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Hourglass Void Within album cover
3.12 | 6 ratings | 1 reviews | 17% 5 stars

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Singles/EPs/Fan Club/Promo, released in 2022

Songs / Tracks Listing

1. Void Within (24:57)

Total Time 24:57

Line-up / Musicians

- Brick Williams / guitars
- John Dunston / drums
- Eric Robertson / synths
- Brian Hancock / bass
- Yahosh Bonner / vocals

Releases information

Format: Digital
September 24, 2022

Thanks to mbzr48 for the addition
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HOURGLASS Void Within ratings distribution

(6 ratings)
Essential: a masterpiece of progressive rock music(17%)
Excellent addition to any prog rock music collection(17%)
Good, but non-essential (67%)
Collectors/fans only (0%)
Poor. Only for completionists (0%)

HOURGLASS Void Within reviews

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Collaborators/Experts Reviews

Review by DamoXt7942
FORUM & SITE ADMIN GROUP Avant/Cross/Neo/Post Teams
3 stars Thanks Brick for recommending this epic. "Void Within" was released in September 2022 as an ep by a Utah-based metal act HOURGLASS. They say they have not launched any official release for 13 years since "Obvious To The Obvious" but finally come back to the scene with this wonderful creation. Forgive me but this is my first HOURGLASS but I am quite amazed at this 24 minute-long epic, that cannot make me feel so long nor lengthy. They obviously retain artistic melodic metal soundscape in the similar vein to progressive metal pioneers like Dream Theater, Threshold or Haken, and let me enjoy metal-art grandeur. Brick's gorgeous guitar explosions, Eric's fascinating keyboard potential, massive supportive perfection by John & Brian's rhythm party, and elastic, lyrical Yahosh's voices ... the combination drives me crazy joyful.

Wonderfully dramatic sounds open the curtain. Their instrumental technique is beyond description. It sounds like they would like to launch their intention strongly through such a beautiful but powerful sound collective. The middle part sounds pretty sensitive and a bit depressive, as if they would bump against a tough wall, but vaporization of 'hope' cannot be heard via their brilliant play. And in the latter part, deeply heavy but bright uptempo sound components encourage me. Really epoch-making.

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