GREEN

This is the first HILLAGE album were Miquette Giraudy really demonstrate talent for techno keyboards. Hard to believe those excellent keyboards are played by a woman. This album was surely a good reference of inspiration for OZRIC TENTACLES, especially the keyboards. It is not surprising that Miquette Giraudy and Steve HILLAGE work together these years in a techno ambient group named system 7 (system 777 in USA). The sound is so space here that even the guitar is sometimes sequenced and has full of frequencies filter changes effects! I find this record quite structured, and the drums + bass do a very good job. Just hear the guitar sound on "Palm Trees": absolutely amazing! It reminds me just slightly Steve HACKETT's solos on "Spectral Mornings" and more the "Listen" solo on "Magic is a Child" (NEKTAR). This record is one of his best.

By this album , the Hillage/Giraudy sound is well established and working in full speed. But the end of the classic era is nearing and will finish with Open after the dreadfoll Rainbow Dome project. The first two numbers are still excellent but the following pieces only manage to retain my attention on sporadic occasions until the final number always gets me GoinG aGain as that typical riff is MaGick (get my drift?). Still worth a spin now and then .

Pretty much follows in the same footsteps as "Motivation Radio", although I think this album is a notch better. Album was produced by Nick Mason, of PINK FLOYD (who also produced GONG's "Shamal", as well). Despite the album being released in the punk and disco dominated world of 1978, the lyrics tend to be hippie-oriented, with that "talk to the trees" and "Mother Earth" theme found throughout the album. Here, HILLAGE experiments with tape delay, especially on "Ether Ships", using tape delay to play duets against himself on guitar. This is very much the same style you hear on PINK FLOYD's "The Wall", or some of the earlier works of OZRIC TENTACLES (like "Dissolution" from "Pungent Effulgent").

You can be pretty sure that "Green" had a big influence on the OZRICS sound. "Sea Nature" sounds like it came right off "Motivation Radio", but near the end is some cool glissando guitar and vocoder. "Musick of the Trees" is one of those "I talk to the trees" songs, with some mindblowing spacy synthesizers at the end. But the one thing bothing me about this album is "The Glorious Om Riff". It's basically his version of GONG's "Master Builder", but without lyrics, so you know what to expect here (funny that the OZRICS had their own version of the song off their early "Live Ethereal Cereal" cassette). If you like "Motivation Radio", you're certain to like this, although "Fish Rising" is of course, the better album.

This is Hillfish's best album by far, anyone who has a bad word for it really doesn't understand how to appreciate music, get your self a decent Hifi and listen to the techinical brilliance of his guitar work on this, also the brilliant keyboard work of Giraudy.

This was the pinnacle of Hillages solo career and is a must buy, get yourself comfortable in a good listening position and marvel at a much underrated recording.

Definitely Hillage's best album by far. Nick Mason on drums and helping production also adds to the music's overall class. Let Green take you on a magic cosmic trip from ' Sea Nature' and ' Ether Ships' right thru to the ' Glorious Om riff'. You can see where Ozric Tentacles got a lot of their inspiration and Green is a cut above all his other releases. SH manages to convey the whole eco-friendly qualities too with distinction on 'Musick for the trees' and ' Palm trees ( love guitar)'. His guitar work his second to none and Miquette Giraudy's synth interludes are perhaps the best I have ever heard her play.Seriously if you do not have Green best invest in it soon because you will only realize then what have been missing since 1978.

Album of STEVE HILLAGE released in 1978 "Green". Advanced work to sound near so-called techno. However, it is an album that wipes out inorganic feeling peculiar to the electornic music. A pop feeling different from the ambient music of the German rock and BRIAN ENO is works of the charm.

Steve Hillage seems to have found his own sound here. I still prefer his debut "Fish Rising" though, but this is my second favourite from him. Nick Mason from PINK FLOYD helped Steve produce it and he also plays some drums. I'm sure having Nick on board was inspirational to Hillage and everyone else playing on this record. THE OZRIC TENTACLES really do come to mind at times. Perhaps this album inspired them too.

