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DEWA BUDJANA

Jazz Rock/Fusion • Indonesia


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Dewa Budjana biography
I Dewa Gede Budjana - Born August 30, 1963 (Waikabubak, Indonesia)

Dewa BUDJANA is a guitarist and composer from Waikabubak. Influenced by both popular music as the leader and songwriter of the band GIGI and jazz rock from his earlier background, BUDJANA started his solo career in the late 90's after almost 20 years of his musical career.

His earlier band like SQUIRREL was already more inventive in the 80's by relying on BUDJANA's original compositional skills rather than working on covers like most of the other local jazz bands. One of the award winning works in that time was a composition called 'Nusa Damai' which would later become the name of his first solo album. Throughout the 80's he would also work as a session player and with other bands until 1993 when he founded GIGI which has a major success to this day.

Besides being a producer as well, BUDJANA has been working on his solo career that mixes fusion the likes of other known guitarists like John MCLAUGHLIN and Bill FRISSELL with traditional music of Indonesia, making his approach to world fusion experimental but also approachable at the same time.

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DEWA BUDJANA discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

DEWA BUDJANA top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.00 | 2 ratings
Samsara
2003
3.14 | 7 ratings
Home
2005
3.52 | 18 ratings
Dawai In Paradise
2011
4.08 | 26 ratings
Joged Kahyangan
2013
3.91 | 80 ratings
Surya Namaskar
2014
4.05 | 53 ratings
Hasta Karma
2015
3.96 | 84 ratings
Zentuary
2016
4.18 | 93 ratings
Mahandini
2018

DEWA BUDJANA Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

DEWA BUDJANA Videos (DVD, Blu-ray, VHS etc)

5.00 | 1 ratings
Gitarku, Hidupku, Kekasihku: Live In Concert
2008

DEWA BUDJANA Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.91 | 3 ratings
Postcards From Bali
2017

DEWA BUDJANA Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

DEWA BUDJANA Reviews


Showing last 10 reviews only
 Mahandini by BUDJANA, DEWA album cover Studio Album, 2018
4.18 | 93 ratings

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Mahandini
Dewa Budjana Jazz Rock/Fusion

Review by kev rowland
Special Collaborator Crossover Team

5 stars We all recognise certain people within the music world who we respect and admire for one reason or another. These tend to be musicians themselves, but for more than twenty years one person I have been in awe of is Leonardo Pavkovic, who when he isn't touring with one of his bands is also discovering wonderful musicians and making them available to the wider world. Such is the case with Dewa Budjana, a guitarist who has sold millions of albums in Indonesia but wasn't recognised outside his home country until 'Dawal In Paradise' was released on Moonjune, since when many of us always look forward to the next album with real interest. One of the reasons for that is Dewa is always looking to expand, branch and change. It is rare that he will use the same group of musicians from one album to the next, and records very quickly indeed, capturing energy and then moving on. This album was recorded in one day in January 2018, postproduction and overdubs took place, and then it was mixed and mastered in the March.

This album sees Dewa working with Jordan Rudess (Dream Theater, Liquid Tension Experiment), drummer Marco Minnemann (The Aristocrats, Steven Wilson, Joe Satriani, Adrian Belew, Trey Gunn, The Mute Gods, Eddie Jobson UK) and bassist Mohini Dey (Steve Vai, Guthrie Govan). There are also guest appearances by John Frusciante (Red Hot Chilli Peppers), fusion guitar veteran Mike Stern (Miles Davis, Blood, Sweat & Tears, Billy Cobham, Jaco Pastorius) and by the haunting voice of Indonesian singer Soimah Pancawati.

I don't think I have previously come across 22-year-old Dey prior to this, and if she is playing like this at her age, I can't even imagine what she will be doing in the next 10 or 20 years. There are times when I found I was concentrating more on what she was doing than Budjana, such is her impact on this album. There is a section at the end of "Queen Kanya" where the interplay between her and Minnemann is incredible: I would happily keep playing that on repeat as it blows me away each and every time.

