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THIS HEAT

RIO/Avant-Prog • United Kingdom


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This Heat picture
This Heat biography
Founded in Camberwell, London, UK in 1975 - Disbanded in 1982 - Reunited in 2016 as "This Is Not This Heat"

This Heat came into being when the improvising duo Dolphin Logic - Charles Hayward (Quiet Sun) on drums, keyboards and vocals, Charles Bullen on guitar, viola, clarinet and vocals - were joined by self confessed non musician Gareth Williams on organ, bass and vocals. The idea of inviting Williams to join was to add a 'wild card' to the impressive musical abilities of the original duo, and he also brought a fascination with the use of tapes which became an integral part of their writing and performance. Right from the outset This Heat stood out. Their second hand suits, short hair, intense music and combination of dazzling musicianship and apparently random noise was equally baffling to early punks and die hard prog heads, though they found support and sympathy from a select audience including members of Henry Cow.

Photo by Lesley Evans

They acquired their own studio, Cold Storage (a disused meat pie factory in Brixton) and set about recording in between their infrequent gigs. Their first, self titled album came out in 1979 and it sounded like they were picking up where Faust had left off in 1975, with muscular rhythms, musique concrete, found sounds and bizarre lyrics inhabiting a bizarre, post apocalyptic soundscape. Their second album, Deceit, came out in 1981, and was more song oriented and took the radical ideas and apocalyptoc imagery of their debut even further than their afficianados had hoped for. Those two albums, plus a 12" single called Health and Efficiency (1980), were all the band released in their lifetime. Williams left to study dance and music in India, and there were a few concerts as a quartet before they called it a day. Other releases continued to appear after the band's demise - Made Available contained 2 sessions the band had recorded for the John Peel show in 1977, and Repeat contained two lengthy pieces based around tape loops. Charles Hayward went on to form the equally impressive Camberwell Now with Trevor Gonwy, who had been part of the short lived quartet, and subsequently went on to solo work and occasional sessions. Charles Bullen concentrated on studio work as producer/engineer and has only recorded sporadically since. Gareth Williams died, all too soon, in 2001. A box set, including all their official releases plus some live recordings, came out in 2006.
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THIS HEAT Videos (YouTube and more)


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Buy THIS HEAT Music


This HeatThis Heat
Remastered
Modern Classics 2016
$18.49
$24.10 (used)
Repeat / MetalRepeat / Metal
Modern Classics 2018
$15.32
$25.87 (used)
DeceitDeceit
Remastered
Modern Classics 2016
$34.62
Out of Cold StorageOut of Cold Storage
Box set
Rer USA 2006
$59.08
$56.15 (used)
Live 80 - 81Live 80 - 81
Modern Classics 2018
$17.53
$25.87 (used)
Made AvailableMade Available
Modern Classics 2018
$18.79
$25.87 (used)
Health & EfficiencyHealth & Efficiency
Rer USA 2006
$7.46
$14.78 (used)
RepeatRepeat
Rer USA 2008
$13.99
$12.75 (used)
Made Available:John Peel SessionsMade Available:John Peel Sessions
$20.96 (used)

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THIS HEAT discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

THIS HEAT top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.97 | 67 ratings
This Heat
1979
4.41 | 89 ratings
Deceit
1981
3.08 | 23 ratings
Repeat
1993
3.81 | 25 ratings
Made Available - John Peel Sessions
1996

THIS HEAT Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

0.00 | 0 ratings
Live 80/81
2006

THIS HEAT Videos (DVD, Blu-ray, VHS etc)

THIS HEAT Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.62 | 20 ratings
Out Of Cold Storage
2006

THIS HEAT Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

3.95 | 20 ratings
Health and Efficiency
1980

THIS HEAT Reviews


Showing last 10 reviews only
 Deceit by THIS HEAT album cover Studio Album, 1981
4.41 | 89 ratings

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Deceit
This Heat RIO/Avant-Prog

Review by TCat
Collaborator Eclectic Team

5 stars "This Heat" is another one of those bands that tends to go largely ignored, was pretty much completely ignored when they were a band, yet still ended up having a huge impact on a sub-genre that ended up growing from their influence. Their second album "Deceit" was unheard of in 1981 when it was released, and would continue to be unheard of for quite some time, however, it is now regarded as a classic album of the post-punk era.

