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IMPLEMENTAL VIEW

Sigma

Neo-Prog


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Sigma Implemental View album cover
3.05 | 2 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 1998

Songs / Tracks Listing

1. Falling Man (8:05)
2. Second Trick (5:24)
3. Soundscape (4:50)
4. Daydreams (3:02)
5. Misleading You (6:24)
6. Silent Sun (6:53)
7. Run (9:10)
8. Get Out (5:00)
9. Keep the Flags On (7:31)
10. Waves (8:13)

Total Time 64:32

Line-up / Musicians

- Claudio Penna / keyboards, synthesizers
- Jameson Trezena / bass
- Cristiano Moro / electric guitar, keyboards, synthesizers
- Sergio Penna / drums

Releases information

CD Progressive World Wide PRW008 (1998)

Thanks to DamoXt7942 for the addition
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SIGMA Implemental View ratings distribution


3.05
(2 ratings)
Essential: a masterpiece of progressive rock music(0%)
0%
Excellent addition to any prog rock music collection(50%)
50%
Good, but non-essential (50%)
50%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

SIGMA Implemental View reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by kenethlevine
SPECIAL COLLABORATOR Prog-Folk Team
3 stars Perhaps more atypical for a progressive rock site than for a music site in general, this debut - and for 16 years the sole release - by a band whose roots actually go back to the 1980s, is that rare beast, an instrumental neo prog album! Generally our favourite neo groups like to impart a simple message in as many words as possible, like the engineering freshperson shoehorned into an English lit class and attempting to magnify a 200 word idea five fold without inducing all too easy somnolence in their octogenarian prof. Now where was I, says this befuddled sexagenarian. Oh yes, hooray! An instrumental neo prog album.

With currents of jazz throughout, this consistently soothing, almost new agey work is propelled mostly by piano, organ, floating synths, and most distinctively, bass runs that power even the most blase of these tunes. Electric guitar does infrequently appear in the lead but almost as just another keyboard, which nonetheless balances the mix. Unlike in some instrumental albums, these pieces excel without vocals, which would only be a distraction.

As I hinted, "Implemental View" would probably fit somewhere between gypsum and calcite on the Mohs scale, rendering it unsuitable for a jaded prog audience seeking its next sucker punch. But it's very amiable and well played, with some level of structure and light improvisation, and strengthens as it unfolds. "Misleading You", "Run" and "Waves" get a gold star sticker, and, being among the longest tracks, speak well for the group's ability to concoct a sonic scape that captures me long enough to make a difference. In my view, that's a successful implementation for an album in this style.

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