Rudess is one of the most important keyboard players in the scene, but due to the way the music has been arranged he is often more in the background but playing as perfectly as ever. This album starts with "Crowded", a song not written by Budjana, a first for one of his solo works, but instead it is by John Frusciante who also provides vocals (as well as on closing song "Zone"). Rudess gently provides the introduction which allows Budjana to pick up the theme before Frusciante comes in. Here we get the flashes of genius which only come when musicians are masters of their craft, and also here coming from different musical areas and joining together to create something special. In many ways this is one of the most commercial songs ever released by Budjana, and in itself it may well create interest from those who have yet to come across him as the rock elements blast, but the gentle sections trickle along like a babbling brook.

Later in the album we are treated to the vocals of Indonesian tradition singer Soimah Pancawati, and this mix of styles works incredibly well, as America meets Asia in a way which only makes sense due to the way the music has been arranged. Each of Budjana's albums is a delight from start to end, and this is no different. Regarding the title he says "The title Mahandini comes from two words, Maha & Nandini: Maha means means big, great and Nandini means 'the vehicle that carries the God Shiva' in indian. Using this word as the name for this great line-up resulted in a good sign, it sounded like I had a Great Vehicle for my music. I was lucky!" So are we.

 Mahandini by BUDJANA, DEWA album cover Studio Album, 2018
4.18 | 93 ratings

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Mahandini
Dewa Budjana Jazz Rock/Fusion

Review by memowakeman
Special Collaborator Honorary Collaborator

5 stars Review originally posted at www.therocktologist.com

An album as wonderful as its lineup!

The name of Dewa Budjana has been spinning in my ears for over 4 years, since I was kindly introduced to his music by Mr. Moonjune. Since then, I've been quite fond of his music, mainly due to his guitar style, but also due to the different musical realms he shares and also due to the amazing line-ups he gathers for his albums. After two years of the amazing "Zentuary", the Indonesian maestro has returned with "Mahandini", an album that has the mandatory jazz fusion sound, with the also mandatory Balinese moments, but now with a sound more oriented to rock.

This might be because of the musicians recruited for this album. Dewa Budjana always knows how to choose great musicians and also how to adapt the music in order to take the best from them, and now, with the help of progressive rock masters Jordan Rudess and Marco Minnemann, along with Indian prodigy bass-woman Mohini Dey, Budjana has given us a great record. If that was not enough, here the acclaimed John Frusciante collaborates with the composition of two songs which are sung by him. Guitar expert and legend Mike Stern features on one of the tracks as well, while Indonesian artist Soimah Pancawati shares her voice on track three. An all-star line-up!

Frusciante might be mainly known for his work as guitar player of the Red Hot Chili Peppers, but he also has a solo career in which his voice plays a main role. For this album he lends his voice for two songs. The first one is "Crowded", the one that opens this album. Here we can listen to a great piece that has a deeper orientation to the rock realm with even some heavier moments provided by the voice and the instruments. The jazz fusion element is a shadow here, and it is in fact a surprise because it is not so common to see a Budjana's album opening with a track like this one, that in spite of its delicate sounds on brief passages, it might be remembered more for its explosive moments and even its nice catchy lyrics.

"Queen Kanya" continues this journey. The first two minutes have a soft jazz fusion sound but later the music becomes more aggressive, with an evident wink to progressive rock. A piano solo first and then the music explodes, Budjana makes a great and rockin' guitar that prepares us to one of the albums highlights: the konnakol section. Minnemann and Dey share an amazing passage where percussion and vocals spit countless syllables creating an addictive rhythm, reminding me a bit of some Mahavishnu Orchestra sounds.

"Hyang Giri" has the guest voice from an Indonesian singer. This song is amazing, the voice is profound and the music hypnotic. There is an evident Balinese flavor wonderfully blended with progressive rock. I think my description could be short, but the words I chose I think definitely describe this wonderful tune. "Jung Oman" might be the softest and more delicate of the tracks here. It has a very melancholic sound, it is like an invitation to feel clean and relaxed, an invitation to a introspection.

