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Nightwish Human. :ǁ: Nature. album cover
3.68 | 78 ratings | 7 reviews | 18% 5 stars

Excellent addition to any
prog rock music collection

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Studio Album, released in 2020

Songs / Tracks Listing

CD 1 (50:37)
1. Music (7:23)
2. Noise (5:40)
3. Shoemaker (5:19)
4. Harvest (5:14)
5. Pan (5:18)
6. How's the Heart? (5:02)
7. Procession (5:32)
8. Tribal (3:57)
9. Endlessness (7:12)

CD 2 (31:02)
- All the Works of Nature Which Adorn the World:
1. Vista (4:00)
2. The Blue (3:36)
3. The Green (4:42)
4. Moors (4:44)
5. Aurorae (2:07)
6. Quiet as the Snow (4:05)
7. Anthropocene (incl. "Hurrian Hymn to Nikkal") (3:06)
8. Ad Astra (4:42)

Total Time 81:39

Line-up / Musicians

- Floor Jansen / vocals
- Tuomas Holopainen / keyboards
- Emppu Vuorinen / guitars
- Marco Hietala / bass & vocals
- Troy Donockley / uilleann pipes, low whistles, vocals
- Kai Hahto / drums

Releases information

Label: Nuclear Blast
Format: Vinyl, CD, Digital
April 10, 2020

Thanks to mbzr48 for the addition
and to projeKct for the last updates
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NIGHTWISH Human. :ǁ: Nature. ratings distribution

(78 ratings)
Essential: a masterpiece of progressive rock music(18%)
Excellent addition to any prog rock music collection(30%)
Good, but non-essential (23%)
Collectors/fans only (19%)
Poor. Only for completionists (9%)

NIGHTWISH Human. :ǁ: Nature. reviews

Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by kenethlevine
4 stars Finnish symphonic metal superstars NIGHTWISH are like the uncle we all remember from extended family gatherings, the one whom nobody knew exactly by what thread he claimed membership, the one who always insisted on paying for group meals more for ego than generosity, the one with the over the top, larger than life yarns that always centered his touted heroics within their solipsistic frame, the one who smoked cigars continuously and blew the smoke in your face like it was a blessing, the one that everyone trash talked to each other, the one who elevated every such gathering from the unctuous familial ooze into a celebration of how grand life could be. That is NIGHTWISH, the band we love, only in private, of course, until now.

"Human.:II:Nature is the first NIGHTWISH studio release since the fabulous "Endless Forms Most Beautiful" in 2015, and it was worth the wait. Following a not dissimilar and equally grandiose concept, the premise seems to be that, if humanity is to survive, it must embrace nature, not as separate from it, as the biblical stewards if you will, but as an essential part of it, with an appreciation of the potential of our destructive nature to unravel its glorious and chaotic order. As usual it's a double CD, but this time the second disk is a symphony rather than a repeat of the first without the vocal tracks. For 30+ minutes, not even a distant snarl, riff, or disruptive moment is discernible, just stately melodies, strings, choirs, and a little narration to guide us along a somber soundscape relative to prior excursions. It serves notice that NIGHTWISH won't be confined by past conscription.

Disk 1 won't disappoint most long time fans, though the metal quotient continues to gradually boil off, seemingly at the expense of the Celtic overtones, augmented by the wonderful Troy Donockley and his pipes, particularly on the pub friendly "Harvest", the anthemic "How's The Heart", and the genre busting "Procession" and "Shoemaker". Whether it's the expected radiance of main vocalist Floor Jansen or the targeted precision of Marco Hietala, the personnel of NIGHTWISH have once again sacrificed individual recognition for commitment to something bigger than themselves and their fans, indeed all of them combined. It's no wonder that, even more than prog rock, NIGHTWISH counts film music as one of their bedrock influences, a realm where descriptions like too grandiose, pretentious, or excessive are devalued and mocked currency. That's why we need NIGHTWISH.

Review by kev rowland
4 stars 2020 has seen Nightwish with what to my ears is their finest work to date, as the individuals within the group combine to produce the album I had hoped and expected with 'Endless Forms Most Beautiful'. Here the bombast has purpose, real purpose, Troy's pipes have become integral, both he and Marko have a much bigger role with the vocals, and then at the front there is Floor. No longer is she the quick replacement who learned the set on a commercial airplane, no longer the third singer, now she stands astride the band like a colossus, prepared and more than ready to deal with anything thrown at her by Tuomas. With this album, the band have finally mastered their craft, and possibly created yet another subgenre, progressive symphonic folk metal anyone?