"Sea Nature" has such a good trippy sound to it, even the vocals have a psychedelic flavour to them. Lots of synths and some processed vocals too.The last couple of minutes are quite spacey. Nice. "Ether Ships" opens sounding like a TANGERINE DREAM track. Guitar comes in playing over top of the pulsating synths. Great sound ! I like the drumming 3 1/2 minutes in too. "Musk Of The Trees" opens with some gorgeous guitar melodies.The vocals have a FLOYD vibe to them, I like them. Blistering guitar before 4 minutes. It's spacey late. "Palm Trees (Love Guitar)" opens with a beautiful melody.The guitar reminds me of Page.Then Steve lets his guitar soar. Nice. Vocals 1 1/2 minutes in but this is a guitar led track.

"Unidentified(Flying Being)" is a funky tune. It makes me smile. Some nice guitar before 3 minutes that goes on and on. "U.F.O. Over Paris" has some good bass and drums that provide the base while the guitar solos over top. It turns spacey as the beat fades out. Cool ! It blends into "Leylines To Glassoom" where it is very electronica sounding. Guitar comes in after 2 1/2 minutes. "Crystal City" is a fuller sounding song. I like it ! Vocals before 2 minutes. It settles after 3 minutes and turns spacey. "Activation Meditation" is a spacey 1 minute tune with pulsating synths. "The Glorious Om Riff" is the closer. The longest song too at almost 8 minutes. This song is much heavier then any of the other tracks. Great rhythm as guitar comes in. Ripping guitar before 3 minutes.

My top 3 tracks are "Ether Ships", "Palm Trees (Love Guitar)" and "The Glorious Om Riff". I highly recommend "Green" or "Fish Rising" is you want to check out Hillage's solo work.

One of my favourite albums of all time, simply brilliant. A diverse mixture of rhythms and scales, from bouncy and uplifting, through meandering, ethereal soundscapes to the driving, almost menacing version of "The Om Riff". A wonderful collage of sounds and ideas, fantastically intertwined and produced. Some awesome guitar work, including Steve's seemingly infinite arsenal of guitar synth sounds. This album reaches the parts that other music cannot reach. It touches my soul. Fantastic.

Can't resist commenting on the first post in this list, by Greenback: "Hard to believe those excellent keyboards are played by a woman." Ahem, women can play keyboards too you know, some of us pretty well in fact. But actually I think a lot of what sounds like synth work on this album is actually played by Steve on guitar synth; the way the notes are bent, the weeping guitar style, the scalic patterns, just the way it's put together, it's him all over. Much respect to Miquette, but I don't think she's doing the dazzling synth solos on this album. Steve also gets a credit for Moog synthesiser, so it's hard to know who's playing which keyboards, but Steve's guitar style is unmistakable, even when it sounds like a synth!

xx

From the moment 'Sea Nature' drifts from your speakers you know you're in for a smooth ride through the cosmic ether - if there can be such a thing.. Anything is possible in the strange world of Steve Hillage, and 'Sea Nature' proves it. Layers of cosmic keyboards and spacey guitar form the base of what is an excellent song, and right in the thick of the punk era! Hillages voice has a Dave Brock quality to it, but without the tuning problems and druggy nasel congestion and his guitar playing is faultless.

It's easy to see what Ed Wynne of the ozric Tentacles was listening to as he grew up, when you hear the intro to 'Ether Ships'

There are running themes of nature, UFO's, and meditory contentment throughout 'Green' and there are no weak tracks as far as I'm concerned. The album glides from track to track, drawing you in further into Hillages 'green' world, and as I have learned in recent years, you DONT have to be stoned to enjoy this album...but arguably it helps..

Best tracks IMO, are 'Sea Nature' 'Musik of the Trees' and 'The Glorious OM Riff' The latter closes the album and is a real space rocker, with a fantastic riff. Hillage could often come up with classic riffs, simple but very effective. The riff for 'Salmon Song' on his album 'Fish Rising' springs to mind, although I reccomend more the version on 'Live Herald'

Despite being a lifelong Hawkwind fan, I've not paid much attention to 'Space Rock' generally. I discovered Hillage in my mid 20's, after I had lost interest in most things psychedelic, but Hillage managed to grab my attention nonethless. I'm glad he did. I've heard about 4 of his albums so far, and 'Green' remains my favourite.

Mantric Tentacles

Steve Hillage is part of that rare breed; A guitarist with a unique sound and playing style.

It is far, far, easier to say that a particular guitarist sounds like Hillage than to identify the great man's influences - and yet the style is obviously blues-based, reverting to the safe comfort zone of the pentatonic scale time and time again - even when dressed up in modal flights of fantasy.

