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The Soft Machine - Orange Skin Food CD (album) cover

ORANGE SKIN FOOD

The Soft Machine

 

Canterbury Scene

2.00 | 1 ratings

From Progarchives.com, the ultimate progressive rock music website

Walkscore
2 stars This is a collection of bootleg recordings that in 2005 received official release on a German label. There are actually 4 different live performances on this recording, each with a different sound quality. Frustratingly there is NO information about the dates or band membership or anything included with the CD. However, I can tell by listening that all of these involve the classic fourth-era quartet of Wyatt (drums, voice), Ratledge (organ, e-piano), Hopper (basses), and Dean (sax, saxello), and so these recordings must date from 1970-1971. The four separate performances span across the two CDs, and not necessarily in order (whey they did this? well there is no information). While the sound quality is mostly poor, clearly all recorded on household cassette machines, but not as bad as other boots I own. Also, the label did a decent job applying modern software technology to cleaning up the tape hiss, and some of the performances are quite notable, so this is definitely not a one-star set. The main frustration is that a number of songs fade in or out (in three of the four shows), so you don't always get the whole song. Here is what I have come up with, based on the differences in sound quality, and what I think about each:

Performance 1: CD1, Track1: Slightly All the Time CD1, Track 2: Out-Bloody-Rageous CD1, Track 4: Mousetrap CD1, Track 5: Noisette CD1, Track 6: Backwards CD1, Track 7: Mousetrap (rep) CD1, Track 8: Hibou, Anemome and Bear CD2, Track 9: Eamon Andrews

This is all in mono, with only OK sound quality. Some very good playing, and an interesting transition between Slightly all the Time and Out-Bloody-Rageous which is worth hearing by mega-fans. Also, the long version of Eamon Andrews is worth it (unfortunately, they fade out Hibou just when a solo is beginning, though).

Performance 2: CD1, Track 10: Esther's Nose Job CD1, Track 11: Pigling Bland CD2, Track 1: Facelift CD2, Track 2: Moon in June

These are very good performances, but annoying fade in and out. Facelift is missing both its beginning (so, no organ solo:( and its end, and Moon in June fades out just after the main loud solo. I would have loved to have the whole peformances here, as it seems the band was really 'on' that night. But sound quality if poorer than P1, and in mono.

Performance 3: CD2, Track 3: Out-Bloody-Rageous CD2, Track 4: Facelift CD2, Track 5: Fire Engine Passing CD2, Track 6: Pig CD2, Track 7: Orange Skin Food CD2, Track 8: A Door Opens and Closes CD2, Track 9: 10:30 Returns to the Bedroom CD2, Track 10: Pigling Bland CD2, Track 11: 10:30 Returns to the Bedroom (rep)

This is the performance with the best sound quality - very good (for a bootleg), and in stereo, comparable to a number of the other official releases. Thankfully, there are no fade-outs so you get the entire performance here. The Esthers Nose Job set is great. The band is tight, although the soloing is generally short (only a very short fuzz-organ solo at the beginning of Facelift, unfortunately). The final track in the set (the reprise of "Returns to the Bedroom") is a notable for short Wyatt echo-voice and echo-drum solos and a few other crazy sounds. Those who don't like bootleg-quality sound will probably only want to listen to this set.

Performance 4: CD1, Track 3: Moon in June CD2, Track 12: I should have Known

This is the recording/performance with worst sound quality, mono, with still-audible tape hiss, and obviously from a tape that had seen better days. The performance of "I should have Known", nonetheless, is notable. It fades in, so you might not even recognize the song. Wyatt sings it very slowly, without all the usual rhythm or chord changes, and there is a drum solo through an echo unit, much longer than the one in the third performance.

The performances here are good, and the sound quality is decent on performance 3, so this does not deserve only 1 star. Saying this, it is likely to appeal only to those (like me) who can't get enough of live Third/Fourth-era Soft Machine recordings. So two PA stars.

Walkscore | 2/5 |

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