CHANGE WE MUST

"Change we must" as the man says, and to a certain extent he does. This album may not be earth shatteringly different (or indeed progressive!), but it does represent something of a shift in Anderson's focus. The most notable aspect of that change is the dominant use of the London Chamber Orchestra throughout the album.

In some ways, "Change we must" is a predecessor for the YesSymphonic tour and their "Magnification" album, with conventional rock instruments only being used on a handful of tracks here. The tracks are a mixture of Anderson solo compositions, and songs he wrote with Vangelis. Also included is one Yes song, "Hearts", originally from the 90125 album.

The orchestrations throughout are absolutely superb, making for a refreshingly unique atmosphere and sound. The version here of "State of Independence" may well be the definitive recording of that song, capturing the full majesty of the piece. The album's highlight though is the stunning "Chagrall duet" where Anderson does indeed duet with Sandrine Piau. The fine melody of Anderson's composition is wonderfully brought out through the pureness of Piau's voice.

There are inevitably some of Jon's more sentimental songs, such as the Jon and Vangelis composed "Candle song". Even these though benefit from sympathetic arrangements and some of Anderson's finest vocal work ever.

A couple of tracks, "Run on, Jon" and "A view from the coppice" feature the piano playing of Gwendolyn Mok in place of Anderson's vocals. The spirited orchestration which accompanies them is reminiscent of some of Stackridge's work (especially "God speed the plough").

The final highlight is "Hurry home", a piece which builds from a soft start to a grand crescendo of Anderson plus choir. On "Under the sun", we find some impressive multi-part harmonies while the title track, which closes the album, sees the choir return for a sentimental but delightfully reflective piece. The climax of the track has some excellent lead guitar by Milton McDonald.

The theme of the album is based on a book called "Change we must" written by Hawaiian spiritual teacher Nana Veary. The author took her inspiration from the music of nature, something Anderson perhaps brings out in his music here, if not lyrically.

"Change we must" may not have the progressive depth of "Olias of Sunhillow", but it is surely his finest work since that stunning debut. Recommended.

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