DORRIS HENDERSON & JOHN RENBOURN: THERE YOU GO!

John Renbourn

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John Renbourn Dorris Henderson & John Renbourn: There You Go! album cover

2.95 | 2 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 1966

Songs / Tracks Listing

1. Sally Free and Easy (3:56)
2. Single Girl (2:30)
3. Ribbon Bow (1:28)
4. Cotton Eyed Joe (2:16)
5. Mr Tambourine Man (3:47)
6. Mist on the Mountain (1:46)
7. The Lag's Song (2:34)
8. American Jail Song (2:42)
9. The Water Is Wide (2:42)
10. Something Lonesome (2:09)
11. Song (2:04)
12. Winter Is Gone (2:51)
13. Strange Lullaby (1:49)
14. You'll Need Somebody on Your Bond (3:17)
15. One Morning in May (2:24)
16. Darling Corey A.K.A. a Banjo Tune (3:07)
17. Going to Memphis (3:09)
18. Hangman (2:32)
19. Leaves That Are Green (2:18)

Total Time 49:21

Line-up / Musicians

- Dorris Henderson / lead vocals
- John Renbourn / acoustic guitar, backing vocals

Releases information

Photography by Brian Shuel

Columbia - SX 6001 (Vinyl) February 1966
Big Beat Records - CDWIKD 186 (CD)
MSI - MSIF 3628 / Big Beat Records - CDWIKD 186 (CD)
Oldays Records - ODR6491 (Limited edition CD)

Thanks to Gordy for the addition
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JOHN RENBOURN Dorris Henderson & John Renbourn: There You Go! ratings distribution

2.95
(2 ratings)

Essential: a masterpiece of rock music (0%)
Excellent addition to any rock music collection (0%)
Good, but non-essential (50%)
Collectors/fans only (50%)
Poor. Only for completionists (0%)

JOHN RENBOURN Dorris Henderson & John Renbourn: There You Go! reviews

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Collaborators/Experts Reviews

Review by kenethlevine
SPECIAL COLLABORATOR Prog-Folk Team

This is an anomaly both in the RENBOURN catalogue and for a prog rock audience, the first of 2 collaborations between American born British based folk singer DORRIS HENDERSON and the master fretter. The subsequent year saw "Watch the Stars", in which Renbourn received credit but not even second billing. Henderson has a stirring soulful voice with a hereditary gospel panache that is a fascinating when applied to the more folky pieces ("Sally Free and Easy", "The Water is Wide") but unremarkable in the bluesy covers ("The Lag's Song", "American Jail Song"). With Renbourn's stellar accompaniment on all, it could be postulated that this seemingly insignificant work motivated him to favor British Isles folk over his early American blues excursions going forward in his solo career, just as PENTANGLE was assembling and occupying a third half of his brain. There you go!

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