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UNDERSCORE

Marble House

Neo-Prog


From Progarchives.com, the ultimate progressive rock music website

Marble House Underscore album cover
3.00 | 1 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 2020

Songs / Tracks Listing

1. _ (5:36)
2. Daft Nerd (5:52)
3. Cage (3:27)
4. Little World (3:51)
5. Process (7:27)
6. Shampoo (5:57)
7. Golden (9:10)

Total Time 41:20

Line-up / Musicians


- Daniele Postpischl / guitar, keyboards, Fx
- Leonardo Tommasini / keyboards, piano, vocals
- Matteo Malacarne / bass, vocals
- Giacomo Carrera / drums, percussion

Note : The actual instrumentation could not be fully confirmed at this moment.

Releases information

Digital (Italy)
Released February 21, 2020

Thanks to Finnforest for the addition
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MARBLE HOUSE Underscore ratings distribution


3.00
(1 ratings)
Essential: a masterpiece of progressive rock music (0%)
0%
Excellent addition to any prog rock music collection (0%)
0%
Good, but non-essential (100%)
100%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

MARBLE HOUSE Underscore reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by Finnforest
SPECIAL COLLABORATOR Honorary Collaborator
3 stars Diverse Post Rock Blend

An unusual entry at ProgArchives that has evolved from Neo-Prog to Post Rock with elements of electronica and pop. It almost sounds more like Crossover or Post Rock to me than Neo-Prog, but I've never heard the earlier work from which I assume the band was considered. While my first reaction to them was the confusion that I've alluded to, I actually came to quite thoroughly enjoy this album. There is a lot happening and the net result is a diversity that is quite enjoyable. While a portion of the album exists in the Post Rock realms of rather relaxed rock that flows along building up and ramping down, there are exceptions and twists. The first I noticed was "Daft Nerd" which has this really great descending keyboard run that instantly recalled '80s synth-pop hits for me, stuff like Thompson Twins or Soft Cell. It's completely catchy and will have you boppin' along. The second half of the album takes a darker and more complex turn. The final three tracks in particular seem to be almost homage to Radiohead with somber tones and excellent use of synths, acoustic guitars, and indeed heartfelt vocals. This is a good album that deserves some attention from Post Rock, Crossover, and art rock fans in general.

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