His career is prolific and amazingly constant over almost 4 decades - from Arzachel through Gong and his solo work to his more recent collaborations and explorations into electronic dance music with System 7, there is the single constant that can be readily extracted from everything he lays his hands on;

Sound.

Specifically, the OM or AUM sound which became fashionable with hippies everywhere in the 1970s, but it is crystal clear (sic) that Hillage took it completely to heart and has since made the strongest possible attempts to find this sound using his guitar, music synthesisers and empathetic musicians.

And that is what strikes you first about GREEN, the ethereal other-worldliness that Hillage was alreay fully competant in creating has been taken to the next level. While Pink Floyd also succeeded in creating an overall sound that was way ahead of their time on DSOTM, Hillage together with Nick Mason behind the desk, went beyond that sound. Hillage, sadly, spoiled it somewhat with sub-par songwriting skills and a predeliction for over-earnest but well-meaning Hippie nonsense in his lyrics.

This hippie "nonsense" is the next thing that strikes you about GREEN, and blame for this lies mainly in the huge amount of homage it pays to Hillage's Gong days - the "Glorious Om Riff" is the main riff of "Master Builder", as the single most obvious example. This single riff (in more fairness, this single album!) is also the foundation of a career for the Ozric Tentacles and many a mid 1980s "New Age" underground band since.

Ultimately, the highlights of this album are ALL of the instrumental sections, which are a frankly stunning confection of super-effected guitar and home-grown synth sounds (thanks to T.O.N.T.O. and the ambient synth wizardry of Miquette Giraudy).

The drumming from Joe Blocker manages to be machine-precise, yet hangs loose at the same time, mixing rock drive and jazz swing with simple grooves and complex details - percussion is a far more accurate word for what is happening here. Joe manages to express everything that is needed in a manner that is restrained but highly articulate.

The bass playing is precise but minimal - following rather than taking part, but you hardly notice this, and really, this is probably all that's required to make this music complete - although it's not the sort of stuff a novice could play.

To summarise; Absolutely astonishing sounds and music, even today, that makes the contemporary explorations of Frose and Schultze, etc., sound like kids playing with electronic toys.

I would award this album a complete Masterpiece rating, but sadly, the songs themselves let the album down heavily - Exhibit A: (vocoder) "Way down below the oceans, we'll be riding on our emotions..." (Sea Nature); Exhibit B: "Palm Trees" (say no more...)

But the MUSIC outside of the songwriting is Grade A stuff - top quality, well-polished jams with a modicum of composition that hangs it all together nicely. Widely regarded as Progressive Rock, I won't argue too much - although the overriding tendency is to explore in the realms of sound and jam with it rather than to explore all musical possibilites and compose.

A great album, and a most excellent addition to any collection - from the rock end of an ambient collection to the ambient end of a rock collection - but second to "Fish Rising" in terms of Prog Rock in a purists collection.

For those in the know, this represents Steve's most cohesive and polished album. I have a very hard time choosing between this one and Fish Rising in terms of the musical direction, but despite my love for the first album, Green is clearly the more consistently excellent all-around. For this recording, Pink Floyd drummer Nick Mason joins the fold, but frankly, drumming is not really his major contribution to this record. Mason produced the record and the effect is simply magical. The music on this record has moments of great excitement but is highly ethereal and atmospheric and is mostly mellow. The record features some subtle changes in musical style, in that paradoxically, some of Hillage's guitar play (despite the overall spaciness of the pieces) is really much more lyrical in nature than some of the echoing, spacey play featured on earlier albums such as Fish Rising. It is truly uplifting and refreshing to here a different side of his playing. The underpinnings of much of the electronic and ambient music to follow can be heard here if one listens enough, and this is done with a strong sense of musicality and taste. It is space prog at its best. Five stars.

The green party

Those who think being green is a 21st century invention may be surprised to learn that people such as Steve Hillage were advocating such a philosophy over 30 years ago. "Green" was in fact originally intended to be the second part of pair of releases, the first being based on the colour red. The music for both was written by Hillage and his partner Miquette Giraudy around the same time in 1977, but by the time "The red album" had been released, it had become "Motivation radio".

Hillage is co-producer of this album along with Pink Floyd's Nick Mason, resulting in some rather Floydian sounds and moods appearing at times. As a whole, "Green" is somewhat more ambient than previous releases, relying to a greater extent on guitar synthesisers and repetitive rhythms. Much of the album is instrumental, although there are vocally orientated parts to songs such as the start of "Musik of the trees".

