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SMALL AS A BALL

Lars Boutrup's Music for Keyboards

Symphonic Prog


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Lars Boutrup's Music for Keyboards Small as a Ball album cover
4.00 | 1 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 2015

Songs / Tracks Listing

1. Small as a Ball (6:21)
2. Metro Scheme 69 (6:51)
3. Back to Horn (7:11)
4. Für Deine Kleider (6:37)
5. Heaven Can Wait (2:43)
6. Will We Dream About the Ball? (7:53)
7. And the Boy Gets a Cigar (5:00)
8. Story Harp (7:17)

Total Time 49:53

Line-up / Musicians

- Lars Boutrup / keyboards, organ, synthesizers
- Fredrik Sunesen / drums, assorted percussion
- Niels Wilhelm Knudsen / bass

Releases information

CD Ex'cess Records - EXR 1207 (March 2, 2015)

Digital album

Thanks to rdtprog for the addition
and to projeKct for the last updates
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LARS BOUTRUP'S MUSIC FOR KEYBOARDS Small as a Ball ratings distribution


4.00
(1 ratings)
Essential: a masterpiece of progressive rock music(0%)
0%
Excellent addition to any prog rock music collection(100%)
100%
Good, but non-essential (0%)
0%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

LARS BOUTRUP'S MUSIC FOR KEYBOARDS Small as a Ball reviews


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Collaborators/Experts Reviews

Review by Windhawk
SPECIAL COLLABORATOR Honorary Collaborator
4 stars Danish project MUSIC FOR KEYBOARDS is the creative vehicle of veteran keyboardist and composer Lars Boutrup, who has been active in the Danish music scene for the last three decades or so. Music for Keyboards was created just over 10 years ago, and have three full length albums to their name so far. "Small as a Ball" is the most recent of these, and was released through fledgling Danish label Ex'cess Records in 2015.

Those fond of instrumental music with the organ and keyboards as the main instruments will find a lot to be of interest on Music for Keyboards third studio album. While it does fit within the main scope of a progressive rock album, it is a CD that includes and incorporates details also from other genres and traditions, in a kind of the 1970's meets the 1990's manner. Accessible but sophisticated, elegant but without sacrificing some main features of a more challenging nature within this general context. First and foremost a production that will have it's main appeal among those with a strong affection for keyboards driven, instrumental progressive rock, and then of a fairly accessible nature at that.

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