FLAT 122

I like this album as quite rare example of modern Japanese prog or related music, which is different from mellow smooth fusion from one side and brutal noisy hardcore avant from the other. Guitar line is still quite Japanese school - fast sharp and quite brutally emotionless. Keyboards/electric piano sound is different - with European neo-classic influence.

In fact, this album's music is not pure jazz fusion, but fusion in wide sense - jazz fusion based progressive mix with neo-classic and avnt-garde elements. On some (best) compositions musicians play great fast, technically complex guitar-led fusion. Other (not so good) compositions are just more chamber music. As a result album is quite eclectic and a bit bulky.

Still interesting work with few great compositions, but in all only average release.

The fifteen-minute title is a delicious first course, full of explosive stuff centered around Takao Kawasaki's inspired piano lines. This is, in essence, jazz, and Flat 122 are true students of the form. Three players who are so good it is undeniable as they take apart and rebuild almost every genre of instrumental music known to man (and they had the sense to still make it musical instead of giving us some tiresome exhibition). 'Neo Classic Dance' is just as full of energy if more playful, recalling the animated work of American avant-garders Cartoon with all their Raymond Scott-isms, and very prog 'The Summer' is quirky and compelling. More choice stuff in crystalline 'Panorama', 'Dizziness' lives up to its name, 'Winter Song' is soft and western in tone. And as if that weren't enough, 14-minute 'Spiral' takes us out in style with another display of inspiration.

Meticulous and quietly brilliant, Flat 122 are a force of unknowable proportions, and The Waves should be owned by those who appreciate musical mastery in all its forms. Recommended to fans of anyone from fellow countrymen Le Silo to nu-jazz mainstays as The Bad +.