The guest musicians continue, and now it's time for Mike Stern, renowned guitarist who has played with giants such as Miles or Jaco, among others. His career has been long and prolific as solo artist or in collaborations. This time he shares his talent in "Ilw", a terrific progressive / hard rock song in which his experimental guitar appears adding a great solo. "Zone" is the second and last song with lyrics and with Frusciante as guest singer. This song might belong to any of his solo albums, though the musicians add in moments a soft jazzy spirit, this is more a rock tune for the likes of alt rock fans.

"Mahandini" has that Dewa Budjana sound, I mean, when I listen to these arpeggios I already know who the guitar player is, I think it is good to have a own sound, it is very difficult to create it nowadays. Minnemann drums all over this track are fantastic, multi-colored, sharing endless figures, great! After three minutes we found Mohini Dey playing a great bass solo that is continued by Rudess' keyboard solo. Budjana is never egoist, he always let his musicians to show to the world how great they are.

As usual, Budjana has provided a top album. I beg you to discover this man's music, you will find colorful moments that will guide you to countless sensorial experiences.

Enjoy it!

 Zentuary by BUDJANA, DEWA album cover Studio Album, 2016
3.96 | 84 ratings

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Zentuary
Dewa Budjana Jazz Rock/Fusion

Review by Windhawk
Special Collaborator Honorary Collaborator

4 stars Indonesian composer and musician Dewa BUDJANA is a well known and regarded musician in his home land of Indonesia, and for the last decade or so he has been established as a prominent musician also in the west, helped and guided by his western label Moonjune Records. Following a handful of albums released and reissued on that label, he was signed to Steve Vai's label Favored Nations in 2016, for the release of "Zentuary", which is his most recent album to date.

Dewa Budjana and his various guests on this double album have made a mainly positive, uplifting and smooth production that exists somewhere on the borders between jazzrock and jazz fusion, in a smooth and polished contemporary manner. The material does feature some world music elements here and there, flavoring the soundscapes nicely, and there's room for controlled excursions into more expressive modes of delivery on regular occasions too, but without the material ever becoming too challenging for any longer period of time. The slight emphasis on jazz details gives me the impression that this is an album that will have a stronger appeal for jazz fans than for jazzrock fans, but both audience segments should track this one down and have a go at it on some occasion. I suspect that the greater majority of those who choose to do so will find the experience rewarding.

 Postcards From Bali by BUDJANA, DEWA album cover Boxset/Compilation, 2017
4.91 | 3 ratings

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Postcards From Bali
Dewa Budjana Jazz Rock/Fusion

Review by kev rowland
Special Collaborator Crossover Team

5 stars

Dewa started his solo career in the late Nineties, having already been at the forefront of the music scene in his native Indonesia for some twenty years by that point, but it was only when New York's Moonjune Records started working with him more than ten years later that he started to make an impression on the worldwide jazz and fusion scene. Dewa is an incredibly fluid guitarist, often likened to the mighty John McLaughlin, but he mixes jazz and fusion with the sounds of Indonesia to create music that is quite different from anyone else around. "The Little Master" has an innate sense of knowing what is musically right, and his arrangements are both complex and yet simple to understand and he brings together top musicians of all styles to help him to achieve his goals.

This release is unlike his others in that it is a compilation of music taken from albums as far back as 2003, is only available as a download, and best of all is totally free! This has been released to hopefully spread the word a little wider beyond the critics and reviewers, and help those who enjoy the very best fusion to discover some of the best that the genre offers, at no cost whatsoever. Of course, once you have downloaded and enjoyed this then the only thing to work out next is which of his albums to explore next. Given that I firmly believe that every one I have heard is a masterpiece I don't have anything to offer on that score. All lovers of music that breaks boundaries, yet is both compelling and interesting on first hearing, just must give this a try. Did I say that it is free, available at absolutely no charge whatsoever?

