METROPOLIS PART 2 - SCENES FROM A MEMORY

DT were, according to history some kind of pioneers in this genre. And they can play their respective instruments. Still I think this band and, especially this album, is seriously overrated. That does not mean I find it completely uninteresting. I just think that there are many albums in this genre that shows better songwriting, more tasteful soloing and musicianship in general.

"Regression" is not musically of interest, but is important because of the concept.

"Overture 1928" Has the very memorable intro with Portnoy hitting the snare accompanied by a cheesy synth theme. The guitars enter and we are in for some wankery, adding nothing of interest.

"Strange Deja Vu" Is partially good, and would have been even better if this band had a good vocalist. That said it's a track with some good riffage and not too much wankery. I really don't think it contains very memorable melodies, but it has a nice flow, and an interesting structure.

"Through My Words" Nice little piece with piano and vocals. Good in context, but it isn't a track you would play by itself.

"Fatal Tragedy" This track is significantly insignificant. No memorable melodies, and unconvincing wanking. In fact half of the songs 7 minutes are wankery. Not my kind of prog...

"Beyond This Life" This track is mean in a good way! Tha starting riff makes me want to (Head)bang. Not a big fan of the synth sounds, but the guitar playing makes up for it. I don't like LaBrie's voice, but in this track I think he conveys the lyrics in a convincing and good manner. Thumbs up. I also think the soloing in this song(for the most part) is good. It fits the sinister vibe of the song. STILL, I wonder how good this song would be if these guys knew how to restrain themselves. They could have cut it down 4 minutes, and end up with a better track.

"Through Her Eyes" WARNING: This song contains memorable melodies! And I quite like that. Also I like the piano and the fretless bass. Still, I wonder how this would have sounded with a guy like Daniel Gildenlöw behind the mic. Easy on the ears this one, which is great after the last one.

"Home" Nice intro with some eastern influences and a Tool-like bass riff. Then along comes Portnoy with a comical take on drumrolls. This guy could'nt play a decent drumroll if his life depended on it. That said, he is a very creative and powerful drummer. Overall an OK track.

"The Dance of Eternity" HORRENDOUS! Is this actually music. It holds no value to me. It's like a bad version of Toto's "Dave's Gone Skiing" on speed. Still I know people which I like and respect who loves this piece of S**T.

"One Last Time" LaBrie's best performance on the record. I can in fact hear every word he is singing. Also this song is short, which in this case is just fine...

"The Spirit Carries On" This song is alright. It has guitar soloing that actually resembles melody and is kind of soothing to listen to. I know many people have a problem with the gospel. I don't. I like it. This is probably one of the best songs on this record. It showcases songwriting more than skill. No "Take The Time", but still quite enjoyable.

"Finally Free" This title kind of sums up my feelings at the end of this listening experience. This track is not too bad though. But overall this album is not up to par even with the best from this band, and miles away from records like Symphony X's "V" or "Pagan's Mind's "Celestial Entrance"

That said it is ok. Not good though, so I'll give it 2 stars.