Hillage's guitar work is of course wonderful, although it is not so overtly noticeable on much of the album. Only on tracks such as "Palm trees" do we get the great lead guitar soloing we seek, the instrument being used in a more rhythmic capacity most of the time.

It has to be emphasised that this album is different to those that went before. Some will be enamoured with Steve's subtle change of direction, while others will feel that he has pushed the rock side of his work to one side a little too much, in favour of a more dance orientated approach.

In all, an album where Hillage challenges the faithful to stay with him as he begins to alter course. He offers the enticement of retaining some of what has gone before, while making it clear that he is determined to continue to push the boundaries and to experiment with the sounds and technology available to him.

The Virgin remaster includes four additional live tracks. These include versions of Gong's "Octave doctors" and Buddy Holly's (and the Rolling Stones) "Not fade away". While far from essential, they are a welcome bonus.

In my opinion Steve Hillage didn't produce a masterpiece, but if You are looking for one maybe this is the most close to that call. Green is a mean album full of Canterbury sounds and the guitar never sounded better. From the work on "Palm trees (love guitar)" to the really glorious "The glorious Om riff ", a real song that keeps you on the look for something to happen. It is real menacing. But I don´t like the funky side of this CD (It has written 1978 all over It). An uneven record according to my taste but an essential one for the lovers of psych guitar.

My goodness, I skipped many albums before landing on this old trusted friend. For those of you still unsure whether Steve Hillage deserves to be among the "Three Steves" (with Hackett and Howe), the answer is a resounding yes! His hallmark slippery eelish guitar made Gong such a cosmic joyride and influenced so many young aspiring axe slingers. His previous solo albums including the stunning debut "Fish Rising" made quite a commotion back when it hit the proggy wave of the "golden years" and this recording sealed the fame of this stellar musical mind. A "Live Herald" only made the cherry on top of the sundae even tastier.

"Green" kicks off into cyberspace from the get-go with a hard psychedelic voyage, a high voltage romp into devilish rhythms and incredible leads and a bizarre finale (wife Miquette on vocoder and all?) on "Sea Nature", a fabulous opening salvo. The terrific "Ether Ships" has serious preliminary vintage Tangerine Dream introduction that lends credence to some whistling lead guitar slashes and a complete plunge into the deepest space. Steve has two lead guitar solo claims to fame: sustained notes and mathematic scales, all conveniently shrouded in intense textures. His various pedalled effects were the first adventurous usage of future MIDI technology; they called "Guitar-synth" back then. Anyway, sturdy stuff this! "Music of the Trees" is only slightly more upbeat but features some incredible synthesized guitar runs, while Hillage intones in his hippy-trippy voice. His picking is bluesy, deathly brisk on occasion, searching for some delirium. Got to say something now, right away, about the drumming , the stool manned by stalwart stickmen in the funky Andy Anderson and the powerful Joe Blocker. Making room for producer Nick Mason (of Floyd fame) only makes this more remarkable. I am pretty sure it's the Pink man on the sultry "Palm Trees", a breezy ballad that lopes along with supreme guitar illuminations (what a solo!) and droll singing from Steve, a classic space ballad if there ever was one! And a pure classic that I fell in love with at first hearing when it was released. "Unidentified" is the funkier side with a manic urban bass held by Curtis Robertson (wow!) and a splendid phosphorescent lead from the Hillfish (as he was often called) a drum barrage leads into the amazing "UFO over Paris" , a breathtaking escapade with plowing bass, manic drumming and wilder almost soaring guitar solos, insistent and yet dreamy , an absolute cosmic expedition that wanders into a synthesized vapour of the deepest order. This blends into "Leylines to Glassdom" (whatever that means!), a clear trip into more experimental fields, a shuffling cauldron of bizarre sounds and whistling Moogs in fact closer to ex-Gongster Tim Blake material than anything. Some intricate guitar incursions do not fail to catch the ear, a luxuriant cornucopia of notes and textures. "Crystal City" (now that's a title!) reverts to the space groove , more reptilian bass and pulverizing drums to launch Steve into all kinds of gymnastics over the fret board, the vocals are drug-fuzzy and very hippie. Good stuff. After a short sonic ping-pong interlude, the masterpiece ends on a very lofty note ,the incredibly deep "The Glorious OM Riff" is a legendary composition that has a rooted riff that is positively unremitting, space rock on a grandiose scale that hammers itself far into the prog psyche, a solid platform for the Fishman to really let loose with some blitzkrieg solos, fast , remorseless and hard . A masterful album that sits proudly among my perennial prog albums. Not hearing this is like being deaf.

