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Novalis - Vielleicht Bist Du Ein Clown ? CD (album) cover

VIELLEICHT BIST DU EIN CLOWN ?

Novalis

 

Symphonic Prog

3.33 | 64 ratings

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Tarcisio Moura
Prog Reviewer
4 stars My P.A. colleague and good friend Kenneth Levine claims that Novalis found its voice with this album. I am not sure if I totally agree with that statement, since I still havenīt heard much of their later material, but it is clear that Vielleicht Bist Du Ein Clown ? is a different LP of sorts. I supposed everybody thought they would embrace the pop market after the previous Brandung, but that was not what happened. Sure, the extensive, side long, opus are gone forever, but the prog element is still here. And if they were courting the charts they probably would not open the new album with an 8 minute+ song that is also drenched with mellotrons (who was still using that instrument in the disco dominated year of 1978?).

The guitars are on the upfront here, but overall their sound became more fuller and richer than before. There are also two instrumentals, and the most "commercial" song of the entire album, the title track, has a very fine, Jethro Till-like flute solo (again, who was still playing the flute in 1978?). So, although they were not that symphonic or epic, they still have something interesting, different and good to offer to us in a time most prog acts were either stuck in a rut or gone commercial. I found their music to be melodic and accessible, ok, but also intelligent, elaborated and soulful. The last track, Die Welt Wird Alt Und Wieder Jung, where the vocals are accompanied only by a tickling piano is specially poignant, even if I donīt understand german.

In the end I found myself loving this CD because it is obviously a labor of love. I admire their nerve to face the obvious commercial pressures of the time to release something so personal and different. There are no fillers, and the opening track Der Geigenspieler is definitely one of their best songs. If you lost any hope for them after the great Sommerabend, think it over.

Rating: something between 3,5 and 4 stars. Not really essential, but very, very good anyway.

Tarcisio Moura | 4/5 |

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