 Zentuary by BUDJANA, DEWA album cover Studio Album, 2016
3.96 | 84 ratings

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Zentuary
Dewa Budjana Jazz Rock/Fusion

Review by Matti
Prog Reviewer

4 stars Despite all the globalisation, it may take a very long time for an extremely gifted musician to break into the knowledge of Western music consumers, if (s)he comes from a faraway country such as Indonesia. I hadn't ever heard of composer and guitarist Dewa Budjana when I received his latest album. He has made a musical career (between rock and jazz) for over three decades, and that's easy to believe when listening to Zentuary. Besides, one has to be somebody special to recruit well-known top musicians (drummer Jack De Johnette, our beloved bassist Tony Levin, keyboardist/drummer Gary Husband, etc). On top of that, Zentuary is a double album of 101 minutes in total. But there certainly are no compromises when the quality is concerned.

The naturally flowing music functions both as an object of dedicated listening and as a background music for e.g. reading. On the twelve tracks there's plenty of dynamics, nuances and, most of all, seamless team work in which the doubtless virtuosity never gets the bad taste of self-indulgence. As a guitarist Budjana has been compared to Bill Frisell and John McLaughlin, but in the end that's not an essential information, because the music gives pretty equally room for the other musicians. Numerous guest appearances add for example saxophones and instrumental or vocal contributions that increase the Far East exotism.

Both of the preceding reviews here have given full five stars. I'm extremely close to follow them ( -- what? there are even one star ratings, what the f*** were they thinking?), but here's my tiny word of criticism. Even though there are differences between the tracks, concerning both compostions and arrangements, in my personal listening experience I started to miss some more variety. A few side-steps into more ripped-down, individually oriented playing would have made the massive whole perfect.

I bet it takes several listening times to pick one's favourites. Most tracks are fairly long and it's not easy to remember where exactly was that brilliant bass solo or whatever highlight moment. On 'Crack in the Sky' at the end of Disc One, Risa Saraswati sings her Sundanese translation of Tony Levin's lyrics, and the compact, brief title track finishes the whole album in a spirited manner with the presence of Czech Symphony Orchestra. A strong recommendation for Jazz/Fusion listeners.

 Zentuary by BUDJANA, DEWA album cover Studio Album, 2016
3.96 | 84 ratings

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Zentuary
Dewa Budjana Jazz Rock/Fusion

Review by kev rowland
Special Collaborator Crossover Team

5 stars For his tenth solo album Dewa signed with Steve Vai's label, and brought together a stellar group of musicians to realise his vision. Although this album was only a year after 'Hasta Karma' he has again completely switched things around, and none of those who were involved in the last album are involved with this one. His core band this time was Tony Levin (King Crimson, Peter Gabriel Stick Men), Gary Husband (John McLaughlin, Allan Holdsworth, Jack Bruce and others) and the incomparable Jack DeJonette (Keith Jarrett, Miles Davis). If that wasn't enough he then added some further guests in Guthrie Govan (The Aristocrats, Steve Wilson, GPS), Tim Garland (Chick Corea, Bill Bruford), Danny Markovich (Marbin) as well as some cameos from the Czech Symphony Orchestra as well as Indonesian musicians Saat Syah, Ubiet and Risa Saraswati. Given that amount of talent is it any surprise that they have combined to produce yet another stunning piece of work?

Dewa has a wonderfully fluid style that always reminds me of John McLaughlin, and although there are huge amounts of fusion within this album, it is also quite experimental, bringing in progressive sounds that wouldn't be out of place with keyboard pioneers like Vangelis as well as also bringing in local sounds and styles from Indonesia: it is fusion and progressive music in its truest sense. Some numbers, such as "Lake Tangengon" wear me out just by listening to them ? there is an amazing amount of work and styles being displayed in the melody lines, and then at the back of them all Jack is killing the kit. How he keeps it up throughout the whole song is beyond me. Just twelve songs on this double CD set, but the 100 minutes' pass by so quickly, and one must jerk oneself back into the real world at the end of it.

