JARKA

The album opens with ''Osceli Rescaldat'',a number alternating between Blues and Jazz-Rock with interesting guitars,while the follower ''Popiada'' is in a more straight jazz vein with Sabates shining in some delightful piano passages.On ''Resposta'' Sabates performs alone in a light piano-based jazz number,but then the album gets too much into straight jazz with the rather long ''Sube la silla roja'',full of piano,bass and drum solos.''L.I.A.I'' is a decent slow Psychedelic-Jazz piece with haunting,organ and piano.Things will not change with ''Noche de Pez'',mainly a personal jazzy bass performance by De Lucas with the other members just supporting.''Retorna'' will add a different view on music by Sabates,performing on his piano and organ and twisting from Classical to Jazz music all the time.''No Estes Cohibido'' is a mediocre slow number of piano-driven instrumental Jazz with again some light Classical tendencies,while on the closing self-titled piece Jarka sound again as a band despite the jazzy piano and guitar solos,the sound is rich and the band is tight.

Unfortunately this album stands more as an example of individual performances rather than a full band performing due to the heavy soloing throughout.''Ortodoxia'' has little to offer to fans of well-structured demanding and progressive composing and heads only to dedicated fans of Jazz/Jazz-Rock...2.5 stars.

Maybe it's all just a bit too creative or cerebral for me to appreciate fully. I'm all for some improvisational spirit but way too much of this album lacks form and rhythmic structure for my liking. I don't know if this is what passes for free jazz but I find it irritating and tracks like the aptly named ''Esquizofrenia'' would have me on the verge of a nervous breakdown if I had to listen to them too often.

There are a few moments that elevate the album to the level of mediocrity, mainly the tracks that feature Danny Somoza's mellow guitar tones such as the cool vibe of ''Moyenne Girl''. Main man Jordi Sabates relies on his acoustic piano for the most part although he switches to Fender Rhodes on the impressionistic ''Occidente'' with good effect.

Overall though, this is a major disappointment in comparison to Jarka's first album ''Ortodoxia''. I mean, jeezo Jarka, what in tarnation is going on with ''Woody's Rag''? A banjo-led foot-tapper alongside avant-jazz, incongruous or what! The public has largely overlooked this album, but the truth is they're missing hee-haw.

Track 1, Osceli Rescaldat, is quite bluesy and features an infectious melody with a boozy midtempo groove. The electric guitar of guest musician Danny Somoza features prominently on this and the final track, making these two the most rock oriented cuts on the album. Sabates's pivotal organ, playing sustained chords, carries the fairly simple guitar melody along nicely. Around midway saxophone joins in with the guitar and we get a brief unison passage, before the sax brings it home. Great start to the album.

The next track, Popiada, is more urgent but equally catchy. Jordi's fingers glide over the piano keys supported on a bed of upright bass and rock-inspired drums. Resposta is very impressionistic in nature, featuring a sparse arrangement and airy themes. Piano trills, clean guitar and intermittent bass create feelings of space and repose. Track 4, Sube La Silla Roja, is another fast paced track and is one of the main highlights on the album. The piano lopes along on a swinging rhythm that includes probably the best drumming of the set. This is the longest piece on the album at 6.28, so there's even room for short drum and bass solos.

L.I.A.I is another ambient piece, featuring eerie saxophone along with splashing cymbals and subterranean drums. Noche De Pez consists of a speedy rhythm of hi-hat semiquavers and upright bass, with piano and guitar chiming in occasionally. Track 7, Retorna, is a contrapuntal dialogue between piano and organ. The melody is bright and cheeky, with it bouncing and winding continually between the two keyboards to good effect. The penultimate No Estes Cohibido is played at a relaxed tempo, with lilting piano and West Coast-inspired guitar. The album closer and title track is a real surprise, featuring dissonant, distorted guitar in the mould of Robert Fripp.

This is a fine album that deserves to be given some attention. It contains some excellent compositions that strike a good balance between acoustic jazz and electric rock. As such I feel this album would work well as an introduction to jazz for those wanting to test its waters for the first time.