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LATTE E MIELE 2.0: PAGANINI EXPERIENCE

Latte E Miele

Rock Progressivo Italiano


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Latte E Miele Latte E Miele 2.0: Paganini Experience album cover
3.86 | 16 ratings | 1 reviews | 25% 5 stars

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Studio Album, released in 2019

Songs / Tracks Listing

1. Inno (3:55)
2. Via del Colle (5:12)
3. L'Ora delle Tenebre (6:24)
4. Cantabile 2019 (3:07)
5. Porto di Notte (3:59)
6. Charlotte (2:26)
7. Danza di Luce (6:20) :
- Primo Movimento
- Secondo Movimento - Divertimento
8. Angel (5:27)
9. Cantabile 1835 (4:08)

Total time 40:59

Line-up / Musicians

- Massimo Gori / guitar, bass, vocals
- Luciano Poltini / piano, organ, keyboards, backing vocals
- Elena Aiello / violin
- Marco Biggi / drums, percussion

Releases information

CD Black Widow Records ‎- BWRCD 223-2 (2019, Italy)

LP Black Widow Records ‎- BWR 223 (2019, Italy)

Thanks to mbzr48 for the addition
and to Quinino for the last updates
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LATTE E MIELE Latte E Miele 2.0: Paganini Experience ratings distribution


3.86
(16 ratings)
Essential: a masterpiece of progressive rock music(25%)
25%
Excellent addition to any prog rock music collection(44%)
44%
Good, but non-essential (19%)
19%
Collectors/fans only (0%)
0%
Poor. Only for completionists (12%)
12%

LATTE E MIELE Latte E Miele 2.0: Paganini Experience reviews


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Collaborators/Experts Reviews

Review by Matti
PROG REVIEWER
4 stars Italian prog band LATTE E MIELE ("Milk and Honey") was among the most classically influenced RPI bands in the early 70's alongside with e.g. Quella Vecchia Locanda. On Latte e Miele's third album Aquile e Scoiattoli (1976) only a drummer remained from the original line-up, and two of the newcomers were keyboardist Luciano Poltini and guitarist-bassist-vocalist Massimo Gori. Now they have formed Latte e Miele 2.0 featuring also violinist Elena Aiello and drummer Marco Biggi.

Despite the title Paganini Experience, only one of the compositions actually is by Niccolo Paganini (1782-1840), the violin virtuoso and the "rock star" of his time. Actually I'm reliefed: Paganini's solo violin pieces usually get to my nerves as a classic example of show-off virtuosity before deeper musical contents. There are brief liner notes for the tracks in Italian, and Paganini is mentioned in several of them, but I don't know Italian enough to be sure if Paganini's life was primarily a source of inspiration. Anyway, I was charmed by this album!

The music is shamelessly retro-styled -- one could be fooled to believe this album was from 1973 (with a better production than back then). I had an association to the classic albums of New Trolls (Concerto Grosso per i New Trolls, 1971) and Il Rovescio della Medaglia (Contaminazione, 1973) that were collaborations with composer-arranger Luis Bacalov and combined rock and Baroque-style chamber music. Especially the instrumental opener 'Inno' sounds pretty similar to them. Organ-oriented, ELP-influenced prog rock with romantically soaring, lovely violin melodies. The warm sound is gorgeous. 'Via del Colle' is a vocal song that seems to be dealing with Paganini's childhood. Massimo Gori is a good vocalist, and again the melodies are very romantic and passionate. 'L'Ora delle Tenebre' is another great song; I sensed some BANCO and PROCOL HARUM in the melodies. Vocals leave plenty of room for the instruments too.

'Cantabile 2019' features violin and soft, wordless vocal harmonies reminiscent of a cappella groups such as Rajaton from Finland! 'Charlotte reminds me of the Norwegian, Eurovision's 1995 contest winning duo SECRET GARDEN: soft and nocturnally romantic instrumental piece for synths and violin. 'Danza di Luce' is a 2-part instrumental, again reminding of the mentioned Bacalov-collaborations. An identifiable Paganini citation is included in this dynamic track that at times is almost pure classical music and at times ELP-ish prog rock.

'Angel' is a cover of the Jimi Hendrix song originating from his posthumous album The Cry of Love (1971). This version -- obviously starring violin and keyboards instead of guitar -- works very well. Paganini's 'Cantabile 1835' for violin and piano finishes the album in a peaceful, classical way. I don't want to count how many times I used the two words that I truly find the best to describe this classically inspired and retro prog -style album: romantic and charming. I hope you can estimate from my review if it would charm YOU.

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