This is music that covers a great deal of musical areas, with multiple layers and threads, but it all combines into an incredible majestic whole. Yet again he has produced an album that is totally indispensable, essential, complex and challenging yet easy to listen to, and a sheer delight from the first note to the very last.

 Hasta Karma by BUDJANA, DEWA album cover Studio Album, 2015
4.05 | 53 ratings

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Hasta Karma
Dewa Budjana Jazz Rock/Fusion

Review by kev rowland
Special Collaborator Crossover Team

5 stars One of the real joys of following the Moonjune career of Indonesian guitarist Dewa Budjana, is that one is never sure quite what to expect with each release, as he often changes the musicians he is playing with which has a direct impact on each album. This time he has brought in NYC vibraphonist, Joe Locke, and Pat Metheny Unity Group's bassist, Ben Williams, with drummer, Antonio Sanchez, and Indonesian keyboardist, Indra Lesmana. There are so many wonders and delights contained within this 2014 album that it is hard to know where to begin. In many ways Dewa has taken something of a back seat with this release, and it has a much stronger band feel than the others, as he shares the melody lead with Joe. I used to regularly see Poli Palmer (ex Family) play with Steve Waller (Manfred Mann's Earth Band) and his touch on vibraphones was great, but he never sounded anything like this! Gentle touches, or blistering speed, Joe can do it all and consequently is incredibly relaxed as there is nothing left for him to prove. This has allowed Dewa also to relax and just go with the flow, not always having to be the centre of attention. With Ben and Antonio playing their part to perfection, the result is a fusion album that is mind-blowing in just so many ways.

From the cover artwork of the digipak, through the sleeve notes of John Kelman, and then into the fifty-two minutes of the album itself, this is the complete package. If I had to pick one track to showcase the beauty of this majestic album, then it would have to be "Desember" where Dewa provides some stunningly quick runs, and then leaves the song for bars at a time to allow the rest of the guys to build new rhythms and melodies, returning when the moment is right. When it comes to modern instrumental jazz fusion then it simply doesn't get any better than this. Faultless.

 Zentuary by BUDJANA, DEWA album cover Studio Album, 2016
3.96 | 84 ratings

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Zentuary
Dewa Budjana Jazz Rock/Fusion

Review by memowakeman
Special Collaborator Honorary Collaborator

5 stars Oh my gosh, what an incredible album!

A couple of years ago thanks to Mr. Moonjune I was introduced to Dewa Budjana's magnificent guitar realm, expanding my musical knowledge and boundaries with a top-notch player who re-defines the concept of world-guitar, since he creates a wonderful blend of traditional music (Indonesian) with jazz fusion that believe me, deserves to be recognized worlwide as one of the best and most innovative musicians of the underground scene.

I've been listening to his music in a regular basis since I first listened to his albums which by the way are always complemented by amazing renowned musicians such as Antonio Sánchez, Ben Williams, or Vinnie Colaiuta to name a few, and this time, in a new and incredible album entitled Zentuary, he gathered monsters such as Tony Levin, Gary Husband and Jack Dejohnette, true legends that put their best to give us a sublime release, a two-cd album that has to be one of the best records of 2016.

Zentuary is an exquisite work of art, it is amazing how these musicians elaborate songs that seem to represent a joyful journey through what they love, the spirit of the music revelates the soul of the musicians themselves, so that joy is spread and our ears and souls receive it with positive vibes, so it is a virtuous circle in which we (the listeners) are luckily involved. Personally I prefer short (40-55- minute albums) that long ones, but man, this one is tremendous so one can enjoy every single track without saying a negative word, because what they create here is a trip in which any human being would like to be invited.

