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Anathema - Alternative 4 CD (album) cover




Experimental/Post Metal

4.07 | 566 ratings

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Prog Reviewer
3 stars I've had this album for two years now and I have been hesitating to review it because I wasn't altogether thrilled about it after the first few listens. The album is about ill-placed trust and loyalty, betrayal, anger, and finally getting one's strength back. The theme didn't particularly appeal to me but more so I felt that the concept wasn't delivered in a truly convincing way but instead sounded rather juvenile.

The music is often pretty slow and when it picks up and tries to exhibit more tension and power, I feel it never quite reaches a satisfactory level. Vincent Cavanagh does his best to sound crestfallen, betrayed, hurt, and angered but somehow something's missing. There are a lot of references in vocal style to Pink Floyd's "The Final Cut", most noticeable when in several places Cavanagh repeats his words like an echo as we can hear on "The Wall" and "The Final Cut". "I've lost all control, control, control, control." He also gets a few good screams in their too as Waters did on the Floyd albums. It's no surprise then that the reissue comes with four bonus tracks, three of which are Pink Floyd covers from the two albums I mentioned. And actually, Cavanagh does a mighty fine job of singing like Roger Waters did on the originals.

So, I wasn't wowed and put off reviewing this album until the time was right for me and suddenly it struck me that I was ready. After a good listen I found my views had softened a little. Actually there's some good music on this album and a few highlights. I like the violin, especially at the beginning of "Fragile Dreams" as I first thought it sounded like an er-hu (a two-string Chinese violin). "Regret" has some nice "ah-ah" harmony vocals in a minor key that sound almost like they could push for pseudo-Gregorian chant with a bit more effort. The last minute of "Feel" is where things finally turn around for our protagonist and the music at last breaks free of its depressing mood, becoming powerful and charged. We also get some piano, organ, and acoustic guitar here and there.

None of the music is particularly complex, going more for mood and atmosphere. The lyrics sound a little trite at times but are sincere if not a bit tedious in their bitterness. Since purchasing this album, I have on occasion added a song or two on mixed playlists and have thus become more familiar with certain tracks and even having a couple of favourites. Now I don't think it's quite so bad an album after all, though I wouldn't call it essential unless you're a fan of the band. Good enough.

FragileKings | 3/5 |


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