5 golf courses.

Ever since his debut album, Steve Hillage have been slowly moving towards the shorter song format and Green was where this cycle was finally complete. This shift could be attributed to the changes in the music scene towards the end of the '70s but with this change Hillage also lost the spark that made his debut album such a pleasant surprise.

What we get here is a slick and well-recorded album that lacks the punch all the way up until the final track. Sea Nature is a groovy album opener that tries to substitute the poor songwriting with many layers of thick sound. Ether Ships features some atmospheric soundscapes that build the composition towards the ending section where the drums finally kick in, but that's where the music suddenly begins to fade out and the performance doesn't result in anything that spectacular. The next part of the album, starting with Musick Of The Trees is where Steve Hillage manages to loose me completely with three rather uninspired tracks that might as well have not been there. Unidentified (Flying Being) might feature a funky bass line but the chorus totally ruins the experience for me.

The next four tracks, starting with U.F.O. Over Paris return the music to an almost ambient state that foreshadow the music that on Rainbow Dome Music. This part of the album has a few interesting moments but its still far from the material featured on Steve's great debut album. Finally, when all hope for any worth a while material had faded, comes a moment of clarity in the shape of The Glorious Om Riff. This is a very dark and almost sinister sounding piece of music that has nothing in common with anything preceding it. The main question that come to my mind, after the final seconds The Glorious Om Riff, is why was this magnificent track hidden at the end of this otherwise rather uninspired album? It's almost as if Steve Hillage created a monster in the shape of this composition and he wasn't certain whether his fans would approve of it, so he hid the track right at the end of Green.

This is a well produced album that unfortunately has little new to offer to anyone who has already heard Steve's excellent debut album Fish Rising. All the compositions leading up to the final track are pretty average while the final track is what pushes the album to a good, but non-essential release for me.

***** star songs: The Glorious Om Riff (7:53)

**** star songs: Sea Nature (6:42) Ether Ships (5:07) U.F.O. Over Paris (3.10) Leylines To Glassdom (4:07) Crystal City (3:36) Activation Meditation (1:03)

*** star songs: Musick Of The Trees (4:54) Palm Trees (Love Guitar) (5:21) Unidentified (Flying Being) (4:31)

Space Jam, The Missing Link

Steve Hillage has had his hands in the space rock scene from many different angles, and on GREEN he presents a nice transition between the proggy space rock of the early seventies and the electronica of the future. Clearly, Hillage has evolved yet again since FISH RISING. While some have noted that GREEN was released at the peak of disco, it is interesting that many of the sounds found on this album infiltrated themselves into the dance scene to the point that many raves would sound more like Hillage than Saturday Night Fever.

But don't let that scare you off. This is not dance music, this is trippy space jam for certain. The live drummers (including Floyd skinbeater Nick Mason) set the dreamy stage perfectly, and what a show Hillage sets onto that stage. Along with an assortment of delay-effect guitar tones, the keyboards here (courtesy of partner Miquette Giraudy) range from proggy dexterity to psychedelic splendour. We actually have vocoders, Floydian key beds, and cascading tape loops. Virtually gone are the riffing and composed lines from previous works (which I miss a little). Virtually all the songs are chordally-based, with interest coming from the various layers and their effects.

"Sea Nature" is a psychedelic anthem, with a great melodic theme fueling the lyric "I want you to come with me, journeying with your mind." Not exactly the most poetic stuff, nor are Hillage's vocals the most evocative. But it all fits together and achieves its purpose quite well. "Ether Ships" uses a looped guitar figure with a varying filter that evokes both Pink Floyd and later space bands, and is really the dominant sound of the whole album. "Musik of the Trees" begins with a nice acoustic change-up with a soaring synth line which must have certainly influenced many of the new age artists of the next decade. The crystal- hugging lyrics are a bit dated (actually probably over the top even in their own time period), but the music is great. "Unidentified Flying Being" is a funky throwaway that is not only annoying but ruins the mood of the album. Though some Gong fans might enjoy its light- heartedness, it doesn't work for me. The song evolves into a reasonable jam, though one of the weaker on the album through "UFO over Paris." "Leylines to Glassdom" is another echo-y delight where first Giraudy and then Hillage tastily and sparingly solo to great effect. "The Great Om Riff" is something Hillage has used in multiple places, but the version on this album is perhaps the best. In fact, the eight songs from the album's initial ten minus the two UFO stinker tracks are among the best space rock ever made, IMO.

