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The Pentangle - The Lost Broadcasts 1968-1972 CD (album) cover


The Pentangle


Prog Folk

2.44 | 6 ratings

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1 stars I believe that this is the first time I have ever rated an album with a lowly one star. However, I have some very good reasons for doing so.

This collection of BBC sessions from The Pentangle are "from off the air" private recordings, as no BBC archival recordings of The Pentangle are known to exist. Shame on the BBC.

Well, not really. The BBC didn't have all of the session recordings that made up the impressive Fairport Convention BBC sessions compilation album titled Hey Day, which featured never recorded cover versions of American folk songs from Bob Dylan and Leonard Cohen on through to Joni Mitchell, along with many other notable American folk artists. Original Fairport bassist and co-founder Ashley Hutchings at least had 1/4 inch tape "safety copies" made for his private collection that were of decent sound quality and were used to make the album. And what if they were not? Those rare Fairport recordings would still have warranted a listen regardless of the sound quality, as does the rare but dodgy sounding mark 1 Renaissance recordings titled Past Orbits Of Dust 1969/70. The early John Hawken led version of the now familiar Annie Haslam era mark ll lineup is precious because the group was only together for one year and were indeed rarely recorded live except for two or three songs that were occasionally recorded for "one off" radio broadcasts.

This is not the case with The Pentangle: The Lost Broadcasts 1968-1972. There is nothing super rare on this collection except a group arrangement of the inane song Moondog, which was a filler piece for drummer Terry Cox on the group's second album titled Sweet Child, in much the same way that Ringo Starr's songs were filler on many Beatles albums. Rubbish.

The sound quality of The Pentangle: The Lost Broadcasts ranges from poor (mostly) to passable (on rare occasions). As I've stated, there are no historical performances featured on this BBC sessions compilation, and I can not think of any viable reason why it exists. Pass this one up unless you are a diehard fan that must have everything recorded by this once revered British folk/blues/jazz rock fusion ensemble.

SteveG | 1/5 |


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