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Cirkus - Cirkus One CD (album) cover

CIRKUS ONE

Cirkus

 

Eclectic Prog

3.36 | 26 ratings

From Progarchives.com, the ultimate progressive rock music website

Sean Trane
Special Collaborator
Prog Folk
4 stars This Northeast England Geordie group had just one self-released album, which had become very sought-after by collectors. Indeed this might just be one of the most impressive private release albums ever in terms of production. The quintet (a the standard prog quartet plus Robson as the singer) develops a light rock with some light prog twist and heavy ever-present orchestrations that sort of enhance the compositions (some good concise songwriting), but also renders the rock side of the album unbearably light. Graced with a spacey artwork, the gatefold album actually leads you a bit in error, because of the nine short tracks (all loaded with a heavy- handed orchestra, present on ALL tracks), in majority written by their drummer, are never really far away from possible wide radio- airplay, precisely because of the lush sounding strings.

Most of the tunes are extremely catchy, especially the opening You Are and Those Were the days, as well as the more serious Seasons (penned by keyboardist Miller) and Brotherly Love; but this is nevertheless a prog album as there are clear influences from Yes, Crimson (but not the sombre side of the group) and some other UK proto-prog ala Cressida or Spring. However, there are some sugar-bombs that provoke cavities in the proghead's dentition, such as the overly sweet Jenny and the catchier Song For Tavish (sounding lifted from Bowie). Of the album, clearly the highlight is the two-part 7-min+ Title Track (yes that's its name), where the group shows short signs of upping the ante, but it is quickly calmed down, but picks up again a bit later. Clearly McDade's drums are having a ball on most of the album, but particularly on this track.

While it is hard to call such an album essential, I feel like giving it fourth star, partly because of the extremely positive moods (not always the case with the lyrics, but the music is certainly so) of the album, but also partly because some of my colleague reviewers should maybe get another ear on this little baby. Never heard the bonus tracks.

Sean Trane | 4/5 |

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