My version of the album has 4 bonus tracks, all live. None are spectacular additions to the album, though the sound is good on all. "Octave Doctors" is a nice instrumental, while "Unidentified" was obviously an unwelcome addition for me. "Not Fade Away" is interesting simply from the point of view of hearing a standard rock shuffle tune turned into a space trip. "Meditation of the Snake" is a faithful, energetic live rendition of the FISH RISING track.

I've mentioned in other Hillage reviews that I actually prefer his style of space rock to some in the genre such as Eloy or Nektar. There's something more uplifting and positive about the psychedelic vibe. It's certainly a stark contrast to Floyd and perennial Eeyore Roger Waters. And since this exact combination is not necessarily that easy to find, I don't feel bad rating this a 4 (though it probably is non-essential). Enjoy.

Steve Hillage finally settled on a distinctive solo sound for himself on Green. No longer upstaged by Utopia as on L, and no longer competing for attention with the TONTO synthesiser system as on Motivation Radio, Steve developed the sound of this album in close collaboration with Miquette Giraudy. As in their later trance music albums under the name of System 7, Hillage and Giraudy base their sound around the interplay between Giraudy's synthesisers and guitar and synthesiser work on Steve's part, and this time around the result is an intringuing space rock sound that's just on the cusp of future synth styles - an intense, trippy atmosphere reminiscent of the best of Steve's work with Gong whilst retaining an identity of its own.

Even Steve's characteristic New Age optimism and goofy lyrics work well on this album, with Unidentified rising above previous Hillage songs in the same "let's clap hands and welcome the space brothers" vein by having a gloriously funky foundation. The album also benefits from having better instrumental sections than the preceding two, and even though The Glorious Om Riff is a reworking of Steve's guitar part from Master Builder on You, the part in question is good enough that it's still an entertaining listen by itself. Of all of Hillage's albums in what I'd call his "hippy singer-songwriter" style - the run from L to For To Next/And Not Or, not counting Rainbow Dome Musick which is in a different style altogether, I'd say Green is the best of the lot, beaten in Hillage's back catalogue only by Fish Rising.

'Green' is a mostly of it's time 1978 album, which leaves one wondering if it's really Roger Waters on vocals throughout. Honestly, if there's one voice I thought was beyond replication - I would have put my mortgage on Roger. Steve Hillage appears to have pulled this off easily and could be considered as a Waters doppelganger.

'Green' isn't so bad - it has some great keyboard chords that are very similar to the infinitely superior instrumental 'Rainbow Dome Musick'. There's just too many 'straight' drums throughout which verge on disco and funk. Some of the guitars are pretty good with their highly treated high pitched sound, but at the end of the day 'Green' is a rather average album with nothing to write home about and will not be anyone's favourite album of all time.

It's ok... just...

"Green" is my one of my two favourite Steve Hillage albums (my other favourite being "Fish Rising"). The album blends 70's Psychedelic Prog and Jazz/Rock Fusion with new wave Electronica, which gives it a unique sound.

"Green" is Hillage's 4th studio album. The record is oozing with hippy happy vibes, and funky fusion flavours. The addition of Pink Floyd's Nick Mason on drums and the production suits this album very much. Hillage's partner Miquette Giraudy adds some wonderful synth to this album too, which play a vital part in the unique sound of the album.

This album isn't so much heard as it is felt. The music seems to be sitting on top of the atmosphere, so to speak. Even as a recent fan of "Green", the album is one of my most sentimental albums. I could write all day about how and why I love this album, but I think it needs to be experienced to fully understand it's depth.

This is, in my opinion, a must have for fans of Psychedelic Prog.

5 stars! ☮

After being spoiled by Pierre Moerlin on drums, the slowly evolving Hillage sound experiment loses a lot of my interest and respect due to inferior drumming and Steve's rutted sound selection. There are plenty of interesting and engaging passages (especially when there are no drums) and one of the best progressive rock "pop" songs of the 70s in "Palm Trees," but overall this is an album that is best left alone, visited occasionally as one would a history book or old movie.

3.5 stars; a nice collection of songs, not necessarily of the Canterbury style, more experimental electronic rock. BTW: lyrically, is Steve trying to be Todd Rundgren?