The album takes on some quite dire subjects such as nuclear war and imperialism. The album, according to Charles Hayward who plays bass, keyboards and drums for the band, said that "We had a firm belief we were going to die and the record was made on those terms...to express this sort of fear, angst, which the group was all about, really.". The music is a combination of new improvisations and songs that were played in concert, and this was all mixed together, which created an album that goes from textured and atmospheric to extremely noisy and harsh.

"Sleep" starts things off with an almost prehistoric and industrial sounding track, which contains vocals from all of the members of the band, sometime singing alone and other times singing lines together, with one distinctive low, gravelly voice and another falsetto voice along with a "normal" sounding voice. The music stays soft, but when "Paper Hats" starts, there is a brighter tone to the jangly instruments, but a more morose sounding vocal that eventually turns to a manic sounding vocal with harsh and industrial style sounds. The music can change instantly, and it does, especially in vocal stylings. The music definitely takes on a very avant-prog sound, which wasn't done very often back when this was released. The sound is way ahead of its time. After 2 minutes, it gets really noisy and chaotic, then suddenly changes to a bass heavy staccato sound in an instant, and this sound continues for the next 4 minutes until it finally just kind of falls apart. Even so, the music on this album is a lot more melodic than the debut album, but you can still expect the unexpected at all times.

The bizarre gets even more bizarre on "Triumph" which sounds like a march made from various random instruments and percussive items. A loose vocal hangs precariously on the minimal yet chaotic sound. "S,P.Q.R." is more structured sounding with fast strumming, thumping drums and tinkling cymbals with the odd vocal harmonics that are based on texture more than chords. This track has been covered by a few bands since then, including the excellent band "Sleepytime Gorilla Museum". "Cenotaph" continues with the more structured sound, but is quite metallic sounding based on the chiming guitar chord that keeps repeating and the grinding effects that go on under the textured harmonics.

"Shrink Wrap" is a short track featuring some crazy looping techniques and layering effects, percussion and vocals into a hodgepodge of sounds, but driven along by a rhythmic feel. "Radio Prague" is more minimal with a rapid clicking sound, glitchy indiscernible spoken vocals (almost like scanning past radio talk stations quickly) and other percussive noises. "Makeshift Swahili" follows directly off of this as it organizes everything into a droning sound, staccato, percussive guitar strings and shouting vocals. The instruments provide the melody, but there is no real melodic tune in the vocals until the track gets half-way along, but at which time the instruments meld together and then become quite unpredictable and heavy, all the while, the drone continues in the background. The sound suddenly goes lo-fi somewhere along the way and before it can get totally chaotic, it fades out, yet not completely.

"Independence" has a bit of a happier tone to it, with whistles, tonal percussion and such. Over the top of this we get the voices speaking in a sing-song way reading off a part of The Declaration of Independence. It sounds like a liberty parade from hell. "A New Kind of Water" uses a simple, tension building guitar line and combines this with a chorus of layered, thickly textured vocals. The instruments build up a bit, and take on that industrial feel, with repetitive strumming and quirky drumming while the bass moves to support the vocal melody. The last track is "Hi Baku Shyo (Suffer Bomb Disease)". This one is full of strange effects, processed howling, soft screeching and a repeating minimal passage that sounds like a toy accordion. It is all quite minimal sounding, but very eerie and sparse, a study in sounds and noises.

As I said previously, this music was way ahead of it's time, completed when there was nothing much out there like this at all. The funny thing is, is that you can play it now and it would still feel relevant. If you picked any other album from the 80s at random, your chances of getting an album like this would be quite low. It is a definite classic, and many artists have talked about its influence on them, especially those bands that are more experimental and avant-garde style. For lovers of the quirky, odd styles of avant prog, this album is a must have.

 This Heat by THIS HEAT album cover Studio Album, 1979
3.97 | 67 ratings

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This Heat
This Heat RIO/Avant-Prog

Review by siLLy puPPy
Collaborator PSIKE, JR/F/Canterbury & Eclectic Teams

4 stars There aren't too many bands in modern history who are cited for single handedly planting as many seeds from which many genres and sub-genres arose throughout the years and decades that followed, but the English band THIS HEAT is almost universally accepted for having done so. This band was formed in 1976 London by three multi-instrumentalists who were feeling the change in the music scene as it shifted from the progressive rock world of the early 70s to a more punk oriented one that followed. And although not a punk band per se, this trio was at the forefront of this changing of the guards and co-existed with bands like the Sex Pistols during the same time frame. Whereas the punk rockers opted for simplifying their musical approach to garage rock simplicity that allowed for instant accessibility and connection, THIS HEAT on the other hand proved to take things to much more challenging levels and instead of rejecting the prog rock that came before, found ways to bridge it with similar elements of punk and take the strange union to even more experimental heights through shrewd tape loop and electronic manipulations.

