CAMELIAS GARDEN

Kite is the second album by Roman band Camelias Garden and it was self-released in 2015 with a largely renewed line up featuring Valerio Smordoni (lead and backing vocals, keyboards, acoustic guitar), Simone Contini (drums) and Alberto Cari (bass) plus the guests Manolo D'Antonio (electric and acoustic guitar, backing vocals) and Gian Marco La Serra (piano, keyboards, backing vocals). It was recorded between 2014 and 2015 at Kate Creative Studio, LRS Factory and Studio Nero (Rome) and confirms the good qualities of their debut album from 2013 entitled You Have a Chance, with its light harmonies and refined arrangements mixing echoes of sixties psychedelia and pastoral atmospheres. The artwork by Isabella Latini in some way depicts the musical content...

The opener "Rise" is a short acoustic ballad with strummed acoustic guitar, a slightly pinch of psychedelia and soaring harmony vocals that could recall The Beatles. It describes a new dawn, a peaceful moment to start a day full of expectations and leads to the following "Making Things Together" veined of West Coast influences and positive vibrations that tells about a love story on the road... The long, evocative title track has a slow pace and a dark, romantic mood. It describes in music and words a strange meeting in a cold starry night conjuring up visions where dreams and reality melt like if they were following the flight of a kite with its ups and downs: blind, light, beyond the limit of what's real on a frame of subtle skies...

The soft, dreamy "Red Light" is about a kind of psychedelic trip through a beautiful place full of flowers and trees where a charming girl could drive you mad playing with colours and blending the red light of the rising sun with the magic of the surrounding nature.

"The World Inside You" is another ballad with strummed acoustic guitars and percussions in the background that could recall the Beatles, especially in its final part. It's about a kind of spiritual rebirth and evokes the inner power that everyone owns and that can heal the injuries of life... Then the closer "Useless" mixes a touch of electronic, modern sounds and filtered vocals with a pinch of spirituality and oriental philosophy.

Although defined as a simple EP the album reaches almost half an hour length and it's longer than may albums from the sixties or the seventies. All in all, a pleasant listening.

In terms of composition Kite is as strong as the band's debut album You Have A Chance and as soon as I knew thay had a new EP out I went straight to their Bandcamp page and bought it. But (and they say that everything that comes before the but doesn't matter), WHAT THE HELL they did to the vocals here???? Why they crammed ALL the songs full of AutoTune????? It's so on the face that's impossible to REALLY like the album all in all, and I'm a fan of these guys.

They also 'modernized' their sound in many ways, using electronics here and there to fit the 'new wave of Prog' that I call Post Prog and I cannot understand why, the band was unique on what they were doing in You Have A Chance (2013) now with this EP they seem to be as any other band... if that's the way the band will go in the future I'm afraid I'll not be following them...

Camelias Garden come from Rome and began life in 2011 on the initiative of multi-instrumentalist and composer Valerio Smordoni. In 2013 they released a début album on the independent label Altr0ck/Fading Records, You Have A Chance, with a line up featuring Valerio Smordoni (vocals, MiniMoog, keyboards, piano, Harmonium, acoustic guitar, Tambourine, Taurus Pedal), Manolo D'Antonio (acoustic and electric guitar, classical guitar, ukulele, backing vocals and Marco Avallone (bass, percussions) plus some guests such as Francesco Favilli (drums, percussions), Carlo Enrico Macalli (flute), Andrea Bergamelli (cello), Eliseo Smordoni (bassoon) and Giovanni Vigliar (violin). Their influences range from pastoral, symphonic prog to modern folk and West Coast echoes, from Genesis and Camel to Fleet Foxes and Midlake. The artwork in some way describes the content of the album, a colourful musical watercolour dealing with the dreams and hopes of childhood.

The opener "Some Stories" is a dreamy, melancholic ballad based upon guitar and piano while violin and flute embroider delicate melodies all around the soaring vocals. It conjures up a sense of nostalgia for a lost innocence and leads to the beautiful mini suite "Dance of The Sun / The Remark / Dance of The Sun (Birth of The Light)" where dark and light colours are used to paint a strange musical tableau about the circle of life and a spiritual rebirth.

The music of the delicate, folksy "The Withered Throne" reminds me of tin men riding nameless horses through sunny deserts while the lyrics depict the end of a wondrous love story with its legacy of broken hopes and wasted flowers. The following "We All Stand In Our Broken Jars" is an instrumental piece that starts softly with a strummed acoustic guitar pattern and riches its climax with a nice finale in crescendo with vintage keyboards in the forefront.

Next comes "A Safe Haven" a dreamy instrumental track for piano solo that leads to the light "Knight's Vow" that depicts the vows of an immature child who spends his time waiting for his dreams to come true by dreaming all day long. Then comes the acoustic "Clumsy Grace" that features some nice soaring harmony vocals and portrays the shy feelings of a little boy who falls in love with the immature beauty of a little girl.

