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PSICOSFERA

Experimental/Post Metal • Argentina


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Psicosfera biography
Psicosfera are an Argentinian post-black metal band from Morón, Buenos Aires and founded in 2013. The original quartet consisted of guitarists Gabriel Sabatini (of Abolition of Impediment and Inexistence) and Gabriel Luque (of Vil and Hellige) along with bassist Juan Martin Venezia (also of Abolition of Impediment) and drummer Juan Facundo Brinville (also of Vil). This formation resulted in 2015's Alpha, the first in a duology of instrumental blackened post-metal LPs similar to the work of Sannhet, Russian Circles and even Pelican, independently released on Bandcamp (but later reissued by Traumatic Records). Venezia departed in the wake of Alpha, replaced by Lucas Coronel (of Asimo and Vil) who recorded with the restabilised quartet for 2018's Beta, again self-released and reissued a year later by Avantgarde Music.

In 2021, Psicosfera once more experienced convulsions in their lineup with Charly Sanchez (formerly of Those Endless Eyes) taking over on drums from Brinville and Sacrificio Bizarro's Alan Ponce replacing Coronel the same year before later handing the torch to Fede Saurio in 2023. In the interim, vocalist Julián Reggi joined in 2022, precipitating a drastic change of sound: the influence of Deathspell Omega, hinted across their early work, came to the forefront (along with allusions to Mgła and Ved Buens Ende) of Psicosfera's third LP, 2023's Summa Negativa, released by Lavadome Productions.


- Gordy, April 2024

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PSICOSFERA discography


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PSICOSFERA top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.00 | 1 ratings
Alpha
2015
0.00 | 0 ratings
Beta
2018
0.00 | 0 ratings
Summa Negativa
2023

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PSICOSFERA Reviews


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 Alpha by PSICOSFERA album cover Studio Album, 2015
3.00 | 1 ratings

BUY
Alpha
Psicosfera Experimental/Post Metal

Review by siLLy puPPy
Special Collaborator PSIKE, JRF/Canterbury, P Metal, Eclectic

— First review of this album —
3 stars PSICOSFERA is an all-instrumental quartet that emerged in the suburb of Morón just outside the city of Buenos AIres, Argentina in 2013. The band experienced three distinct phases, the first lineup that lasted up to and included the debut album ALPHA, the second lineup that produced the sophomore release "Beta," and the third which added a vocalist and focused more on the black metal aspects. On this debut from 2015, PSICOSFERA consisted of Gabriel Luque (guitar), Gabriel Sabatini (guitar), Juan Facundo Brinville (drums) and Juan Martin Venezia (bass, 2013-15).

This idiosyncratic band has found a way to amalgamate disparate styles of metal and offers a totally new methodology of delivering. By taking the tones, dissonance and cosmic dread of Deathspell Omega, PSICOSFERA has forged a veritable blend of djent-ish post-metal that drifts mid-tempo through 9 tracks (simply titled as Roman numerals) that add up to almost 43 minutes. While sounding like a strain of black metal, the musical procession is not anything like the torturous bleakness of bands like Germany's Ascension or Blut Aus Nord but offers a touch of dissonant death metal in the vein of Ulcerate or Gorguts without really being death metal all the while meandering through semi-progressive game changers without truly being prog.

This album is a smooth flow of transitions although abrupt changes occur but despite heavy dissonant power chords ceding to clean guitar arpeggios and moments of respite erupting into loud frenzies of instrumental interplay, ALPHA logically connects and doesn't deliver a strange mix of avant-garde freakery but rather a coordinated attack of instrumental prowess most resembling a typical instrumental post-rock / post-metal act. The absence of vocals gives the entire affair an abstract feel to it but the relaxed oft sludgy chords are designed to evoke philosophical reflection and human suffering. Not sure that translated well but the darkened tones and bleak overall atmosphere certainly evokes a sense of discombobulation that doesn't resolve throughout the album's run.

The band is skilled at playing their unique spin on proggy djent delivered in a post-metal procession however the tracks begin to sound a bit repetitive by end's length and the addition of a wider pallet of influences might've served it well but as it is it's not a bad listening experience at all and allows for a nice drifting escapism albeit a noise boisterous din of one. I always admire bands that know how to develop their own style in between the cracks of the existing genre and evoke the sense of many metal styles simultaneously without really sounding like any. PSICOSFERA has certainly achieved that lofty task but at this point the band still lacks the ability to craft enough disparate ideas to take their stylized efforts to the next level. Still though a very interesting album despite it all.

3.5 rounded down

Thanks to gordy for the artist addition.

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