The band arose when Gareth Williams (keyboards, guitar, bass, tapes, vocals) met Charles Hayward (keyboards, tapes, vocals and ex-drummer for Quiet Sun) and Charles Bullen (guitar, clarinet, viola, tapes, vocals) while working in a London record shop and made their acquaintances through their mutual admiration of music. After Williams proved himself to be a brilliant lyricist and insane bassist and keyboardist, the trio began to rehearse their strange new experiments which were inspired by various Krautrock bands like Can and Faust, the angular avant-prog of Henry Cow as well as musique concrète which inspired inventive tape-loop experimentation that found the band fascinated with random erroneously produced sounds that they were generating through their inexperience. The band also fostered a great admiration for the reggae and ska producer Lee "Scratch" Perry whose innovative scratching, recording and tape manipulation magic became legend in the reggae and dub universe.

The band presciently predicted the punk rock scene taking off with the decline of prog rock and provided a parallel universe type of counter-punk that utilized the similar guitar sounds however their true punk power would peak only on their second album "Deceit." These results became a focus on an eerily cold and detached yet politically charged style that not only predicted the subsequent post-punk explosion that was just around the corner but also provided the fertile sonic explorations that would lay the ground for dark industrial that bands like Einstürzende Neubauten who would make it their own in the 80s. Add to that the bizarre noise rock that emanated from their brash explorative nature into bizarre new sonicscapes, THIS HEAT provided a blueprint for noise rock bands such as Sonic Youth as well as a prototype framework for what would become post-rock via the likes of Glenn Branca and ultimately to the explosion of the style that Talk Talk would nurture into the 90s. All this fertile creativity didn't go unnoticed for too long and after a mere demo tape being sent to the great John Peel, this contact found them releasing their eponymously titled debut album, affectionately and colloquially referred to as "Blue And Yellow" in 1979 after three busy years of recording.

Through the run of THIS HEAT's debut album is a surprisingly diverse and accomplished range of sounds replete with post-punk and industrial sounds that find themselves in the company of reggae syncopations, Krautrock motorik rhythmic marches, early post-rock compositional styles that emphasize a slow gradual ascent to a climactic crescendo and alien sounding almost Heldon-esque electronic sounds which sputter about and then transmogrify into something completely different. The sheer amount of different spooky and grueling noise effects on board is completely off the charts with eerie phantasmic Twilight zone oscillations dueling it out with freaked out electronic manipulations. This is the stuff nightmares are made of in much the same way that the contemporary avant-prog band Univers Zero was conjuring up in the world of the chamber rock ensemble. "Music Like Escaping Gas" for example sounds like the darkened moody experimentalism from "Heresie."

THIS HEAT was the collaboration of three hard working music nerds who spent countless hours in the studio perfecting their experimental craft, a studio created from a former meat locker from a closed factory, the perfect venue to channel the cold, lifeless spirits that the music exudes in full mindf.u.ckery. While this debut as well as every THIS HEAT album that was released during their initial run proved to be a little too far ahead for the public to comprehend, predictably sold very poorly but the band managed to attract a loyal cult following. As the decades ensued not he other hand, the band proved to be a major influence for a huge number of musicians and bands including but hardly limited to Sleepytime Gorilla Museum, Animal Collective, Massive Attack, Public Image Ltd, Radiohead, Swans, Shellac, Lightning Bolt and the aforementioned bands that found a nice home in the industrial aisles at the music market. THIS HEAT have since been deemed musical geniuses far ahead of their time with music so unique that it still sounds as fresh today as it must've all those years ago. If this was the only album they made i'd give this 5 stars but as good as it is, "Deceit" is so much better. But close to perfection this one is. Very, very close.

4.5 but rounded down

 This Heat by THIS HEAT album cover Studio Album, 1979
3.97 | 67 ratings

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This Heat
This Heat RIO/Avant-Prog

Review by Mellotron Storm
Prog Reviewer

4 stars I like what it says in the bio here that these three guys had short hair and wore second hand suits as they played live in the late seventies. They were a British act led by drummer Charles Hayward formerly of QUIET SUN, but the music here is far different from that band. Many felt that they were carrying on where FAUST left off at the time, and one of the bands who were huge fans back then of THIS HEAT were HENRY COW. Clarinet, viola and the usual instruments are featured here with all three guys using tapes so it's hard to tell at times what I'm hearing but as usual I'll try to describe what I think I hear.

