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Acid Mothers Temple - In C CD (album) cover

IN C

Acid Mothers Temple

 

Psychedelic/Space Rock

3.44 | 12 ratings

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DamoXt7942
Forum & Site Admin Group
Avant, Crossover & Neo Teams
4 stars Needless to say, "In C" is a masterpiece created by Terry RILEY. Not familiar with minimalistic music but I've listened to his play and got amazed really. No detailed explanation for this stuff needed, and AMT's "In C" cover can be mentioned apparently as their homage to Terry. Their interpretation for "In C" might not be simplified as minimalism but be merged with confused sound jack-in-a-box. Guess they would treat this superb fantasy to their soundscape, namely "space rock", Hiroshi's synthesizer-based brilliance effectively featured. This dreamy parfait can be enjoyed by not only minimalism freaks but also space-rock-addicted guys. Fortunately they play this "so to speak, tough to play" song as though to grab the minimal gem perfectly out.

Therefore they have created two high regards for "In C" ... I imagine strongly, distortedly (not a criticism but an admiration) influenced by Terry, Atsushi / Yoshimitsu / Makoto might have created and launched their minimal explosion "In E", that sounds crazy, spicy, and spacey just like their previous (and following) creations. This track is so drenched with ethnic flavour by tribal instruments, maybe along with Atsushi's inspiration, enough to exert difference from Terry's C upon the texture of sound. My pleasure to find such a consideration via their sound "identity" itself. Atsushi's squid-like bass play and Yoshimitsu's sharp drumming, both of which tighten their rhythm basis, are splendid and we cannot avoid this balanced weight at all. Of course, Makoto's swift guitar impression makes a bunch of stardust here and there, and yes, Hiroshi's synthesizer drives us mad obviously. Another fantasy really.

"In D", produced by Makoto, is more and more minimalistic and Rileyistic than other creations by them, but not only minimalistic but also flickering they (especially the producer Makoto) exert upon this track. Cannot say simply but let me feel they might express something difficult around the current world (not mention in detail here though). Like transcendental meditation or tranquilizing medication, their inorganic tiny sound word absorbs us completely, and takes us away permanently ... as if with telling us something of a risky business.

This is such a great minimalistic music blended with fantastic space rock, let me say, sorry for my very brief words.

DamoXt7942 | 4/5 |

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