EDEN ROSE

The music is surprisingly similar though; fusion-tinted and mildly psych-inspired, upbeat tunes with plenty of wailing and fuzzed guitar and Hammond organ aplenty throughout. If you're a fan of that free-flowing, piped late sixties Hammond sound you'll definitely get a kick out of this thing. Virtually every track is awash with Hammond bleating, interrupted or augmented only on tastefully few occasions by Jean-Pierre Alarcen and his blistering electric axe.

This is sometimes referred to as a psych album but it really isn't; indeed, the guitars are all a blend of modern jazz sounds and simple fuzz (but not too much), and the Hammond sounds both improvisational and rooted in contemporary blues riffs. There are a few exceptions, most notably "Walking in the Sea" which is both the longest and most indolent tune on the record with both electric reverbed riffs and acoustic strumming, as well as a lighter, more laidback keyboard arrangement than on any other song. The closing is rather subdued as well, but otherwise these songs are all exercised in keyboard foray and guitar soloing. Not that there's anything wrong with that, but honestly the sound is as dated as the album's copyright statement (1970), and maybe even a little older than that as most of these musicians had been playing together for several years and this album marked the culmination of their experience to-date.

If you're a big fan of Summer of Love-era psych then shy away from this one as that's not what it's about. But as a 'lost gem' Musea does a fairly good job of dusting it off and putting on a good face. There are also a couple other CD reissues including one from Japan that has supposedly been independently remastered, but I haven't heard them myself and given the prices I've seen on the web it's a safe bet I won't any time sooner either. The Musea version is more reasonably priced and much more accessible for most of us.

I'm going to say three stars mostly because the music isn't that much different than the Sandrose album except for the lack of lyrics, and I liked that one well enough. You may tire just a bit of the endless organ passages, but certainly not as much as I have of some of the endless two- and three-disc prog tomes put out by the group's contemporaries in the years that would follow this release. Mildly recommended for fans of light psych and Hammond organ freaks..

peace

As credits on the sleeve say, EDEN ROSE was Henri Garella's band. Indeed in the band was a terrifically talented guitarist Jean-Pierre Alarcen, who got to be the frontman of SANDROSE, but everyone should say the hero of EDEN ROSE be the keyboardist / organist, named Henri. Listening to this album can let you realize this has old & good pop flavour in such a speedy and stormy, but fruity and juicy organ psychedelia from start to finish. Needless to say about progressive rock scene in 1970...it's really needless to say. :-) In those days such a musical style as they created should be another way to throw their policy and identity against the world. On the contrary it's cynical that you can see some commercialism in this psychedelia...in my humble opinion.

In a sense, this is one of orthodox psychedelic albums in early 70s - sorry but I cannot feel it's so progressive.

Continued onto SANDROSE... :-)