"Testcard" starts and ends the album and it's just what the title says. "Horizontal Hold" has this heavy beat, an almost industrial rhythm that starts and stops. I like the speedy guitar strumming or is that viola being strummed after 2 minutes. Angular guitar follows with keyboards, a beat and more. A beat with electronics follows then intricate sounds start to come and go. Such a cool sounding track. "Not Waving" opens with organ-like sounds as viola joins in and it builds. Sounds drone until 2 minutes in when it settles right down. The clarinet kicks in before the vocals arrive, both continue and the vocals are avant sounding. Such an experimental backdrop to the vocals here. It's haunting late to end it. "Water" sounds nothing like you'd expect but instead we get random cow bell-like sounds and percussion throughout. The sound builds after 2 minutes as it turns quite powerful.

"Twilight Furniture" is a top three song for me. This is a more traditional song with a catchy beat as the guitar comes and goes. Vocals after a minute and they will also come and go. It settles late with viola. "24 Track Loop" is just that as sounds drone and an electronic-like beat takes over. More drones follow before an uptempo beat joins in. Clarinet is added before 4 minutes then it all settles back to end it. "Diet Of Worms" is grating with those high pitched sounds throughout. "Music Like Escaping Gas" is a top three track as sounds hum and start to build. Picked guitar after a minute then a throat is cleared before 2 minutes(haha) as windy sounds and vocals join in. It's just insane after 3 minutes. Great track! "Rainforest" has loud banging to start along with cymbals and atmosphere. It settles back some as a rhythm kicks in before 2 1/2 minutes to the end as it blends into "Fall Of Saigon" my final top three. Multi-vocals join in and they actually sound normal. They stop after 2 1/2 minutes. Check out the avant guitar expressions. Nice. The guitar speeds up late ripping it up big time.

Man this is a classic Avant album but I feel their followup "Deceit" is even better. A solid 4 stars.

 This Heat by THIS HEAT album cover Studio Album, 1979
3.97 | 67 ratings

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This Heat
This Heat RIO/Avant-Prog

Review by Warthur
Prog Reviewer

4 stars This Heat began recording this self-titled debut album in 1976, the year British punk exploded, and finished it in 1978, with post-punk well underway. Musically, it is as original, revolutionary and hostile as punk and as experimental as the most avant-garde post-punk; the closest point of comparison I can think of would be Public Image Ltd. at their most Krautrock-influenced moments on Metal Box, perhaps with certain influences creeping in from the likes of Henry Cow or Faust. I think the subsequent Deceit has the edge on this, but this complements the work on that album nicely and anyone interested in This Heat will sooner or later want to hear both.
 Health and Efficiency by THIS HEAT album cover Singles/EPs/Fan Club/Promo, 1980
3.95 | 20 ratings

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Health and Efficiency
This Heat RIO/Avant-Prog

Review by siLLy puPPy
Collaborator PSIKE, JR/F/Canterbury & Eclectic Teams

4 stars Sandwiched between their two better known full albums which have only continued to gain respect and admiration over the ensuing decades, THIS HEAT released HEALTH AND EFFICIENCY as a two track EP. Sounding nothing like the two main albums, this little gem is well worth hearing as it is totally original and sounds like it paved the way for lots of indie rock and electronica to follow. The album is available as a stand alone release but is also included in the mega-boxed set 'Out Of Cold Storage' which also includes the two main albums, the archival 'Repeat' and 'Live 80/81.'

The title track which is stated in the liner notes as being dedicated to sunshine, starts out with some post-rock jangly guitars but has a rather old time rock' n roll feel to it with lyrics. The mix of the male vocals and female vocals remind me a lot of bands like Stereolab. This EP was clearly an inspiration for all those indie rock bands such as Sonic Youth that sprang up in the 90s to the present time. This sound abruptly changes gear when the clock strikes 2:11 into the track and becomes a monotonous industrial funky bass clap with strange atmospheric embellishments breaking the spell every few measures. This continues for a full 8:12 and keeps building more and more sounds, voices around the no wave type riff that is kind of funky, punky and drony simultaneously. Towards the last couple of minutes we get bombastic drumming and a highly distorted dissonant ending that fades into oblivion.

