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Heldon - Un Rêve Sans Conséquence Spéciale CD (album) cover




Progressive Electronic

3.27 | 47 ratings

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Prog Reviewer
2 stars A dream... or a nightmare?

2.5 stars

Whereas HELDON polished their musical style on their previous album, "Agneta Nilsson", this fifth opus is rather experimental and heteroclite. It displays violent, cold and chaotic soundscapes. "Un Rêve Sans Conséquence Spéciale" is also the band's first studio release to feature its definitive 70's line-up, with ex-MAGMA bassist Janick Top as a guest musician.

The first half of the record is quite noisy. "Marie Virginie C" is a dissonant electro rock track. It contains ferocious guitars, frequency generators, a gong, and souns like a machine went mad, destroying everything standing in its way. The ambient "Elephanta" is a jungle mess of electronic and acoustic percussions. It may resemble concrete music.

The second half is more listenable. The sinister and pachydermic "MVC II" reuses the electronic loop from "Marie Virginie C", however in a much slower tempo. It may bring respiration during the listen, but does not contain many variations and becomes quickly repetitive. Finally, Pinhas and co. return to their usual style with the 15 minutes "Toward The Red Line". This composition is simply one of HELDON's bests and most futuristic. Furious rock and drumming supporting dark, frenetic, hypnotic synthesizer sequences. This is the track featuring Janick Top.

Even for lovers of the band, this fifth album will divide people. Some of them will love this experimental, disharmonious side, others will skip most tracks after a few minutes. If you're looking for heavy psych electronics, only the very nice "Toward The Red Line" matches your wishes.

My least favourite HELDON studio album from the 70's.

Modrigue | 2/5 |


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