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FM - Direct To Disc [Aka: Head Room] CD (album) cover

DIRECT TO DISC [AKA: HEAD ROOM]

FM

 

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3.60 | 95 ratings

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apps79
Special Collaborator
Honorary Collaborator
2 stars Nash The Slash would soon get off the FM vehicle, as he thought that the presence of a drummer forced the band towards more commercial music.Ironically he pursued a solo career, which was way more commercial stylewise, compared to FM's early albums.He was replaced by Ben Mink, yet another violin/mandolin player of Canadian-Polish descent, who had previously played in the Folk Rock act Stringband.In late-77' the new FM trio visited the Phase One Recording Studios in Toronto and recorded a second album with the direct to disc recording method, lacking the use of recording tapes.The album was originally released in 1978 as ''Direct to disc'' on the small Labyrinth Records, while a few other reissues have surfaced later, some of them under the title ''Headroom''.

The album consists of only two sidelong tracks, each clocking at about 15 minutes.''Headroom'' is the introduction, a 5-theme piece, which combines elements from Jazz, Space Rock and Electronic Music.In fact this time FM sounded more focused and determined on the style they followed.Their sound was very polished and refined with melodic violin drives by Mink and a spacey bass performance by Hawkins, surrounded by the omnipresent synthesizers in an electronic enviroment.The music is pretty smooth with DIXIE DREGS references and very limited vocals, often passing through Lounge Jazz moments, ending up to be trully ethereal, but lacking some of the debut's dynamics.''Border crossing'' is divided in four parts and sounds a bit more Electronic-drenched that the opening piece, but also a bit more versatile.One certain reason are the opening notes, performed on electric mandolin and the constant change of moods.Electronic ambiences, Fusion orientations, a slight Neo Prog feel during the vocal parts and strong Classical hints towards the end, reminding of EDDIE JOBSON.There are however a couple of dead holes with minimalistic synths and effects in here, while FM insisted on playing on the dreamy side of Art Rock with the gears down and the atmosphere remains pretty calm all the way.

I could say that FM's approach on this effort was pretty genuine.But not passionate enough to keep the listener's full attention due to the lack of inner dynamics.Nice album for background listenings and propably for anyone into CLEARLIGHT-like Space Fusion...2.5 stars.

apps79 | 2/5 |

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