The second track 'Graphic / Varispeed' is an 11:22 long drone that buzzes on and on with pitch changes at random moments and doppler effect type atmospherics occurring from time to time. What should be a very hypnotic and uninteresting track surprisingly has enough subtle variations in the tones, pitches and tempo of a single sustained note to keep me entertained for its duration. While this originally was released on vinyl, this track was meant to be played at various speeds on a turntable. It was an invitation for the listener to experiment with 16, 33 1/3, 45 or 78 rpm. This track reminds me of some of what Coil would continue but also reminds a bit of some of the most out there ambient of 70s including Brian Eno. Definitely a recommended short but sweet album that matches the extremely bizarre album cover.

 Deceit by THIS HEAT album cover Studio Album, 1981
4.41 | 89 ratings

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Deceit
This Heat RIO/Avant-Prog

Review by LearsFool
Collaborator Post/Math Rock Team

5 stars In the dank depths of an old, abandoned cold storage room in punk and Thatcher era Brixton, a band who cared not for the mantra of the English punks - that prog = bad - once again blended RIO and post-punk into a lost treasure of both genres. Their theme: nuclear war. From what is remembered as a bleak and dour time, we hear the band's own mantra - sleep sleep sleep go to sleep - before our three genius madmen guide us forcefully by the arm through visions of a nuclear wasteland, the first album's semi-ruins bombed to oblivion, dragging us past unspeakable horrors with their freakish but masterful music. What little hints of new wave and pure krautrock they once had vanish, with a pure mix of what everyone at the time thought were mortal and permanent enemies of music triumphing, and cackling at their folly. The guitar on this record is perfect for the themes, moods, and styles the band exhibits; it is just unstoppable. The keys and tapes round out the main sound, and ensure that the album feels like armageddon and its aftermath. The drums stick out as well, and a lot of the time it feels as high in the mix as "Tago Mago"'s kick drums were... a doubly wonderful inspiration. Even with the krautrock musical influences gone, the band must've had Can's opus, their own crazed rumination on the mushroom head, on the mind when they made this, now far away from the era of detente Can played from. The lyrics are perfect for the political points the band wanted to be sure to hammer, and meld with the music. Everything, then, is just right. A masterpiece of pronk, this is a chilling journey from a band who looked on with fellow billions over the precipice of midnight.
 This Heat by THIS HEAT album cover Studio Album, 1979
3.97 | 67 ratings

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This Heat
This Heat RIO/Avant-Prog

Review by LearsFool
Collaborator Post/Math Rock Team

5 stars A band caught somewhere between avant-prog, post-punk, and even the more experimental and darker side of early new wave, This Heat dropped two LPs that broke genre barriers with all the creative spark of a band from this millennium and with the chops to make them twin masterpieces. Progheads, punks, and industrial people all alike will find themselves challenged by the dour, angry, complex, and style-busting music contained within. The mix ends up creating a strange, dark, but excellent sound that guides you through the wreckage of humanity. Each track explores a different take on their overall style, often featuring unique instruments and instrumentation. "Deceit" is the greater album, but their self titled still remains a several times over impressive piece of genre and subculture defying avant garde music.
 Deceit by THIS HEAT album cover Studio Album, 1981
4.41 | 89 ratings

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Deceit
This Heat RIO/Avant-Prog

Review by Mellotron Storm
Prog Reviewer

4 stars 4.5 stars. THIS HEAT are an incredible Avant band out of the UK, and this is their second studio album released in 1981. The biggest surprise for me was that the drummer and leader is none other than Charles Hayward who was the drummer for QUIET SUN's "Mainstream" album. The cover art is classic as well but what about the music? Well I was reminded of FAUST more than any other band with those industrial sounding rhythms and how experimental this can get with all the tape loops(all 3 members use tapes). Still this has structured songs throughout the album but it is left of center in a big way. The lyrics are very political and at times angry reminding me of ART BEARS and HENRY COW.

"Sleep" is a short track just over 2 minutes that comes across as a demented lullaby for the insane. A mechanical rhythm here as reserved vocals sing about sleep. "Paper Hats" is cool with the guitar and a beat as the mono-toned vocals come in. He does scream blue murder(haha) at times. This is catchy though and the tempo picks up after 2 minutes before it settles to this really good sound before 3 minutes to the end. "Triumph" is experimental with accordion to start then we get clarinet? leading the way with intricate percussion sounds helping out. Vocals replace the clarinet 2 minutes in. The vocals do sound odd here. "SPQR" has an uptempo beat with over-lapping guitar like the way The Edge does it from U2. Vocals join in this deliberate sounding tune. "Cenotaph" is almost like a dirje and the subject matter is Remembrance Day. Vocals before a minute and they are a little different. It ends in an experimental way.

