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King Crimson - Red CD (album) cover

RED

King Crimson

 

Eclectic Prog

4.52 | 2271 ratings

From Progarchives.com, the ultimate progressive rock music website

Mellotron Storm
Prog Reviewer
5 stars I love how heavy this record is. I'm a huge fan of their "Power To Believe" album too, but what is special about this record is the liberal use of mellotron. And being a big fan of ANEKDOTEN I can hear that they were influenced big time from this record especially when listening to the song "Starless".

"Red" is one of the best instrumentals I have ever heard. Over 6 minutes of bliss ! Fripp is nothing short of incredible. Check out Bruford too, simply amazing ! I read where Bruford said he left YES because he felt he had learned all he was going to learn from being in that band. And he jumped ship to KING CRIMSON in part to learn from the genius percussionist Mr.Muir, who stayed with the band for "Larks' Tongues In Aspic" only. Bruford seems like a much better drummer at this point in his career, much better then I thought he was anyway. "Fallen Angel" is where we get to hear Wetton for the first time on this album. I really enjoy his singing and maybe it's just me but he always seems so happy in all the pictures I see of him with KING CRIMSON, like he's died and gone to heaven or something. Some beautiful mellotron, flute and sax in this one. The song gets more intense at the 3 minute mark.

"One More Red Nightmare" opens with heavy guitar and bass.Nice. And check out the drumming ! Sax 3 minutes in followed by some more great drumming. The long sax solo is incredible. "Providence" is an improvised jam that works for me. Opening with violin we start to hear KING CRIMSON's experimental side as we hear various sounds like flute, violin, guitar etc. slice through the soundscape. The drums and guitar start to take over and it ends beautifully. Nice bass solo from Wetton as well. "Starless" could be the best track i've ever heard ! Opening with light drums and mellotron, it sounds so beautiful. Sax and violin come in and I love the way the guitar and soundscape builds until Fripp sets it on fire.There is another great sax solo after 9 minutes as the mellotron from the beginning comes back, but only it's all more powerful than before. What an ending !

Another masterpiece from Fripp and company and "Red" just might be their best.

Mellotron Storm | 5/5 |

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