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Ekos - Otra Dimensión CD (album) cover




Psychedelic/Space Rock

4.03 | 149 ratings

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4 stars A new release from this band from Mexico City that is PINK FLOYD-inspired without being a straight imitation or too derivative. Lots of atmosphere, familiar guitar sounds, wildly creative keyboard/synthesizer use, and solid, hypnotic rhythm section. Listening to Otra Dimensión, I am actually more reminded of Norwegian band AIRBAG's debut album, Identity.

Tracklist: 1. "Merkaba" (5:08) truly spacey and mood-setting, though not much in the way of song structure. (8/10)

2. "Gravedad" (4:01) and nice slow tempo rocker putting on display guitarist Jesus Torres's pedal steel talents. (9/10)

3. "Avatar Pt. I" (5:33) a very delicately constructed weave of bass, picked guitar and quiet keyboards that is joined in the third minute by drummer Carlos Clériga's sensitive cymbol play before the song finally breaks into a pretty vocal-led ballad. (9/10)

4. "Sublimatio" (3:01) shows off the band's "heavier" side with almost-metal, almost-djenty riffs from start to finish. More like an instrumental étude in metal play. A nice guitar solo in the final minute is ruined by a very cheesy 80s synth bass and end. (7.5/10)

5. Astralis (3:20) opens with piano-based gentle rock lineup before multi-layered harmonized vocal enters around 0:40. Another venture into heavier, metal-riffing at 1:05 throws me off--especially when the incongruous synth solo begins. The lead guitar work in the third minute is nice (despite the support of the rudimentary metal music). (8/10)

6. "Avatar Pt. II" (3:18) opens as a straight-thru bleed from the previous song. Vocals from the getgo with an odd pop electric piano bouncing around in-between the vocals, drums and guitar "power chords." A sudden shift at 1:55 draws me in--floating, panning keyboards in the background with nice electric guitar lead up front. Odd song. (8.5/10)

7. "Orillas Del Tiempo Pt. I" (4:01) opens very prettily with arpeggiating guitar, cymbol play and tropical jungle keyboard sounds. Vocal enters to calm and space out the scene. Synths, echoed guitar, and fake-echoed drums try to effect a scene or mood. The guitar solo that begins at the end of the second minute is stellar--one of the best I've heard all year--true emotionality of the master, Dave Gilmour. At 3:15 the song kind of devolves into a 1980s power rock song (think Bon Jovi). Despite this, the guitar continues to shred emotionally. (9/10)

8. "Invocación" (4:44) opens with piano and a very familiar guitar sound (Collage, Riverside) while band establishes foundation for a slow rock song. Vocal enters at the end of the first minute and doesn't quite fit. Where is Robert Amirian when you need him! The song evolves quite unpredictably--which is a good thing, for a while--but then ends like a song that should have been on GENESIS's ...And Then There Were Three... (8.5/10)

9. "Espejo" (5:38) opens with a piano and synth sound and style that is starting to feel a bit old. But then at 0:35 everything shifts. A darker, murkier soundscape takes over á la some of the great songs on David Gilmour solo albums. I love that the band chose to sing in their native tongue throughout the album. The synth work of keyboard player Ana Camelo (starting at the 2:00 mark) is the standout performance of this song--and it is wonderful. Richard Wright taken two steps further. The song amps up for the second verse with the return of the WHITESNAKE guitars for the final minute or two. (9.5/10)

10. "Orillas Del Tiempo Pt. II" (5:58) opens with a bit of a New Age feel to it--until the gentle, atmospheric singing enters. At the one minute mark enter bass and arpeggiated guitars, then drums and soloing synth (á la "Welcome to the Machine"). Nice bass and drum play. Throughout. Actually, nice mix aurally and technically. Return of the power chords while the ghost of Richard Wright plays up front with an abandon he never had in life. (Nice work, Ana!) My favorite song on the album. (9.5/10)

11. Otra Dimensión (2:01) nice sonic outro with droning synth and meandering Satie-esque piano solo playing out to the end. (9/10)

Total Time 47:00

A band of creative if tempered and influenced instrumentalists have collaborated to create an exciting collection of songs. I see so much potential, so much more, for this band! I, for one, will be watching for future releases! I truly understand the praise and attention this album is receiving from the prog community!

A solid four star album; an excellent representation of progressive rock music.

BrufordFreak | 4/5 |


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