"Shrink Wrap" sounds like it was pieced together, it's an interesting track with some humerous vocals and words. Another mechanical rhythm here. "Radio Prague" has fast paced pulsating sounds with experimental noises and words. "Makeshift Swahili" is one of my favourites. Atmosphere as this cool sounding guitar comes in. Check out the demented vocals. Wow! An insane but incredible song. It changes around 2 minutes to a more normal sounding section then it picks up. Intense. "Independance" has the American Declaration of Independance being recited over an intricate instrumental display. An eastern feel comes in at times. "A New Kind Of Water" is another favourite of mine. A beat with guitar and more as the vocals join in. It kicks in to a fuller sound around a minute. What a great sound before 2 1/2 minutes with vocals. I love this section that goes on and on until the end. The final track is an experimental piece with church bells and various strange noises. Man this truly deserves the hype i've read from Avant fans around the globe. A must for you Rio/Avant fans.

 Deceit by THIS HEAT album cover Studio Album, 1981
4.41 | 89 ratings

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Deceit
This Heat RIO/Avant-Prog

Review by Warthur
Prog Reviewer

5 stars The missing link between post-punk, new wave, industrial music and RIO, Deceit's This Heat takes the work of Talking Heads, late-period Captain Beefheart and the Magic Band, Art Zoyd, Metal Box-era Public Image Limited, Throbbing Gristle and does terrible, horrifying things to them to create a bizarre new hybrid. This is what you'd get if World War III broke out in 1981 and you tried to reconstruct punk rock or progressive rock from the tiny fragments of your blown-out local record store. Combining intriguing musicianship with avant-garde tape manipulations and bleak soundscapes, the album even points the way towards the bleaker and more frightening landscapes of post-rock. A true breakthrough.
 Deceit by THIS HEAT album cover Studio Album, 1981
4.41 | 89 ratings

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Deceit
This Heat RIO/Avant-Prog

Review by 40footwolf

5 stars How this album has managed to be so thoroughly ignored by the community here at ProgArchives is astounding to me. It's the perfect storm of progressive brilliance: Fascinating musicianship, intelligent, beguiling lyrics and a unique sound that "Deceit" can claim to be its own and only its own.

To bottomline it, this album sounds a lot like how the cover looks: Like the music of a grotesque but ultimately friendly patchwork machine that wishes to show you the inner workings of his mind. Indeed, "Deceit" is something of a journey. "Paper Hats" is a fantastic example of this, starting out with a hypnotic groove that alternates vocals between mellow chanting and tortured wails, then dovetails without warning into an avant-jazz freakout before settling back into a segment that could almost be called post-rock, with a bit of a bouncier rhythm than most songs from said genre.

This is not to say that the band does not keep a consistent tone throughout the album, because if anything This Heat is most remarkable at keeping a consistently sinister vibe in their music while keeping things varied enough to make sure the album's 40 minute runtime fly by in a flash. Even though it's easy to see the style they've secured as their own- post punk with jazz affectations and a DIY industrial aesthetic-it's remarkable how the album manages to keep the listener on their toes. Clanking, druggy soundscapes break up the punchier post-punk numbers without ever feeling unwelcome, and as bizarre as it may seem, sandwiched between all this weirdness is a group of songs that wouldn't be unwelcome on nearly any dance floor. The spectacular rhythm section along with the ahead-of-its-time electronic sound manipulation make sure that not only are these songs enjoyable and captivating, but timeless as well. This is an album that could have just as easily come out in 2011 as 1981, which in itself is something of a minor miracle.

This Heat was a remarkably short lived band, but in the half decade they were around they managed to pump enough brilliance into one album to secure their place in music history for all of time. "Deceit" is a necessary album. Besides being at once thoroughly accessible and truly avant-garde, it's an album that synthesizes a hybrid of styles in a way that forms a unique work using complex musicianship and thought provoking ideas, which is the very pinnacle of what every good progressive record. Make no mistake however, this is not merely a "good" progressive record: It is a vital document that every band who wishes to create a unique piece of music must take note of.

Thanks to syzygy for the artist addition. and to Quinino for the last updates

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