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Octobre - Octobre 1972-1989 CD (album) cover

OCTOBRE 1972-1989

Octobre

 

Crossover Prog

4.08 | 9 ratings

From Progarchives.com, the ultimate progressive rock music website

FragileKings
Prog Reviewer
4 stars My explorations of French Canadian prog of the seventies brought me around to Octobre; however, the only album I could find on CD was this compilation. As I understand it, only their fourth album, "L'Autoroute des rêves" was ever released on CD. As far as compilations go, though, this double disc is pretty good. It includes six of the eight tracks on the original debut in 1973, eight of the nine tracks from the second album "Nouvelles Terres" of 1974, seven of the eight tracks on the third album "Survivance", only two songs from the fourth album mentioned above and probably only two because the album was available on CD, and seven of the nine tracks on their fifth and final studio release "Clandestins" in 1980. There are four live tracks as well, recorded at a one-off live performance in 1989. So with this compilation you are nearly getting all of the songs from four of their five studio albums which were never released on CD. That's a pretty sweet deal, especially since I picked up this double disc for about $15!

Octobre were a bit of an odd ball prog band. Most Québec bands I have in my collection are closer to jazz rock fusion with a strong classical background or they emerged from the heavy psychedelic rock of the early seventies. These bands, especially the former, put most emphasis on music and less on lyrics with some bands like Maneige and Sloche being almost entirely instrumental. In the case of Octobre, pianist/vocalist Pierre Flynn wrote songs reflecting the social political climate of Québec in the day when Francophone pride was fiercer than ever and the separatist movement was very strong. Given the subject matter one would think that heavy metal or punk would be better subgenres for expressing Flynn's feelings and observations. Certainly not prog. Add to that Flynn's beautiful classical piano passages and his voice which at times goes French chanson style and the jazzy nature of the rest of the band and you might be wondering why progressive rock for these lyrics. Well, that is if you can understand the lyrics. My French reading skills are barely passable with a dictionary and my listening skills are much worse. I have to take the word of another reviewer regarding the lyrics.

When I first got this double disc, I found the amount of music a little overwhelming and one of the first things I did was to arrange the songs on a playlist in the order that they appear on their original albums. This way I know at least what album I am listening to. As it turns out, the songs were all arranged chronologically anyway just not in the exact same order as they appeared originally. Listening to all the songs this way helped me break down the different musical periods from album to album and formulate a clearer opinion of how I perceived the band had changed over the course of their five studio releases.

The six tracks from the self-titled debut are very much song oriented and not so long. The music is very good early seventies rock with the classical and jazz elements taking a backseat to the importance of the sung parts. From the first listen, the song that caught my attention here was "Les vivants". There's a beautiful keyboard intro with what I'll guess is a tricky time signature. The song then becomes more gentle and "normal" but features a rockin' guitar solo in the middle interspersed with more keyboards.

"Nouvelles Terres" sees the progressive music element coming more to the forefront. The songs are still mostly geared towards the song structure and lyrics but the complexity of the music (meter and tempo changes, stylistic changes, etc. within a single song) has stepped up. "Les Nouvelles Terres", "Violence" and "Génération" feature some great progressive music sections and "La Passe du Grand Flambeau" is an exciting instrumental where the band can really show of their talent.

Their third album "Survivance" must have been Octobre's best. Tracks like "Tendre Torture", "La valse à onze temps" (Waltz in Eleven Time), and "L'Oiseau Rouge" see the band developing their progressive abilities further. The instrumental "Baptême de l'air" was short enough on the original album but it's truncated here to a mere 1:46, a pity really as it is also an excellent bit of work.

The fourth album "L'Autoroute des rêves" can only be appreciated in two songs here, but my impression is that by now the band had moved past the more progressive rock approach of the second and third albums and had returned to focusing more on songs. However, this notion really strikes home for me with the fifth album "Clandestins" of 1980. Though the music is still very good and even excellent, it sounds more pop rock than prog and I feel like I am listening to someone else's music and not something from my collection. Still, I noticed that even when I felt like the songs had returned to being more mainstream, there would be pleasantly surprising parts regularly cropping up.

The live songs are good and certainly I understand the desire to include them here as part of the band's closure. I, however, would have preferred more studio tracks, perhaps more from the fourth album. Nevertheless, I can't complain as I got an impressive collection of music that covers most of the band's recording career.

One point to make is that the CD booklet is all in French. Albums reissued in the ProgQuebec series come with a brief history in both French and English. But other Francophone albums like this one tend to have a bio in French only. If you want to read more in English, you can find a decent bio on the ProgQuebec web site.

Overall, if you don't mind albums in non-English or you can speak French, the music here is mostly fun to listen to. Not your typical seventies rock band and not your typical prog band either, Octobre were wonderfully talented and wrote a lot of great songs nonetheless.

FragileKings | 4/5 |

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