There are 12 songs, eleven of them are from 8 to 11 minutes and believe me, the minutes fly! And only the last song is a short 3-minute closer. The traditional reminiscences appear since the first track "Dancing Tears", a wonderful opener with pretty good voices, percussion and background; I think this particular track is a great example of Budjana's exceptional skills as composer. "Solas Pm" brings a delicious jazz passage in which saxophones get involved with a major role, bringing new nuances to an already interesting piece of music. The word "fusion" is wonderfully represented in "Lake Takengon", in which Jack Dejohnette makes a great contribution (as he always does), interplaying greatly with Husband on keyboards. I love Budjana's style, alwasy accurate and with a low profile, he doesn't have to be bombastic to get noticed, he is subtle but profound.

In the fourth track "Suniakala" the tempo is a bit calmer, so one can even feel relaxed here in some moments, in spite of Guthrie Govan's guest appearance with a wondeful guitar solo that gives a rockier mood, but at the same time, it keeps the calm spirit of the song. "Dear Yulman" keeps me calm and satisfied, the revolutions don't increase here, so we can take deep breaths and let the music embrace us. Levin's bass playing is fabulous, working as a wonderful couple of the drums while Budjana's guitar give us heartfelt solos. "Rerengat Langit (Crack tin he Sky)" is one of my favorite tunes here, bringing a kind of world-music spirit with folk elements such as a wonderful flute, complemened by a sensual female voice and the disarming guitar riffs. Levin's work here is also extraordinary (as usual) but Budjana takes the whole cake here, because he and his guitar create countless feelings, touching our deepest nerves. Beautiful!

One of the beauties of this album is its vast amount of sounds, rhythms and textures, I love how different can be from one song to another, however it is the same Dewa Budjana and co. giving us moments of pure quality. I am saying this because i love the contrast between "Rerengat" with "Pancaroba" the 7th track (1st track of the 2nd CD) which has an adventurous sound that gathers jazz fusion and rock. A provocative track that will make you want to move your head and body at its rhythm, one can easily fall in love with its charm. "Manhattan Temple" is another joyful piece of jazz fusion that has some passages full of cadence and some others with an even romantic style. "Dedariku" is a feast of sounds, atmospheres and styles since we can enjoy a soft and tender jazz complemented by some folkish arrangements and cool fusion moments provided by keyboards.. Of course, there are some killer guitar riffs by the maestro Budjana that you cannot miss.

"Ujung Galuh" is a fresh and happy track, impossible not to be infected (in the positive sense of the word) by its mood. A fusion track with great keyboards, reminiscent of some 70s monsters such as Return to Forever but with a true XXI century spirit and with the magnificent addition of a saxophone which is played by Danny Markovich who plays in Marbin. "Uncle Jack" is the last long song of the album. It is a great long jam in which piano takes a good role, in fact, I would say this is THE piano song, despite the relevance of guitar and the others instruments. The album finishes with the short "Zentuary", a nice short track that works as the "ending credits" theme, nice acoustic guitar-driven track that finishes an outstanding album. A masterpiece!

Highly recommendable!

 Hasta Karma by BUDJANA, DEWA album cover Studio Album, 2015
4.05 | 53 ratings

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Hasta Karma
Dewa Budjana Jazz Rock/Fusion

Review by Windhawk
Special Collaborator Honorary Collaborator

4 stars Indonesian guitarist and composer Dewa BUDJANA is a veteran artist, who has been active as a musician for just about three decades at this point. Besides being active in different bands, he's also a fairly productive solo artist, and the last few years have seen him release a new solo album on a yearly basis. "Hasta Karma" is his eighth solo album, released in 2015 by the US label Moonjune Records.

"Hasta Karma" comes across as a well developed production where a lot of thought and many emotions have been invested into the material, with top-notch musicianship seeing to it that the subtle nuances that appear to be a key feature of Dewa Budjana's compositions are all explored expertly. Instrumental jazz rock with an emphasis on jazz is the style of choice, smooth and easy on the ears on a superficial level, but with added depths and streaks of darkness to be revealed for the careful listener immersing themselves in the material. A polished, well made album all in all, and one easily recommended to those with an affection for instrumental jazz rock.

