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Robert Fripp - I Advance Masked (with Andy Summers) CD (album) cover

I ADVANCE MASKED (WITH ANDY SUMMERS)

Robert Fripp

 

Eclectic Prog

3.35 | 38 ratings

From Progarchives.com, the ultimate progressive rock music website

js (Easy Money)
Special Collaborator
Honorary Collaborator / Retired Admin
3 stars If you enjoy that style of interlocking guitar melodies that Fripp pioneered in the early 80s then you will probably want to get this album. I actually think this album is probably one of his most successful efforts in this area. The difference with this album is the abscence of a rock beat on almost all of the songs, this really allows the guitars to stand out on their own without a loud beat to battle with.

Fripp is heavily influenced by traditional music from around the world on this outing. Most people recognize the influence of Indonesian gamelan on his music during this period, but there is also a strong African influence as well. Mbira or thumb piano music from Rhodesia seems to be a strong factor in songs like Painting and Dance. Also, the interlocking guitar style of 80s pop bands from what was then known as Zaire seem to be an influence as well. Traditional music from China and Japan are also an influence on this almost classical sounding album.

Although busy guitar work dominates most of the songs on this album, there are some exceptions. Under Bridges of Silence is a sombre ambient soundscape and Girl on a Swing is a peaceful Asian influenced melody. In the Cloud Forest features Fripp playing a free-ranging solo with his classic Frippertronics guitar sound, something I wouldn't expect on an 80s record. Another interesting song is the title track which is one of the few songs with a pronounced drum beat. It sounds like the perfect blend of 80s Crimson and the Police only without the vocals. There are other songs that are in styles that are hard to describe, but sound like pure Fripp.

Another interesting aspect of this album is the way in which it seems to predict the arrival of Math Rock, and to a lesser extent Post Rock, years before either of those genres had a name. I think this album is closer to what is called Math Rock today than Fripp's work in the early 80s version of King Crimson.

This is a great album that sounds better everytime I hear it. Fripp pulls influence from clasical music from around the world and ends up with a glimpse of the future.

js (Easy Money) | 3/5 |

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