The long, complex "Mellow Days" recalls Genesis and evokes cold winter days passed waiting for better times, rainbows in the sky and songs by the sea. The following "'Til The Morning Came" starts with vocals a cappella, then acoustic guitar and vocals draw flowing hopes escaping from a broken jar and a stream of growing thoughts. It leads to a reprise of the first track of the album that closes the circle. It's time to wake up... "Now boy, stop to chase the wind / Your life flows / You're hidden between the stories of someone across the stars / Some days you're fighting the evil / Some days you're begging a chance beyond the galaxies far away...". Well, on the whole I think that this is a good album, although it didn't really strike a chord on me, but I'm sure that this band will do better in the future.

This album reminds me of a HARRY NILSSON album with some vocal tendencies toward IAN ANDERSON. While the band uses some instruments typical to progworld (synthesizers, mellotron, organ and woodwinds), I don't find much to warrant this as prog (the STYX-like 'Dance of The Sun, The Remark, Birth of The Light' (6:16) (8/10) being the exception). And even the 'folk' element is rather slippery--the 'Some Stories' bookends, 'Clumsy Grace' and, maybe, ''til The Morning Came' might qualify. The proggiest parts of this album, outside of the above mentioned 'Dance',' occur in parts of the instrumental song, 'We All Stand in Our Broken Jars' (5:33) (8/10), and the brief symphonic part of the pleasant piano solo song, 'A Safe Haven' (3:40) (8/10), the synthesizer in 'Knight's Wow' (4:00) (7/10), and, of course, the GENESIS passage in the second half of 'Mellow Days' (9:39) (8/10). The vocals--and their harmonies--are unremarkable except for their similarity to Harry Nilsson. The acoustic guitars (and ukelele) play is quite monotonous and repetitive. The album is, however, well recorded and well engineered and has a nice packaging product. However, I find too little here to satisfy my prog sensibilities.

3.5 stars rated down for lack of originality and lack of true progginess.

Now come on, music like this just doesn't get released these days. It's 2013! Didn't anyone check the calendar? Imagine Cat Stevens mixed with early Genesis, Yes, Al Stewart and possibly just a little Gentle Giant and you may get somewhere close to understanding what this wonderful album is like. It is a summery burst of sunshine, where it is all about great music and plenty of acoustic guitars with swathes of keyboards to boot. It is fragile yet strong, modern yet extremely vintage and the result is something that is like a breath of fresh air to these poor abused ears of mine.

This Italian trio is led by Valerio Smordoni (lead and backing vocals, MiniMoog, keyboards, piano, harmonium, acoustic guitar, tambourine and Taurus Pedals) and he is joined by Manolo D'Antonio (acoustic and 12-string guitar, electric guitar, classical guitar, ukulele and backing vocals) and Marco Avallone (bass, synth bass, Taurus Pedals and percussions) plus a few guests to provide some additional timbres. It really is a thing of beauty, and I only hope that we are going to be hearing a great deal more from them as this progressive/folk debut is a delight. Visit their bandcamp site to get this for just ?7. cameliasgarden.bandcamp.com

If you ever wonder what happened to Prog Folk, Camelias Garden, this new Italian band, is your answer!

Camelias Garden and their debut album, You Have A Chance (2013), is an amazing blending of Prog Folk, wonderful and well-crafted pop melodies and the old and good Symphonic Italian Progressive Rock. You can also find a tiny bit of Post Rock in a couple of tracks. Camelias Garden were able to pick up all their influences, like Premiata Forneria Marconi in their first album, Storia Di Un Minuto (1972), and made it up-to-date, refreshing and meaningful.

Formed in Rome in 2011 by Valerio Smordoni (vocals, keyboards and guitars) as a one man project, Camelias Garden slowly evolved into a full band with the addition of Manolo D'Antonio (acoustic and electric guitars and vocals), Marco Avallone (baixo) and Walter Palombi (drums and percussion). In You Have A Chance (2013) they also had the helping hand of Francesco Favilli (drums and percussion), Carlo Enrico Macalli (flute), Andrea Bergamelli (cello), Eliseo Smordoni (bassoon) and Giovanni Vigliar (violin).

As soon as the first track 'Some Stories' kicked in I was in love, right away. Camelias Garden sound is melancholic, beautiful, soft, and full of emotion. The second track 'Dance Of The Sun/The Remark/Dance Of The Sun (Birth Of The Light)' is completely 70's Italian Prog without being a copy.

In fact, it is quite incredible how the band managed to fill their songs with acoustic guitars driven music, full of good pop melodies, and at the same time fill everything with superb synthesizers and keyboards and occasional distorted guitars. That's what they did magnificently in 'The Withered Throne' and 'We All Stand In Our Broken Jars'.

'A Safe Heaven' is a beautiful piano piece while 'Knight's Vow' is pure good Pop. 'Clumsy Grace' reminded me of some Jeff Buckley moments, which is wonderful. Prog Folk including flutes and mellotron on 'Mellow Days', which is the longest track on the album with nine minutes and a half. An amazing Track. To close the album there is 'Till The Morning Came' with a wonderful choir intro and 'Some Stories (Reprise)', closing the cycle perfectly.

You Have A Chance (2013) is something astonishing that came completely without a warning. An amazing piece of superb music that should be listened to with your mind clear and your ears wide open. Can't forget to mention the beautiful artwork by Hanna Mosley and Chiara Mastrantonio.

Resuming, Camelias Garden recorded a flawless debut album!

(Originally posted on progshine.net)