 Hasta Karma by BUDJANA, DEWA album cover Studio Album, 2015
4.05 | 53 ratings

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Hasta Karma
Dewa Budjana Jazz Rock/Fusion

Review by memowakeman
Special Collaborator Honorary Collaborator

4 stars This is the most recent album from Indonesian guitar icon Dewa Budjana, who has been in this musical scene for long time, creating high quality music with a clear tendency to jazz fusion. Once again under the Moonjune Records label, he released his new child entitled "Hasta Karma" which features six compositions that make a total time of 55 minutes. Here, Budjana chose some top-notch musicians that are featured in the album, so it is a guarantee of bliss to listen to this man with the company of Joe Locke, Ben Williams and the amazing Mexican drummer Antonio Sánchez.

It starts with "Saniscara", and I have to admit, the first thing that caught my attention was the drumming, I am fan of Sanchez, and am happy to see him collaborating with amazing musicians such as Budjana. The music is clearly in the progressive-jazz-fusion vein, guitars are soft and friendly, the bass is delicious, and the addition of vibraphone simply outstanding. The composition is pretty clean, it perfectly flows so one have only to enjoy what is listening to. Another point I love, is that each musician has its moment, so all are equally important.

"Desember" brings a slower track. The first couple of minutes are full of peace, but then they make a pretty interesting change, the mood becomes darker and a bit heavier, and then, Budjana gives an excellent guitar solo while the other guys produce a very cool variety of sounds as background. To be honest, there are moments where the name of Pat Metheny's bands comes to my mind, however, Budjana here adds more power to his solo, which is great. Then, it slows down again, vibes take leadership for a while, and the song flows once again.

"Jayaprana" has that inherent fusion tune and mood, so since the very first seconds it is normal to move the head, enjoy the rhythm while listening to this juicy track. Though this song passes the 8-minute mark, it is so great and friendly that all of a sudden, without noticing, it has already finished. The next one might be the magnum opus of this album. "Ruang Dialisis", a 12-minute epic that as I've read, was dedicated to Budjana's father. This track has a melancholic sound, a slow tempo mood that brings a kind of sad but hopeful atmosphere, it is like remembering good old times, like being in introspection. After four minutes, the music makes a change, and a traditional Indonesian chant appears, it was pre-recorded by his grandma, so this song has a truly personal flavor, that I assume means a lot to the guitar master. The vibes as usual are great, adding that Asian spices. Another change comes after minute 7, a chaotic passage where all seem to become a bit crazy, to lose control, so the atmosphere is a bit tense. Once again I would like to mention the musicians, each and every one of them, make a wonderful job.

The next song is "Just Kidung", and here the first thing I perceived was the piano, which is a new feature in the album, played by Indra Lesmana. The rhythm is just more into jazz fusion ala Metheny, some moments could be linked with the first couple of tracks. I enjoy it, it is sweet. After three minutes the music slows down, they are preparing something new. And it is Ben Williams who delight us with a bass solo for over a minute, and then, we have the luck of listening to a piano solo, so this combo gives nothing but smiles and satisfaction. In this moment, the name of Hiromi came to my mind.

Last but not least is "Payogan Rain", which is a relaxing, chill out track that can be enjoyed for anyone who looks for a peaceful moment. Here the new element is a melodica, played again by Lesmana. The bass sound is sensual, and the soft drums create a pretty sweet sound. Though this is a good track, I must say that to my ears, it is the weakest track of the album, and not my favorite one to finish what would have been a perfect fusion offering.

Dewa Budjana strikes again, he is a majestic composer and player, so a new album from him has to be received with arms and ears wide open. Please give it a listen, buy it and of course, enjoy it!

Thanks to historian9 for the artist addition. and to Quinino for the last updates

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