- Dariusz Grabowski / accordion
- Brian Snapp / flute, sax
- Charlie DeChant / flute, sax
- Ian Anderson / flute
- Edgar Winter / sax
- Steve Walters / trumpet
- Billy Boyd / trumpet
- Brian Scanlon / trumpet
- Pat Gulotta / trombone
- Tower of Power / horns
- Jean Luc Ponty / violin
- Robby Steinhardt / violin
- Jerry Goodman / violin
- Charlie Bisharat / violin
- Olga Kopakova / violin
- Jason Thomas / violin
- Paul Fluery / cello
- Krissi Franzen / cello
- Chris Squire / bass
- Tim Franklin / bass, ukulele
- Stuart Hamm / bass
- Allan White / drums
- Billy Cobham / drums
- Matt Brown / drums
- Carmine Appice / drums
- Pat Frost / steel drums, trombone
- Steady Joseph / percussion
- Eddie Metz jr. / percussion
- Nana Academy Youth Choir
- Zap Mama / backing vocals
- Bobby Kimball / backing vocals
- Orlando Symphony Orchestra
- Michael Winslow / Fx
- Voices of Lindahl
- Violectric (Michelle Jones, Brandy Moulden, Krissi Franzen, Kaitlin Higby, Paul Fleruy, T Franklin, Jennie Landau)

Releases information

Artwork: Jay Nungesser

CD Opio Media (2019, US)

Thanks to mbzr48 for the addition
and to Quinino for the last updates
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Olias of SunhillowOlias of Sunhillow
Atlantic UK 1998
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The Living TreeThe Living Tree
Gonzo Multimedia 2011
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Bci / Eclipse Music 2001
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JON ANDERSON 1000 Hands - Chapter One ratings distribution


3.56
(32 ratings)
Essential: a masterpiece of rock music(25%)
25%
Excellent addition to any rock music collection(31%)
31%
Good, but non-essential (31%)
31%
Collectors/fans only (6%)
6%
Poor. Only for completionists (6%)
6%

JON ANDERSON 1000 Hands - Chapter One reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by admireArt
PROG REVIEWER
3 stars I encountered Yes with Close to the Edge (1972), from there I went backwards in their discography and then became a close follower until Tormato (1978) which marked for me their downfall and in between I acquired Jon Andersonīs first solo release Olias of Sunhillow (1976) which is still my favorite Anderson solo project , but not over his Yes masterpieces.

Jon Anderson always presented me with a controversial issue: great composer & good lyricist but a hard to love, at least for me, vocal register and sadly, more than once, I actually think it twice to listen to him or Yes for the same reason.

This collection of songs which is going to be an ongoing one as far as I understand named 1000 Hands- Chapter One (2019), really fits the collectible tag and in some way that is what it aims for. An eleven track album displaying an All Stars guest list playing alongside Mr. Andersonīs musical ideas and vocals.

Music composition wise his well known late solo musical language prevails and some minor brushes with his past one , no big surprises from there, but the merge of different rhythms and styles on a single album and of course the before mentioned collaboratorīs performances.

Some very good moments (track 4 -Activate & track 11- Now and Again), good acoustic arrangements all over but some other moments are not so enticing or memorable.

3 PA īs stars.

Review by TCat
COLLABORATOR Eclectic Team
4 stars Finally, after 9 years, Jon Anderson, the vocalist for Yes (at least most of the time) released his 16th full length solo studio album "1000 Hands ? Chapter One" in March of 2019. Jon has also invited over 50 musicians to help him out with this one so that he can concentrate on his vocals and composition. Among these musicians are several past fellow Yes members Rick Wakeman, Steve Howe, Chris Squire, Allan White and Trevor Rabin. Other musicians include Chick Corea, Steve Morse, Pat Travers, Ian Anderson, Edgar Winter, Jean Luc Ponty, the Orlando Symphony Orchestra and so many others. The album consists of 11 tracks with a total run time of over 50 minutes, and according to the title, I would imagine there will be more chapters to this project.

Anyone that feared that Jon's voice would not be able to carry a new album needs not worry as his voice is as strong as ever. So are his compositional skills. As I expected, most of the tracks on this album depend on world music influences, but in amazing ways, and the songs on this album will lift you up out of any bad mood because of their positive and spiritual feel. Using tribal rhythms and traditional world sounds, this album will elevate you. On "First Born Leaders", Jon utilizes the choral group "Voices of Lindahl" to back him up effectives on the choruses. "Ramalama" uses an infectious groove and rhythms that will make you want to get up and dance. He becomes his own background singer on this track utilizing voice loops quite effectively to enhance the rhythms even more. The 8+ minute "Activate" moves to an acoustic sound with guitar and flute interspersed with natural sounds. As the track continues, additions of violin and shimmering keyboards continue as layers of music continue with very little percussion. Later, Jon increases the tempo smoothly in his singing and the instruments follow along until a regular beat is reached and more percussion is added. Everything reaches a huge climax and then ends on a soft and glowing feeling.

While it's true that the track "Makes Me Happy" is a bit corny, it still makes you happy. I suppose that he can be allowed one cringe-worthy song but who else but Jon Anderson can make you feel embarrassed for him and happy at the same time. Thank goodness that track is short and that he moves away from cragginess to a more lush and lovesly "I Found Myself" where he shares vocals and uses vocal effects along with the lead instrument being a violin. "Twice in a Lifetime" keeps things simple with violin and accordion giving the track a European/Romanian sound. This turns orchestral during the instrumental break. "WDMCF" uses vocal layering to create some nice harmonics and adds some programmed beats and orchestral instrumentation, adding organic percussion later. Another track exceeding 8 minutes follows in "1,000 Hands (Come Up)". As the previous track flows into it with a lovely piano interlude. This piano turns jazzy after a quick drum passage. A moderate drum pattern is established and the piano and other traditional percussion like steel drums add into this lyric heavy first section. The tropical jazz sound continues through an instrumental break that features a violin solo. The choral group featured previously joins in again later.

Jon's solo albums are usually far from the progressiveness of "Yes", and many times tend to fall far from the mark of true excellence that this album achieves. While it is true that this album is not really progressive (it is Prog-related after all), it is still quite an amazing album and is proof that Jon still has a great voice and is also an amazing composer. There are a few minor weaknesses, but it is infectious and beautiful, and it has a lot of positive energy, which is something we are used to as far as Jon Anderson is concerned. When he is free to express himself the way he wants to in his solo music, the spirituality and postiveness shine through even more. Sometimes, that works to his detriment in his solo albums, making them sound cheesy, but that is not the case with this album. This is the Jon Anderson album I have been waiting for, but since it lacks in progressive traits, for the purpose of this site it gets 4 stars, but personally for my own purposes, I would give it 5. Excellent album.

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