SANGIULIANO

First piece, "Time Control" is the longest. It's an epic, clocking up to 16 and half minutes. After quiet intro, it builds up for several minutes and then strong and beautiful female operatic vocal improvisations set very claustrophobic atmosphere. After the short cadence and beautiful soft piano passages Mellotron comes to the front. It, with some sequences, dominates the middle portion of the track. My favourite portion starts at app. 9:30 mark, when again quiet Mellotron theme builds up and eventually some short but frantic piano overlays it and female vocals return again? What a bliss! After this some dissonant and melodic passages interchange and at the end the music is swallowed buy some noisy sequence. The way the piece is composed reminds me more of Classical concertos than prior Teutonic way of creating electronic music.

"Saffo's Gardens" is the shortest piece on album (it's still 7:30) and starts with beautiful piano intro over synthesized background. Piano is followed by a beautiful harpsichord melody until quite unexpectedly synths become louder and drums kick in. Music often changes between peaceful and frantic, but somehow always stays lyrical. Piano and harpsichord work fascinates me most on this piece. While not playing leading role (nothing can take it away form mighty Mellotron), both add small but very beautiful details to music, taking them to another level. I find this piece (an in the lesser extent following one) quite close to general RPI aesthetic.

Third is the albums title track, "Take Off". Atmosphere is similar to "Saffo's Gardens", but "Take Off" features more active playing on synthesizers and drums. Also there are some heaviest synth / Mellotron layers on album, creating quite massive sound. There's an quiet, beautiful interlude in the second half of the track, which again leads to energetic and dramatic end with countdown and boom? Takeoff noise!

What else can be said? I was fortunate to come across this album in the start of both my Prog Electronic and RPI journeys and this "crossover" album really ignited in me the zeal of exploring these two different progressive roads. There are couple of Italian electronic albums aesthetically close to "Take Off". If you like it, I'd recommend you Francesco Buccheri's "Journey", Franco Leprino's "Integrati... Disintegrati" and Roberto Cacciapaglia's "Sonanze", as all of these are under heavy influence of Classical music and feature many beautiful melodies and acoustic instruments. We can say that yes, there was considerable Electronic movement in Italy, which went beyond simple cloning of their better-known German and French colleagues. They had their own way, full of lyricism, beauty and passion.

As for "Take Off", I think it is a masterpiece. Hence, 5 stars.

The music reminds me of Klaus Schulze albums I have heard but with more of the "Italian flair" shall we say. Rather than getting lost in spacey soundscapes with little human emotional connection, his employment of piano melody, drums, or the distinct operatic vocals of Elisabetta Delicato appear at just the right moments to provide something more satisfy and interesting. The music itself is nearly impossible for me to describe because I don't have enough knowledge of the hardware to tell you what is making the sounds at a given moment. I certainly relish the piano and mellotron I hear and they are mixed with lots of other keys in arrangements that are sometimes serene and other times very feisty. There is enough drama and beauty on display along with the keyboard pyrotechnics to make this album a satisfying spin even for those of us who are not hardware junkies. I did find a few helpful comments at Planet Mellotron to describe the sound for you, they note "it constantly surprises with its adventurousness and melodic invention, particularly during the superbly-orchestrated 'string' arrangement on the title track... His 'Tron use concentrates entirely on different choirs; I suspect he uses male, female and 8-voice, though it's not always easy to tell. There's an awful lot of it, anyway; the male voices are one of the first sounds you hear on the side-long Time Control, and can be heard across all three tracks, supplying the requisite 'epic' quality that his music required, with the Wagnerian stabs on Take Off itself being particularly noteworthy." [portion in quotations from Planet Mellotron review]

I believe "Take Off" to be a good album although one with rather limited appeal. I recommend the album to two groups of people: Italian fans working towards the deep collection, especially fans of female soprano operatic vocals (though she sings only occasionally) and keyboard fans wanting to hear yet another celebration of vintage keys played with great enthusiasm and talent. For the rest of the readers I think 3 stars is appropriate; good, challenging, but probably not essential. I can almost guarantee that most of you do not have an album in your collection that sounds quite like this one, and perhaps for that reason alone it is worth investigation.