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Clearlight - Forever Blowing Bubbles CD (album) cover

FOREVER BLOWING BUBBLES

Clearlight

 

Symphonic Prog

3.90 | 52 ratings

From Progarchives.com, the ultimate progressive rock music website

apps79
Special Collaborator
Neo Prog Team
3 stars After his experimental work on ''Delired Cameleon Family'' Cyrille Verdeaux would regather Clearlight in 1975 for a second album on Virgin, entitled ''Forever blowing bubbles''.By the time the official line-up consisted of Cyrille Verdeaux on piano/keyboards, Bob Boisadan on electric piano/synthesizer, Jean-Claude d'Agostini on guitars/flute/sax, Christos Stapinopoulos on drums and Joël Dugrenot on bass/lead voices.However there are plenty of guest participants in the album like ex-King Crimson's David Cross on violin, Christian Boulé on guitar, Gilbert Artman on drums/percussion and Bruno Verdeaux on synthesizer and congas along with a couple of female singers.

This album is pretty much on par with ''Clearlight symphony'', maybe with a more pronounced jazzy flavor at moments, but still with plenty of Classical influences and intense, spacey soundscapes.What is really different from Clearlight's debut is the heavy amount of chaotic, Fusion-esque workouts, where the complex guitars of d'Agostini meet the electric piano of Boisadan and the heavy Mellotron of Cyrille Verdeaux.Still the music remains pretty much balanced between symphonic references, often colored with soft piano interludes and melodic guitar breaks or even some nice flute work, jazzy interludes with frenetic guitars and impressive executions on the rhythm section and cosmic explorations with synthesizers in evidence.They do sound pretty close to compatriots CARPE DIEM, but Clearlight (maybe along with GONG) were masters on producing somekind of Space Fusion, led by the distortions on guitars and the trully convincing synth drives over the sound of primordial analog keyboards.The odd violin and sax performances of David Cross and Jean-Claude d'Agostini strengthen further this unique flavor, but Cyrille Verdeaux'es orchestral background is still evident in plenty of the contained pieces, much in an early KING CRIMSON style with the Mellotron as the leading instrument.

Solid and at times trully demanding album.The amount of chaotic instrumental battles might be a bit disturbing, but the result is no less than intricate and satisfying.Plenty of reissues with additional material appear in the market.Strongly recommended to fans of Space, Symphonic and Jazz Rock...3.5 stars.

apps79 | 3/5 |

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