The music swoops, drives, demanding supreme performance from everyone, with Floor in particular being asked to sing in multiple styles, from the commerciality of Olzon and the soprano heights of Turunen through metallic gymnastics in a manner which neither of her predecessors managed. One of the major delights of this album is that although there is plenty of the bombast which one expects from the band, it can also quickly disappear as on 'Shoemaker' where the guitars stop to allow simple harmony vocals to take place instead. Towards the end of that particular song Floor is at her most operatic, lifting that trained voice above the maelstrom and bringing back memories of how the band sounded 15 years or more ago. Emppu Vuorinen has always reminded me of Tony Clarkin in that he has an unusual role as guitarist, very rarely taking a musical lead but instead there to provide force and presence, and here he delivers dramatically. Kai Hahto at the rear is also no longer the new boy, as he has been blooded on the road, and now is making the seat his own and has a quite different style to Jukka Nevalainen which works well with the new form of Nightwish being crafted by Holopainen.

Contrast all this to 'Harvest', a Celtic-style song where Troy is given the lead vocal role. Here we get some bodhran- style drumming, acoustic guitar, and even a stunning a capella chorus. I can guarantee anyone playing this will be reminded more of Iona than Nightwish, and it is an absolute delight. But not to be outshone, Marko has the lead on 'Endlessness' where his growls and attack are far more metallic. As if all this was not enough, there is a second disc which features "All the Works of Nature which Adorn the World". This is a symphonic orchestral piece in eight connected but far ranging movements which Tuomas describes as his love letter to our world. This isn't the first time they have had orchestral interpretations, but this time the music is totally different from the first disc, allowing the listener to understand that here is a composer of many different talents, and a band who are still reaching for new heights nearly 25 years on from the beginning. This is a simply stunning release from the band.

Review by BrufordFreak
COLLABORATOR Honorary Collaborator
4 stars Eighty-one minutes of intricately composed and performed music that, unfortunately, I feel I've all heard before. I mean, to my ears, there is never any doubt in my mind, no matter where I "drop the needle," that I'm listening to Nightwish. I love that they think that they're trying to push the boundaries on what they've already done but, in the end, it's still just variations on exactly that: stuff they've already done. This release generated a lot of excitement in the prog and metal communities. To me, it sounds like Nightwish being . . . Nightwish! Tight, even virtuosic performances of strong compositions, it's just that I don't hear anything new or innovative. Even the all-orchestrated second disc is not anything that the band hasn't done before. Maybe it's more polished and concise this time (at 31 minutes) but it was fresher the first time. Floor is amazing. Tuomas is amazing. Emppu is amazing. Troy Donockley is amazing. Marco and Kai are amazing. But these people are always amazing--doing exactly the same thing that their doing here. I think it's time they pull a "Remain in Light" and all do a musical chairs instrument-switch. Then let's see what comes out of Nightwish! Excellent and amazing but I'm tired and old . . . I need something fresh and unusual to pique my interest. But of course, I can't help but recommend it to you--for you to make your own judgments. It probably deserves four stars, so . . .

Latest members reviews

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Report this review (#2418123) | Posted by ssmarcus | Thursday, July 9, 2020 | Review Permanlink

5 stars "Human. :II: Nature" shows a maturity and musical quality much better than the previous album, "Endless forms most beautiful". This album  is more "experimental" and it's a double album. The second disc, which is essentially an orchestral score with a film-like soundtrack feel to it. Since 2004's On ... (read more)

Report this review (#2350222) | Posted by nikitasv777 | Monday, April 13, 2020 | Review Permanlink

5 stars First up,this release will divide Nightwish fans.Those expecting Epica,Within Temptation heaviness may be disappointed,but this is a band in Progression,not just recreating past glories for the sake of it.Personally I love it.2 tracks 4 and 5 are OK ,but the rest are great music. HUMAN :II: N ... (read more)

Report this review (#2349210) | Posted by daisy1 | Saturday, April 11, 2020 | Review Permanlink

4 stars It took multiple listens to realize that this is a stellar release from Nightwish. It continues to head in a direction away from their classic sound, but falls in line with Endless Forms Most Beautiful. The difference with the previous album is that Human. :II: Nature. had more time to achieve a gr ... (read more)

Report this review (#2348741) | Posted by javajeff | Friday, April 10, 2020 | Review Permanlink

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